MCN Columnists
Kim Voynar

Columns By Kim VoynarVoynar@moviecitynews.com

Top 10 Documentaries of 2010

I had kind of a bad year for documentaries, which is too bad because I love docs. Maybe it’s partly because I missed Sundance, or because docs can be hit and miss and I just happened to fall on the wrong side of that equation this year. Whatever the case, I managed somehow to miss…

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Wilmington: The Ten Best of 2010

So here’s my list of The Ten Best Movies of 2010, plus Honorable Mentions and a separate list of documentaries. I know it’s customary at this time to write about how awful a year it was, and how I had to struggle to find ten movies worthy of recognition, and how Hollywood is so bankrupt…

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MW on Movies: Little Fockers, Casino Jack, How Do You Know, and Gulliver’s Travels

This movie is not even vaguely funny. If this movie and its representatives claim they are doing anything funny, they should apologize. And if your friends disagree with me, if they insist that I‘m a pompous snob, and that you yourself will attend the local showings of Little Fockers with lots of real people convulsed with real laughter and slapping real knees, you should get them to sign notarized affidavits explaining where all the jokes are.

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DVD Geek: The Complete Metropolis

Viewers can finally appreciate the beauty and the fury of Metropolis as it was meant to be experienced and enjoyed. The footage is fairly easy to spot, because the traditional footage is immaculately presented in full screen format, solidified by the lovely BD presentation with smooth, sharp contrasts and barely a scratch, while the restored footage is still quite battered and is slightly windowboxed, though perfectly viewable. It’s not ideal, but it’s worth having, without hesitation.

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MW on DVDs: The American, Cronos, I am Love … and more

PICK OF THE WEEK: NEW The American (Three Stars) U.S.; Anton Corbijn, 2010 (Universal) I like George Clooney. No off-color psychological speculations, please. What I like about him is the easy-going “good guy” way he plays the Hollywood game. I like his politics, his philanthropy, his unpretentious smarts, his good-natured jock style, his taste in…

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The DVD Wrap: Elsewhere, And Soon the Darkness, Twelve, The Jesus Guy … and more

Elsewhere Oddly enough, the best line of dialogue I’ve heard in a long time comes in Nikolaus Geyrhalter’s amazing documentary, Elsewhere. After shooting a large seal with a harpoon gun, an Inuit hunter quips, “I hope I didn’t hit the white people.” The “white people” were sitting directly behind the man, chronicling the first hunt…

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Frenzy on the Wall: 2010 Top Ten

2010 has not been a great year for movies. I think the films that are on this list are superior works of cinematic art, but I think that I saw more mediocre and middling fair than ever before. Is it that the actual quality of the films this year wasn’t as good as the past…

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MW on Movies: True Grit

True Grit (Four Stars) U.S.: Ethan and Joel Coen (The Coen Brothers), 2010 Mattie Ross, the 14-year-old heroine of the new Coen Brothers movie, True Grit, — the Coens’ remake of the 1969 classic with John Wayne — is the kind of spunky, indomitable little kid we’d have all liked to have known, or to…

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MW on DVDs: Wall Street: Money Never Sleeps, Romeo and Juliet, Salt, Easy A … and more

Oliver Stone’s Wall Street: Money Never Sleeps returns us to one of Stone’s great subjects of the 1980s: the glamour and corruption of the American financial markets. A sequel to Stone‘s 1987 Wall Street, this show plunges us back into the seductions and pitfalls of the casino mentality on the trading floors and the stock market, of inside guys making huge, quick profits and the dangerous games and ruinous consequences of playing with other people‘s money, other people‘s lives — and not giving a damn about it.

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The DVD Wrap: Salt, Wall Street: Money Never Sleeps, Step Up 3, Soul Kitchen … and more

Salt: Deluxe Unrated Edition Angelina Jolie has proven time and again that she’s the only established actress — outside China, anyway – who not only can open an action film, but also carry it to the finish line at the box office, no matter how unfathomable the premise. If I had to boil her appeal…

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Top Ten Feature Films 2010

I really struggled over my top ten list this year. There were maybe six films that were pretty hard locks early on, which only left four open slots for the rest of a field of strong contenders — not a lot of wiggle room in a year with a good many solid films rightfully in…

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Frenzy on the Wall: No Country For The Coens’ True Grit Remake

True Grit is undeniably brilliant, but I didn’t love it. It’s a very good movie, better than most things you’ve seen this year and completely worthy of your time and money. But considering the talent in front of the camera and behind it, considering the themes on display and the moments of genius that burst…

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MW on Movies: The King’s Speech and Yogi Bear

The King’s Speech (Four Stars) U. K.: Tom Hooper, 2010 The King’s Speech — which tells the story of King George VI’s chronic speech impediment, and of how he overcame it with the help of a boisterous Australian actor/therapist just in time to help Britain win World War II — is being touted as this…

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The DVD Wrap: Despicable Me, The Town, Cyrus,The A-Team, Micmacs, Joan Rivers: A Piece of Work … and more

Despicable Me: Blu-ray 3D Legend of the Guardians: Owls of Ga’hoole: Blu-ray 3D Anyone old enough to remember such ancient cartoon evil-doers as Snidely Wipelash, Boris Badenov, Dishonest John and Crabby Appleton probably will enjoy Despicable Me as much as their kids and grandkids. For Boomers, especially, it will recall a time when villains didn’t…

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MW on DVDs: The Town, Mother and Child, Despicable Me, The Other Guys, Nanny McPhee Returns … and more

The Boston, Massachusetts, of Ben Affleck‘s new movie The Town – and of The Departed, Mystic River, Gone Baby Gone and other recent thrillers, Dennis Lehane-derived or not — is decades away from the morally bent city of that great under-seen 1973 neo-noir The Friends of Eddie Coyle. But it has a similarly chilly temperature, the same clipped sense of smart-ass New England doom and Kennedy-accented cynicism welling up from the mean, sullen streets.

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Frenzy on the Wall: Black Swan

In the few days that have passed since my initial viewing of Black Swan – with an absolutely packed house in Union Square that audibly gasped and laughed like any other horror film – it has grown in my estimation. I have only seen two masterpieces of cinema in 2010, with two weeks to go, and Black Swan is one of them.

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Digital Nation: Rare Exports: A Christmas Tale

Too often, movies leave audiences scratching their heads in bewilderment over how some exceedingly well paid, college-educated Hollywood studio executive could have been dim-witted enough to green light such an inarguably bad picture. A critically lauded film can be equally perplexing, leaving viewers wondering if they fully grasped a director’s intentions or could articulate what…

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MW on Movies: The Tourist, The Chronicles of Narnia: Voyage of the Dawn Treader, and The Fighter

This is a city we’d probably all like to visit, and it’s shot here by director-co-writer Florian Henckel von Donnersmarck and cinematographer John Seale, with all the color and the luster they can, uh, muster. (Without fluster). A huge advantage, that.

Which The Tourist then sort of squanders.

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MW on DVDs: Restrepo, Inception, The Grapes of Wrath, Shrek Forever After … and more

PICK OF THE WEEK: BLU-RAY Restrepo (Three and a Half Stars) U.S.; Sebastian Junger/Tim Hetherington, 2010 (Virgil) Restrepo is a documentary about the war in Afghanistan that’s beautifully shot and terrifyingly convincing. The color photography is crisp and clear. The subjects, a platoon of American soldiers in the mountains, are amazingly candid. The directors —…

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The DVD Wrap: Inception, Restrepo, Videodrome, Cronos, Strictly Ballroom … and more

Inception: Blu-ray Normally, I wouldn’t recommend watching a background featurette before checking out the main attraction first. The summer smash, Inception, demands a bit more work on the part of the viewer than most movies, though, and to fully enjoy the experience, some preparation is advised. This isn’t to imply the only people capable of…

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Columns

Gary Dretzka on: The DVD Wrapup: Ophelia, Ambition, Werewolf in Girls' Dorm, Byleth, Humble Pie, Good Omens, Yellowstone …More

rohit aggarwal on: The DVD Wrapup: Ophelia, Ambition, Werewolf in Girls' Dorm, Byleth, Humble Pie, Good Omens, Yellowstone …More

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon