Festivals
Sundance: Untitled Amazing Johnathan Documentary, The Magic Life of V and Walden

What sets “Untitled Amazing Johnathan Documentary” apart is that about midway through the film there’s a plot twist, followed by another plot twist, followed by a period of tense relationship between documentarian and subject that left Berman sad, morose, feeling badly used, and uncertain as to whether he’d ever finish his film. It’s here that “Untitled Amazing Johnathan Documentary,” not unlike “Winnebago Man,” becomes a film as much about the filmmaker unearthing deep and sometimes unpleasant truths about himself and ultimately becoming part of his own film, as it is about the subject the film thought it was going to be when it grew up.
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[PR] Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2019 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 24 – February 3, 2019. The Festival is the Institute’s…
Read the full article »Sundance: New Frontier Round-up

If you’re going to sell me that you have a six-player “epic ‘80s fantasy” experience featuring female warriors, man, I want some interactivity with that that goes beyond white-labeling last year’s cat cannon functionality reworked to shoot lasers out of my arms, and I want some story and character development that makes the female warriors feel actually incepted out of story and a hero’s journey, with enough substance wrapped around the experience to give me a connection to my character and the other avatars and to care why we are there.
Read the full article »The Daily Buzz from Sundance (Day 10)

We have a special episode today, in which we begin by meeting and discussing filmmaking opportunities for women with Iyabo Boyd and Senain Kheshgi. We then moved on to discuss the film Last Race with director Michael Dweck. We finish by speaking with part of the hilarious and talented team behind the episodic Halfway There, including director Rick Rosenthal, writer Nick Morton, and actors Matthew Lillard and Sara Shahi.
Read the full article »The Daily Buzz from Sundance (Day 9)

Ever had a project that you were super-passionate about but didn’t know how to fund? Elise McCave of Kickstarter discusses how to crowdfund for your passion projects. Heather Lenz talks about directing Kusama, and we talk about Game Changers with Louie Psihoyos, Joseph Pace and James Wilks. We end with the team behind Science Fair, Cristina Costantini, Darren Foster, Kashfia, Robbi, and Dr. McCalla.
Read the full article »The Daily Buzz from Sundance (Day 8)

We cover Roll with Me, Zion and Nancy as well as talk to AAPI directors about their films. We start with two diverse AAPI directors, Bing Liu and Cecilia Hsu, then discuss Roll with Me with Lisa Frances, Jorja Fox and Gabriel Cordell. We also speak with Floyd Russ, director of Zion, and one of that short film’s producers. Director Christina Choe joins us for her psychological drama Nancy.
Read the full article »The Daily Buzz from Sundance (Day 7)

Today we have Chloe Zhao, director of The Rider, on planning a film with budget restrictions. Co-directors of Genesis 2.0, Christian Frei and Maxim Arbugaev, talk about filming in the heart of Siberia. And we welcome female shorts directors, Anna Margaret Hollyman, of Maude, and Emily Anne Hoffman, of Nevada.
Read the full article »The Daily Buzz from Sundance (Day 6)

Our Hot Topics Roundtable features Sean Means, longtime movie critic at the Salt Lake Tribune and Maria Smith, executive creative director of M&C Saatchi LA. We’re joined by Slamdance co-founder Dan Mirvish, also director of Slamdance closing-night film Bernard and Huey, from a long-neglected Jules Feiffer script. Director Charlie Bims and actress Julie Sokolowski joins us to talk about their Slamdance feature Human Affairs.
Read the full article »The Daily Buzz from Sundance (Day 5)

Today’s episode starts with a hot-topics roundtable discussion with Joshua Rothkopf, Jim Brunzell And Andrew Fish. Our second panel covers Akicita: The Battle for Standing Rock, with documentarians Gingger Shankar and Cody Lucich, as well as a figure who was onsite at Standing Rock. We conclude with Quiet Heroes‘ Jared Ruga and Amanda Stoddard.
Read the full article »The Daily Buzz from Sundance (Day 4)

Day Four offers great insight for listeners furthering film careers. We speak with Carrie Lozano and Simon Kilmurry of the International Documentary Association. Pascal Plante, director of Fake Tattoos drops by, as well as the director and cast of Funny Story, Michael Gallagher, Matthew Glave, Jana Wintimitz and Emily Bett Rickards.
Read the full article »The Daily Buzz from Sundance (Day 3)

Day Three ranges across film genres and guests. We start off with the Russo brothers who are here at the Sundance film festival to receive the Founders Award from Slamdance, along with Peter Baxter from Slamdance. We move on to speak with Rainbow Experiment director Christina Kallas and Isaiah Blake, a part of the cast. Closing the podcast: the We the Animals feature team.
Read the full article »The Daily Buzz from Sundance (Day 2)

Day Two of Sundance 2018 is filled with snow! Today’s episode starts with Salt Lake’s City Weekly’s Scott Renshaw, a juror for Slamdance film competitions. Anote Tong and Matthieu Rytz of Anote’s Ark discuss the literal sinking of the island of Kiribati and raising awareness around climate change. We end with the moving feature ilm White Rabbit with director Daryl Wein, and cast Vivian Bang and Nana Ghana.
Read the full article »The Daily Buzz Podcast from Sundance

It’s officially Day One of Sundance 2018, and the first episode for The Daily Buzz is packed with amazing films. This episode begins with a heartwarming tribute to the late Irene Cho, the founder of Daily Buzz; moves on to a fascinating account of the lives and training of service dogs in Pick of the Litter, made by Dana Nachman and Don Hardy; and ends with a packed panel with Nick Offerman, Kersey Clemons and Brett Haley for Hearts Beat Loud.
Read the full article » 1 Comment »Sundance Sets Juries
Sundance Film Festival: Juries, Awards Night Host Announced 24 Jurors to Award NUMBER Prizes, Including New NEXT Innovator’s Award Los Angeles, CA — Sundance Institute will convene 24 experts in film, art, culture and science to award feature-length work shown at the 2018 Sundance Film Festival with 28 prizes, announced at a ceremony January 27 that will be…
Read the full article »Confessions of a Film Festival Junkie: Shape of Water, The Florida Project

I was in line for a French film when it was cancelled and this was its replacement. A fellow queuer said, it’s the new Sean Baker, and people love it. I’d seen Baker’s earlier MTV series “Greg the Bunny” and his L.A.-by-iPhone Tangerine but they didn’t prepare me for this: a documentary-like view of poor people who inhabit a residential motel in Orlando, only a few miles from Disney World.
Read the full article »Cannes Review: KILLING OF A SACRED DEER

Humanity is exactly what’s on the chopping block in a Yorgos Lanthimos film.
Read the full article »Cannes Reviews: REDOUBTABLE, 120 BPM

Beyond outlining just how much of an asshole Hazanavicius’ Godard is—including a stupid running joke that seems to suggest the man derives his snobbish power from his sunglasses, which he repeatedly breaks throughout the film—Redoubtable is little more than a series of regrettable decisions that began the moment Hazanavicius started his adaptation.
Read the full article »Cannes Review: THE SQUARE

The Square is an equilateral triangle—a film with three sharp, pointed edges and a very long ending that’s too rigid for it to turn a corner and assume its final shape. But as the follow-up to a film about the social contract, as well and the bystander effect, Östlund has made something hilarious, frustrating and very clever.
Read the full article »Cannes Reviews: Okja, Jupiter’s Moon

The yelling started as soon as Okja’s Netflix presentation card appeared, muddying the matter more. This attitude fuels the ongoing debate on the Croisette: Can Netflix films win Palmes d’Or? Should they? The argument being Cannes is a festival where cinema is sacred—that films should be seen on big screens, not on small ones
Read the full article »Here’s The 2017 Sundance Film Guid
Here’s The 2017 Sundance Film Guide 47-page pdf And – The Printable Schedule
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