Festivals Archive for August, 2011

Do Euro Directors Really Not Need H’wd Any More?

Do Euro Directors Really Not Need H’wd Any More?

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Toronto’s NOW Weekly Goes Live With Reviews

Toronto’s NOW Weekly Goes Live With Reviews

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Surveying TIFF Titles Without U. S. Distribution

Surveying TIFF Titles Without U. S. Distribution And – MCN’s Look At Same (With An Oscar Bent) Four Weeks Ago

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Koehler Talks Widescreen Drive With Refn

Koehler Talks Widescreen Drive With Refn

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Girish Handicaps TIFF

Girish Handicaps TIFF

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TIFF Co-Director Bailey Talks “Neighborhood” Festival

TIFF Co-Director Bailey Talks “Neighborhood” Festival

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CRAZY HORSE, FREDERICK WISEMAN’S LATEST, TO OPEN THEATRICALLY ON JANUARY 18, 2012 AFTER PLAYING IN VENICE, TORONTO AND NEW YORK FILM FESTIVALS

CRAZY HORSE, FREDERICK WISEMAN’S LATEST, TO OPEN THEATRICALLY ON JANUARY 18, 2012 AFTER PLAYING IN VENICE, TORONTO AND NEW YORK FILM FESTIVALS Zipporah Films and mTuckman media dance again on documentary about famous Parisian cabaret club New York, NY (August 28, 2010) – Zipporah Films announced today that it will once again work with Michael Tuckman…

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6 Weeks To TIFF: a 20 weeks to oscar prequel (part 3 of 3)

There are movies that avoid Toronto, movies that disregard Toronto, and movies that happily use Toronto as an opportunity to launch themselves into the awards race. This, the 3rd TIFF Season preview of the week, looks at all of those groups.

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6 Weeks To TIFF: a 20 weeks to oscar prequel (part 2 of 3)

There are 10 films heading to Toronto for the film festival without US distribution, but with a shot of being Oscar players if expectations hold and if they can find the right domestic distribution partners. Lots of big name directors, writers, and actors on the Wheel of Movie Fortune.

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TIFF ’11: City-To-City, Buenos Aires Titles

Toronto – The Toronto International Film Festival® proudly welcomes back its City to City programme for the third consecutive year with today’s announcement of the 10 feature-length films encompassing the 2011 lineup. Earlier this year, Cameron Bailey, Co-Director of the Festival, confirmed that the 2011 spotlight would shine on Buenos Aires and introduce audiences to…

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TIFF ’11 – TIFF Kids Titles

Toronto — The Toronto International Film Festival® presents a charming lineup of films in this year’s TIFF KidsTM programme (formerly known as Sprockets Family Zone). These selections from around the globe will captivate film-lovers of all ages, showcasing the best and brightest in family-friendly cinema. From battling ballerinas to a mysterious 3D monster, this colourful…

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TIFF ’11: Vanguard Titles

Toronto – The 36th Toronto International Film Festival® announces a fresh and provocative lineup in this year’s Vanguard programme. Works presented under the Vanguard banner are young and cutting edge. From the dystopian to the sci-fi, from comedy to terror, the 2011 Vanguard programme features daring works from around the world, including Russia, France, Thailand,…

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TIFF ’11: Midnight Madness Titles

Toronto – The Midnight Madness programme walks on the cinematic wild side at the Toronto International Film Festival® with a riveting roundup of supernatural slayers, crossbow killers, corpse smugglers and a re-imagined Bonnie and Clyde for the 21st century. Programmed by Colin Geddes, the international lineup features nine world premieres and is one of the…

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TIFF ’11: Doc Titles

Toronto – The Toronto International Film Festival® proudly presents an exciting lineup of high-profile documentaries as Werner Herzog explores a triple homicide case in Texas in Into the Abyss; Morgan Spurlock follows fans to San Diego‟s Comic-Con in Comic-Con: Episode IV – A Fan’s Hope; Jessica Yu delivers a wake-up call about the world‟s water…

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6 Weeks To TIFF: a 20 weeks to oscar prequel (part 1 of 3)

Before diving into a full Oscar column and 1st set of charts, a quick look at 15 titles that will be coming to TIFF without US distribution, but will be getting a LOT of attention nonetheless. First, the HIGH profile titles that are not likely to be on Oscar charts this year…

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Festivals

Sunny Kim on: The Daily Buzz Podcast from Sundance

allgemeine kreditversicherung aktiengesellschaft on: Cannes 2014: Opening Day

http://www.abelduarte.com/ on: Cannes 2014: Opening Day

Alex on: Sundance Reviews: Cutie and the Boxer, Fallen City

10 More Clash of Clans Strategies, Tactics, and Tricks ... on: Never Let Me Go actors Carey Mulligan & Andrew Garfield

Stella's Boy on: Wrapping TIFF 2014

David Poland on: Wrapping TIFF 2014

David on: Wrapping TIFF 2014

movieman on: 31 Weeks To Oscar: Telluride, Toronto & New York

PatrickP on: 31 Weeks To Oscar: Telluride, Toronto & New York

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon