MCN Columnists
Noah Forrest

Frenzy On Column By Noah ForrestForrest@moviecitynews.com

Nomination Autopsy

It’s funny, the night before the Oscar nominations I was remarking to everyone I knew that this would most likely be the first time the Academy didn’t nominate a film for Best Picture that I absolutely detested. I mean, I expected them to nominate a film like The Dark Knight which I wasn’t particularly fond of,…

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My Oscar Ballot 2009

Ever since I was a kid, I made my own ballot of Oscar picks based on the films that I had seen. For some reason, the Academy didn’t take my choices very seriously. But what I think of when I fill out my personal ballot is that there are probably one or two that actually…

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Spring Preview ’09 – Part Two

March 6 Watchmen (Dir. Zack Snyder) I read the graphic novel quite recently; I was worried that if the film wasn’t any good, then the novel would be ruined for me so I wound up reading the thing in an afternoon and found out why the comic was so lauded. Now, my anticipation level is through…

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Peter Buchman Screenwriter of Che

This week Noah chats with Che screenwriter Peter Buchman about working with Soderbergh, researching Che Guevara, and his stalled Alexander the Great project. Listen to Noah Forrest Podcast with Peter Buchman

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Spring Preview ’09 – Part One

Now that 2008 is behind us, it’s time for us to start looking forward to what 2009 might bring us at the multiplex. The period from January to April is generally the weakest period of the year in terms of quality films, but there are usually a few that manage to provide some light in…

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Frenzy On Column

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon