

Columns By Leonard KladyKlady@moviecitynews.com
21 or Bust…
The card counting added up to an estimated $24.1 million as the debut of 21 ascended to the top of weekend movie going. The solid bow coupled with a better than expected $9.4 million opening for Superhero Movie still could not stave off another box office erosion as the movie experience hunkers down in the…
Read the full article »Birthday Wishes
My 25th birthday is in a little more than a week and so I’ve compiled a list of ten hopes and wishes for the film world in the upcoming year. All of these items will be feasible, some even probable, so don’t expect anything too outlandish. But I must say that the privilege of working…
Read the full article »Easter Lays an Egg…
The second weekend of Horton Hears a Who led weekend film going but not as definitively as it had in its debut. The Seussical sophomore session rang up an estimated $25.3 million while the debut of Meet the Browns from niche auteurTyler Perry was within striking distance at $20.2 million. The Easter weekend (not one…
Read the full article »Beowulf
When the camera was invented, painters had to move away from realism to compete, but the camera’s rule may turn out to be short-lived. Since 1937, when Walt Disney created Snow White and the Seven Dwarfs – or perhaps even earlier, when Winsor McKay depicted the sinking of the Lusitania-artists and painters have been working to represent reality…
Read the full article »Mailbox
These are truly the dog days of the film year, with the Oscar hangover having worn off and the summer tentpole projects yet to be unveiled. The biggest things going on in the film world right now include a movie about woolly mammoths and an adaptation of a Dr. Seuss book. In the indie scene,…
Read the full article »Who’s On First…
Doc Seuss’s Horton Hears a Who translated best to the big screen audience this past weekend with an estimated $45.3 million. It was sloppy seconds for the frame’s two other national freshmen with the teen martial arts yarn Never Back Down generating a respectable $8.8 million to rank third overall and the Apocalyptic adventure Doomsday…
Read the full article »I Hate You… But I Love Your Work
Earlier this week, I was reading a quote by Natalie Portman in Elle in which she endorsed Hillary Clinton. It read in part as follows: “A lot of the stuff people say about her, I hear it and my stomach falls because it’s so sexist. You ask people why they don’t like her and it’s because her husband…
Read the full article »35.1 Million B.C. (Big Cume)…
History be damned, 10,000 B.C. went to the head of the class with an opening weekend estimated at $35.1 million. In an otherwise depressed frame, there was also positive spin for College Road Trip that debuted in second spot with $13.8 million and a rather respectable $5.4 million launch for the ripped from the headlines…
Read the full article »So What!?
Wednesday morning Motion Picture Association of America president Dan Glickman got on the phone with (by my count) 15 or so entertainment business journalists. He told them a few things they probably knew, a lot they could have guessed and a panoply of things of no great significance. The seeming important news was that the domestic…
Read the full article »American Gangster
Denzel Washington gives one of his increasingly appealing, wise, movie star performances as a successful drug kingpin in the Universal 2-DiscUnrated Special Edition, American Gangster. As Washington’s stardom is sustained, he seems to be drifting away a little bit from acting – from trying to find the real emotional truth in every moment – but…
Read the full article »Skating With Van Sant
Gus Van Sant has become something of a divisive figure in the motion picture industry, especially with his last four films. These films are heavily influenced by Hungarian filmmaker Bela Tarr, who is famous for making excessively long movies like Satantango that don’t bother with little details like plot or story, sometimes even eschewing dialogue altogether…
Read the full article »Semi-Po’ and Con…
Despite topping the weekend box office chart with an estimated by $15.4 million, Semi-Pro provided slim comfort in a depressed post-Oscar frame. No Country for Old Men added close to 1000 theaters and saw its revenues rise 63% but other winners saw no immediate benefit in the domestic arena. The frame also saw a strong…
Read the full article »