MCN Columnists
Noah Forrest

Forrest By Noah ForrestForrest@moviecitynews.com

Birthday Wishes

My 25th birthday is in a little more than a week and so I’ve compiled a list of ten hopes and wishes for the film world in the upcoming year. All of these items will be feasible, some even probable, so don’t expect anything too outlandish. But I must say that the privilege of working…

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These are truly the dog days of the film year, with the Oscar hangover having worn off and the summer tentpole projects yet to be unveiled. The biggest things going on in the film world right now include a movie about woolly mammoths and an adaptation of a Dr. Seuss book. In the indie scene,…

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I Hate You… But I Love Your Work

Earlier this week, I was reading a quote by Natalie Portman in Elle in which she endorsed Hillary Clinton. It read in part as follows: “A lot of the stuff people say about her, I hear it and my stomach falls because it’s so sexist. You ask people why they don’t like her and it’s because her husband…

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Skating With Van Sant

Gus Van Sant has become something of a divisive figure in the motion picture industry, especially with his last four films. These films are heavily influenced by Hungarian filmmaker Bela Tarr, who is famous for making excessively long movies like Satantango that don’t bother with little details like plot or story, sometimes even eschewing dialogue altogether…

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Forrest

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon