

Frenzy On Column By Noah ForrestForrest@moviecitynews.com
Precious is Great Melodrama
I have to start this piece by saying that I’m a young, white male. I’ve lived in New York City since the early part of this decade. I have no idea what it is like to be a sixteen-year-old black girl in 1987 Harlem. I cannot comment with any authority about whether or not the story told in Precious is…
Read the full article »Scott Z. Burns Screenwriter of The Informant

In this podcast, Noah talks to Scott Z. Burns, the screenwriter of The Informant! about working with Sodebergh and Damon, unreliable narrators, and Dog Day Afternoon. Listen to Noah Forrest Podcast with Scott Z. Burns
Read the full article »Rebecca Miller and the Trials of Woman
Every time the latest romantic comedy opens, I am befuddled when it’s successful. Films like The Proposal or He’s Just Not That Into You make tons of money and when I ask why, I’m inevitably told it’s because women flock to these films. When I inquire as to why women would flock to such inane films, I’m told that…
Read the full article »Lukas Moodysson Director of Mammoth

This week Noah talks to one of his favorite filmmakers, Lukas Moodysson, about his new film Mammoth, working with Gael Garcia Bernal and Michelle Williams, globalization, and Margot at the Wedding. Listent to Noah Forest Podcast with Lukas Moodysson
Read the full article »Let’s Blow Up the Planet!
How is it possible that some critics have given 2012 a pass? I’m not an elitist. I understand that sometimes you just want to put down your twelve bucks and see a spectacle. I don’t always need my films to be contemplative or poignant, sometimes I enjoy seeing a purely visual feast that shows me some really…
Read the full article »The Best Film of the Decade
As the aughts near a close, we’ll be seeing more and more lists dedicated to the best films of the decade. It’s only natural; as film fans and writers, we love to put things in lists. I like making lists, looking at other lists, having discussions about how stupid or smart a certain film writer…
Read the full article »Why Do They Keep Making Them Like They Used To?
There’s rarely anything new under the sun. Every movie we see today is similar to something else we’ve already seen: the look of the film, or the theme of it, or the plot or the characters. It’s all been done before. We accept that when we walk into a theater, we’re probably going to see a…
Read the full article »