Festivals Archive for May, 2012

Sez Dennis Lim on Cannes

“A tumultuous Cannes Film Festival, marked by constant downpours and frequent boos, ended with the restoration of order.” Sez Dennis Lim 

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SIFF 2012 Dispatch: ShortsFest Weekend

Here we are, already at the halfway mark of this year’s Seattle International Film Festival, and the days have gone by in a blur. I’ve been covering this year’s fest in “more of a trickle than a flood,” as one friend observed, and that’s certainly true. My short film, Bunker, is in the fest this…

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“12 Tips On Networking At The Cannes Film Festival”

“12 Tips On Networking At The Cannes Film Festival”

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Magnolia Down For Hunt

Magnolia Down For Hunt

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Capturing Kiarostami In Cannes

“I am not a creature of the red carpet.” Capturing Kiarostami In Cannes

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McCarthy On Cannes Winners

McCarthy On Cannes Winners

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Dargis Wraps Cannes

Dargis Wraps Cannes Awards And – “After The Boos”

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CANNES 65: A Wrap

The question was never “if” Michael Haneke was going to win something—the question was always “what.”

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Wes Anderson Explains A Flashback From Moonrise Kingdom

Wes Anderson Explains A Flashback From Moonrise Kingdom 3’22”

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Cannes 2012 Winners

Cannes Winners It’s Love For Haneke’s Amour Grand Prix, Reality; Jury Prize Loach, Mungiu For Script; Direction Reygadas; Best Actresses, Cristina Flutur And Cosmina Stratan, From Beyond The Hills; Mads Mikkelsen, The Hunt; Camera d’Or Best First Feature, Beasts Of The Southern Wild

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David Cronenberg On The Case Of The “Unadaptable” Book

David Cronenberg On The Case Of The “Unadaptable” Book

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“Loud Boos Don’t Faze Carlos Reygadas”

“Loud Boos Don’t Faze Carlos Reygadas”

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Sundance Selects Takes Kiarostami’s Someone To Love For U.S.

Sundance Selects Takes Kiarostami’s Someone To Love For U.S.

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Holy Motors Parked With Indomina Group

Holy Motors Parked With Indomina Group

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Corliss Celebrates The King Of Cannes 2012: 97-Year-Old Raconteur Norman Lloyd

Corliss Celebrates The King Of Cannes 2012: 97-Year-Old Raconteur Norman Lloyd

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GQ Slideshows The 10 Best-Dressed Men Of Cannes

GQ Slideshows The 10 Best-Dressed Men Of Cannes

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Henri Behar Explains Subtitling At Cannes

Henri Behar Explains Subtitling At Cannes

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UN CERTAIN REGARD 2012 AWARDS

Un Certain Regard 2012 presented 20 films directed by 26 directors hailing from 17 different countries. Four of the works were first films. Presided over by Tim ROTH (actor, director), the Jury was comprised of Leïla BEKHTI (actress), Sylvie PRAS (head of cinema – Centre Pompidou Paris, artistic director – La Rochelle Festival), Tonie MARSHALL…

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Cannes Prix Un Certain Regard Goes After Lucia

Cannes Prix Un Certain Regard Goes After Lucia

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Oscilloscope Gets Real With Garrone’s Cannes Competition Entry, Reality

Oscilloscope Gets Real With Garrone’s Cannes Competition Entry, Reality

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Festivals

Sunny Kim on: The Daily Buzz Podcast from Sundance

allgemeine kreditversicherung aktiengesellschaft on: Cannes 2014: Opening Day

http://www.abelduarte.com/ on: Cannes 2014: Opening Day

Alex on: Sundance Reviews: Cutie and the Boxer, Fallen City

10 More Clash of Clans Strategies, Tactics, and Tricks ... on: Never Let Me Go actors Carey Mulligan & Andrew Garfield

Stella's Boy on: Wrapping TIFF 2014

David Poland on: Wrapping TIFF 2014

David on: Wrapping TIFF 2014

movieman on: 31 Weeks To Oscar: Telluride, Toronto & New York

PatrickP on: 31 Weeks To Oscar: Telluride, Toronto & New York

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon