Festivals Archive for September, 2012

Princess Of Wales Theater, A Toronto Film Festival Gem, Likely To Be Demolished By Owner Mirvish For Three 80-Story Frank Gehry Condo Towers

Princess Of Wales Theater, A Toronto Film Festival Gem (for two whole years), Likely To Be Demolished By Owner Mirvish For Three 80-Story Frank Gehry Condo Towers With 2,600 Sky-Priced Units

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To The Wonder To Magnolia While Passion Overtakes eOne

To The Wonder To Magnolia While Passion Overtakes eOne

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A24 Sets Year-End Qualifying Run For Sally Potter-Elle Fanning Ginger & Rosa

A24 Sets Year-End Qualifying Run For Sally Potter-Elle Fanning Ginger & Rosa

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Baltasar Kormákur On Making TIFF12 Preem The Deep, And The Life Of Icelandic Fishermen Like Guðlaugur Friðþórsson

Baltasar Kormákur On Making TIFF12 Preem The Deep, And The Life Of Icelandic Fishermen Like Guðlaugur Friðþórsson

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Good Dr. Bordwell On Empaneling TIFF12

Good Dr. Bordwell On Empaneling TIFF12

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Filmmaker Bruce LaBruce On His TIFF12 Party At Toronto’s Stalwart Bovine Sex Club

Filmmaker Bruce LaBruce On His TIFF12 Party At Toronto’s Stalwart Bovine Sex Club nsfw

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Canuck Filmmaker Bruce LaBruce Does TIFF For VICE

Canuck Filmmaker Bruce LaBruce Does TIFF For VICE

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Fleming Says TIFF12 About Low Indie Budgets And Stingy Distribs

Fleming Says TIFF12 About Low Indie Budgets And Stingy Distribs

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IFC Choregraphs Frances Ha For North And Latin American

IFC Choregraphs Frances Ha For North And Latin American

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Phil Coldiron Explicates Fierce TIFF Fave Leviathan

Phil Coldiron Explicates Fierce TIFF Fave Leviathan

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The Torontonian Reviews: The Silver Linings Playbook

The film will assuredly please crowds and win hearts in the end—perhaps even Oscar’s—but audiences interested in something more complex should probably look elsewhere.

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TIFF12 Review: The Act of Killing

As Anwar and company tell their story about their lives as gangsters it becomes quickly evident that what they have in mind isn’t a thoughtful, introspective reflection on their history, but a glorious, bedazzled, trumped up showcase of themselves positioned as the heroes of this bloody tale of horror, augmented with dancing girls in fancy costumes, the rotund, hairy Herman, dressed in makeup and a sparkly turquoise mermaid dress, gleefully bloody re-enactments of the murders they committed, and a giant concrete fish. It’s a truly bizarre perspective on the slaughter of millions and the role this men had in it, so much so that at times, it’s even a little funny, the sheer audacity and absurdity of it all. Until it’s not.

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Good Dr. Bordwell On The Masters And Panels At TIFF12

Good Dr. Bordwell On The Masters And Panels At TIFF12

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“Toronto remains a festival that makes room for gloriously, defiantly off-Hollywood work,” Sez Dargis

“Toronto remains a festival that makes room for gloriously, defiantly off-Hollywood work,” Sez Dargis

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Hugo Weaving On Playing A Hefty Female Nurse

Hugo Weaving On Playing A Hefty Female Nurse

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B. Ruby Rich’s TIFF12 Was “Haunted By History”

B. Ruby Rich‘s TIFF12 Was “Haunted By History”

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TIFF12 Review: Ginger & Rosa

The leftist bent of the characters and some heavy-handed nuclear symbolism might seem to imply that director Sally Potter’s reaching for a bigger message here, but really, this is a heavily character-driven story about these two young girls whose lifetime friendship grows threatened as they grow in separate directions, and, especially, a coming-of-age story about Ginger, who learns things along the way that force her to reassess all the things she thought she knew, about her parents, about friendship, and about life.

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The View From After TIFF

Good morning, Movienam! I thought I’d start boxing the TIFF experience this morning. It’s a weird time for film festivals. Not just TIFF. But especially at TIFF this year. Literally every single journalist or publicist I talked to – and this year, I ended up spending more time with publicists than journalists, which can be…

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The Torontonian Reviews: Comrade Kim Goes Flying

According to Comrade Kim Goes Flying, North Korea is a happy place; a utopia where everything is possible, everything is colorful, and everything is great. Of course, as our uncensored Google searches reveal, this is an expectedly false representation of the totalitarian state: the regime has a horrifically poor record on human rights, and the hardships endured are very real and very awful. In other words, to see this dystopia depicted so positively makes for some extremely bizarre cinema.

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TIFF12 Review: Pieta

Much of the first half of the film is so disturbing as to be almost unwatchable, at least by Western audiences – even those who love arthouse cinema and therefore have a higher tolerance than your average film-goer for brutality taken to its most absurd extremes. But if you can tough it out past the pinnacle of debasement and suffering at the midpoint or so of the film, where it’s at its absolute worst, the film gradually heads from that point to a payoff that does make it worthwhile to stick around for.

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Festivals

Sunny Kim on: The Daily Buzz Podcast from Sundance

allgemeine kreditversicherung aktiengesellschaft on: Cannes 2014: Opening Day

http://www.abelduarte.com/ on: Cannes 2014: Opening Day

Alex on: Sundance Reviews: Cutie and the Boxer, Fallen City

10 More Clash of Clans Strategies, Tactics, and Tricks ... on: Never Let Me Go actors Carey Mulligan & Andrew Garfield

Stella's Boy on: Wrapping TIFF 2014

David Poland on: Wrapping TIFF 2014

David on: Wrapping TIFF 2014

movieman on: 31 Weeks To Oscar: Telluride, Toronto & New York

PatrickP on: 31 Weeks To Oscar: Telluride, Toronto & New York

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon