Festivals Archive for June, 2011

Review: Terri

Note: This review ran earlier this year during Sundance. I’m re-running it today because Terri opens in limited release. Go see it. It’s great. Terri, the latest effort by Azazel Jacobs (Momma’s Man) is everything a coming-of-age story should be: it’s honest, it’s real, it’s completely unpretentious, and it utterly lacks any whiff of the…

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DP/30 @LAFF: Somewhere Between, director Linda Goldstein Knowlton

Linda Goldstein Knowlton was an Exec Producer on Whale Rider and the co-director of The World According To Sesame Street. But her personal journey into the world of adoption – specifically adopting a daughter from China – brought her to her newest film, which tells the story of four girls and their families years after coming to America.

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SIFF Dispatch: Last Review Round-Up

The Seattle International Film Festival has wrapped now, but I wanted to mention here a few other films that stood out from this year’s fest. Early in the fest I caught Red Eyes, a spectacularly shot and edited doc that follows the Chilean national soccer team, La Roja (The Red), on their eight-year quest to…

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SIFF Dispatch: It’s a Wrap!

It’s hard to believe, after nearly six week’s immersion in the Seattle International Film Festival, that we’re already at closing weekend. At most longer fests like Sundance and Toronto, the time flies, sure. But SIFF lasts so long, it always takes me a few days to realign my brain around not checking the SIFF schedule…

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37th SEATTLE INTERNATIONAL FILM FESTIVAL WRAPS WITH 2011 GOLDEN SPACE NEEDLE AWARDS

Jury, Audience Awards Given for Best Film, Documentary, Director, Actor and Short Film SEATTLE – The 37th Seattle International Film Festival, the largest and most highly-attended event of its kind in the United States concluded today with the announcement of the SIFF 2011 Competition Awards and Golden Space Needle Audience Awards. The 25-day Festival, which…

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SIFF Trailer Park #2

It’s hard to believe it’s almost over, but it is — this weekend is your last chance to immerse yourself in SIFF this year! But what to see? Here are trailers for some of the film playing this weekend that you might want to check out … Buck

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SIFF Dispatch: In Which Our Raptured Car is Found, Safe and Sound

Good news! My mom’s car, which was raptured/stolen from the parking lot during the Renton SIFF screening of The Sound of Mumbai a couple weeks ago, has been found in an apartment complex in Auburn, empty of gas and littered with burrito wrappers but otherwise fine. Whew.

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SIFF Review: A Thousand Times Stronger

I can’t think of the last time I saw a film about teenagers in which the female protagonist does not flirt with boys, talk about boys, obsess about boys, dress to attract the attention of boys, or engage in rivalry with another girl over a boy. Can you? Swedish film A Thousand Times Stronger, directed…

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SIFF Review: Microphone

This charming, energetic film out Egypt — shot before the recent Middle East revolutions — had its inception in the director, Ahmad Abdalla, wandering the streets of Alexandria like a tourist, when some graffiti caught his eye. A little research revealed the graffiti artist to be a 19-year-old girl, and thus was planted the seed…

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Festivals

Sunny Kim on: The Daily Buzz Podcast from Sundance

allgemeine kreditversicherung aktiengesellschaft on: Cannes 2014: Opening Day

http://www.abelduarte.com/ on: Cannes 2014: Opening Day

Alex on: Sundance Reviews: Cutie and the Boxer, Fallen City

10 More Clash of Clans Strategies, Tactics, and Tricks ... on: Never Let Me Go actors Carey Mulligan & Andrew Garfield

Stella's Boy on: Wrapping TIFF 2014

David Poland on: Wrapping TIFF 2014

David on: Wrapping TIFF 2014

movieman on: 31 Weeks To Oscar: Telluride, Toronto & New York

PatrickP on: 31 Weeks To Oscar: Telluride, Toronto & New York

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon