MCN Columnists
Noah Forrest

Frenzy On Column By Noah ForrestForrest@moviecitynews.com

Short Cuts

There’s a lot of stuff percolating in the movie world these days, as well as a number of thoughts that have been percolating in my noggin. So, what follows is a series of scattershot thoughts and theories that I’ve been collecting over the past few days: I know that Obsessed was the number one movie at…

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Elisabeth Shue and Thomas Haden Church

This week Noah talks to Elisabeth Shue and Thomas Haden Church about their new film Don McKay, working together and working apart, the wonder of Meryl Streep and Shue’s great work in Cocktail! Listen to Noah Forrest Podcast with Elisabeth Shue and Thomas Haden Church

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Summer 2009 Preview, Part Two

I wrote last week about the first two months of summer, which promise to offer lots of action, from Wolverine to Star Trek, from Angels and Demons to Sam Raimi dragging us to hell with his return to the horror genre, and new flicks from the Terminator and Transformers franchises. July and August are loaded this year with a…

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Summer 2009 Preview, Part One

Ahh, can you smell that? Trees are blooming, flowers are blossoming, and Hollywood is preparing to assault your senses with explosions, car crashes and cyborgs. Yes indeed, my friends, the summer movie season is soon upon us. Considering the shrug-inducing first four months of the year, it will be a pleasure to watch movies that…

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Catching Up

With April here, it seems we’re not too far away from better movies – or at the very least, better produced and slicker products – so I thought I would look back on a few films from the first couple months of 2009. Because I work in the film business, my expectations (good or bad)…

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Frenzy On Column

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon