MCN Columnists
Gary Dretzka

Digital Nation By Gary DretzkaDretzka@moviecitynews.com

We Live in Public

What follows is an extremely brief history of the Internet. Once upon a time in America, computers couldn’t talk to each other, instantly or otherwise. Then, they could. Once upon a time in America, e-mail didn’t exist. Then, it did. Once upon a time in America, commercial use of the Internet was forbidden. Then, it…

Read the full article »

Crude

Documentaries aren’t like other movies. Facts, like disobedient children, don’t always come when they’re called. Too often, stories that appear to be no-brainers crumble like a house of cards, leaving filmmakers with nothing to show for their work, except a stack full of outstanding AmEx bills. Joe Berlinger understands how certain virtues – patience and…

Read the full article »

Smile ’til it Hurts

The odd thing about conspiracy theories is that no matter how hard government officials, business executives and editorial writers work to discredit them, a surprisingly large number of them eventually turn out to be true. The CIA actually did ask the Mafia to help assassinate Fidel Castro; the FBI really had infiltrated the Black Panther…

Read the full article »

Jeffrey Levy-Hinte Finds Some Soul Power

Nostalgia dictates that everything that came before not only is grander than what is currently in vogue, but, in all likelihood, what is yet to come. Nowhere is this belief more firmly entrenched than among sports fans and music lovers. No matter how much money HBO and Showtime pour into the promotion of title fights…

Read the full article »

Looking Beyond the Veil: Arab Women in Film

In hindsight, it would be fair for a novice historian to assume that the Japanese attack on Pearl Harbor — when considered alongside Germany and Italy’s military actions in Europe and North Africa – would have provided sufficient motivation for Americans to support our entrance into a global war against the Axis powers. If so,…

Read the full article »

Irene in Time: A Father’s Day Gift from Henry Jaglom

Irene in Time, a movie devoid of any positive male role models, is being released Friday, two days ahead of Father’s Day. Naturally, the peculiar timing begged the question, “Who thought this was a good idea?” “Actually,” replied writer-director Henry Jaglom, “it was my idea. Sometimes, you need a marketing hook to encourage people to…

Read the full article »

Real Life Meets Cinema: Unmistaken Child and Throw Down Your Heart

Twenty-three years ago, in his Graceland album, Paul Simon anticipated the coming of the digital age and global shrinkage as well as any scientist, engineer or palm reader. It was an analog world back then, and Pope John Paul II, President Reagan and MTV Europe had yet to make a dent in the Iron Curtain….

Read the full article »

Real Life Meets Cinema: Issues Raised by Burma VJ Emphasized by Arrest of Activist

There was a day, not so long ago, when no potential blockbuster could be launched without the benefit of an elaborate publicity stunt. Every new Jaws was preceded by sightings of great white sharks on beaches from Cape Cod to Key West, and on-set romances had a way of dissolving as soon as the red…

Read the full article »

Before the Rains

Even though the Indian film industry is the most prolific in the world, almost all of what American moviegoers know about Mombai and other major production centers derives from golly-gee features advancing the release of movies and musicals that borrow from the Bollywood stylebook. These have included such productions as Moulin Rouge!, The Guru, Hollywood/Bollywood, Bride…

Read the full article »

ShoWest Sampler: Animation, 3-D and the new Woody Allen Film

LAS VEGAS — It’s been rumored here that the annual ShoWest soiree, as sure a harbinger of spring as any returning robin, soon could go the way of such once-storied conventions as COMDEX, VSDA, NATPE, NAB, Summer CES and E3. The computer industry’s “geek week,” as COMDEX became known, once brought 200,000 conventioneers to this…

Read the full article »

ShoWest ’08

LAS VEGAS – Not many robins add a visit to the Strip to their itinerary, as they migrate north from their winter digs in Mexico. Blossoming fruit trees are few and far between and the fancies of young men turn less often to love than the pleasures associated with strip clubs and wagering on the…

Read the full article »

Hurray, Independent!

Every year, in the days immediately following the Academy Awards, I rejoice in the knowledge that members of the mainstream and Internet media will get over themselves long enough to ponder something other than who’s wearing what, and by whom; which five, of the 25 equally qualified actors and directors nominated, are mortal-locks to take…

Read the full article »

The Oscars and Iraq

Not surprisingly, perhaps, movies about the war in Iraq have failed to capture the attention of the movie-going American public, commercially or otherwise. In the competition for Academy and Spirit awards, theatrical releases inspired by W and Dick’s Excellent Misadventure have been virtually ignored, as well. Michael Winterbottom’s Daniel Pearlbiopic, A Mighty Heart, earned three nominations from Film…

Read the full article »

SXSW Direct

As the big hand sweeps past the little hand of the springy Harold Lloyd clock on my tschotske-strewn desk, I’m once again reminded that South by Southwest 2009 will open in a few, short hours. I won’t be there in person, but, this year, I’ll be able to enjoy several of the movies that will…

Read the full article »

The Betrayal

If they handed out special Oscars for patience and perseverance, Ellen Kuras would be a mortal lock for this year’s prize. Twenty-three years in the making, the veteran cinematographer’s haunting documentary, The Betrayal (Nerakhoon), has made the short list of titles being considered in the feature-length category. It also has been nominated for an Independent Spirit Award….

Read the full article »

‘Tis the Oscar Season

December, once cherished for its singular place on the religious calendar, now serves primarily as a month-long orgy of conspicuous consumption and glorification of dubious cultural achievements. A tiding of comfort and joy has been drowned out by gifting concerns, and, in in the western precincts of Los Angeles, at least, anxiety over box-office tallies,…

Read the full article »

Vampires

If every vampire that’s appeared in a movie or television show were laid head to toe, the line of blood-starved bodies would stretch from Hollywood to Transylvania. The Internet Movie Database lists more than 1,100 productions in which vampires play prominent roles or are the central focus of documentaries. Other sources put the number closer…

Read the full article »

Blu-Ray

Finally, we’ve been given good reasons to go out and buy a Blu-ray player, and two of them are provided by animated films from a half-century ago. It’s taken far too long for studios to fulfill their promise of making the hi-def format something extraordinary. Until now, consumers have benefited mostly from the markedly better…

Read the full article »

Flow

Global-warning crusader Al Gore asked his audiences to consider the possibility of the world not ending with a bang, but a gurgle. Irena Salina, director of the cautionary documentary, Flow, fears the world might end, instead, with a parched plea for water. T.S. Eliot couldn’t have imagined that the final stanza of “The Hollow Men” might…

Read the full article »

Tell No One

With all due respect to the Marquis de Lafayette and Frédéric Auguste Bartholdi, sculptor of the Statue of Liberty, France is one the last things on the minds of Americans on the 4th of July. To be fair, the last thing on the minds of French revelers on July 14 is how much our Declaration of Independence…

Read the full article »

Digital Nation

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon