Festivals Archive for May, 2014

Cannes: The Daily Buzz – The Festival Runners Roundtable

The Daily Buzz is presented in Cannes with the support of Sunrider.com.

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Cannes: The Daily Buzz – The Critics Roundtable

The Daily Buzz is presented in Cannes with the support of Sunrider.com.

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Cannes: The Daily Buzz – The Asian Roundtable

The Daily Buzz is presented in Cannes with the support of Sunrider.com.

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Cannes: The Daily Buzz – IMDb’s Col Needham

The Daily Buzz is presented in Cannes with the support of Sunrider.com.

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“Do I feel bad? Yeah, I do. I wish [Cannes] liked the film better. Am I gonna kill myself? No. That’s one less tuxedo I have to rent. One more red carpet I don’t have to walk down. They got 35 films they like and mine they didn’t. Fine.”

“Do I feel bad? Yeah, I do. I wish [Cannes] liked the film better. Am I gonna kill myself? No. That’s one less tuxedo I have to rent. One more red carpet I don’t have to walk down. They got 35 films they like and mine they didn’t. Fine.”

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Cannes: Palme d’or Goes Ceylan’s Winter Sleep; Acting Nods To Timothy Spall, Julianne Moore; Jury Prized By Oldest And Youngest Directors In Competition, Godard And Dolan

Cannes: Palme d’or Goes Ceylan’s Winter Sleep; Acting Nods To Timothy Spall, Julianne Moore; Jury Prizes Oldest And Youngest Directors In Competition, Godard And Dolan

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Cannes 67 Wrap-Up

Cannes 67 – c’est fini.
After dozens of screenings, predictions, and an endless series of queue debates, we have a Palme d’Or.

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On Jean-Luc Godard / ADIEU AU LANGAGE / GOODBYE TO LANGUAGE 3D

AH DIEUX // AH GOD(ARD)S

That is a pun

2014

Cannes Film Festival

But

Can film

Can film actually festival?

???

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Cannes Review: Clouds of Sils Maria

I kinda love Clouds of Sils Maria. At its best, it is a female version of My Dinner With Andre. At its weakest, it is still interesting. The premise is pretty basic.

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Cannes Competition Review: Leviathan

There’s never a scene where Kolya doesn’t have a myriad of issues weighing on his mind, and these are visible in Serebryakov’s pained, tired facial expressions and believable portrayal of alcoholism (to be sure, Leviathan is boozier than two or three Hong Sang-soo films combined).

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Cannes: The Daily Buzz – Hot Topics

Hot Topics Roundtable at Cannes Film Festival with Eric Kohn, Anne Thompson, Marian Masone, Alison Willmore, and Jordan Hoffman.

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Cannes Topper Gilles Jacob On His Slow Fade

Cannes Topper Gilles Jacob On His Slow Fade

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Nuri Bilge Ceylan On Journalism Vs. Art

Nuri Bilge Ceylan On Journalism Vs. Art

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“Godard’s camera lens seems like the lens of a futuristically powerful telescope. He sees everything from a very great distance and vast detachment, on a planet of his own, and his communications are garbled and frazzled from being transmitted intergalactic distances.”

“Godard’s camera lens seems like the lens of a futuristically powerful telescope. He sees everything from a very great distance and vast detachment, on a planet of his own, and his communications are garbled and frazzled from being transmitted intergalactic distances.” And –  “It was truly moving to experience first-hand the hearty reception afforded “Goodbye to…

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Cannes Un Certain Regard Review: Lost River

If Lost River is the film Ryan Gosling wanted to debut as his first film—and you only get one first film—then I’ll be the first to admit that I had him pegged (as an artist, anyway) as someone entirely different.

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Cannes Review: The Salvation

Yeah, this film rocks.

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Cannes Competition Review: Maps To The Stars

Because Bruce Wagner’s script calls for actors to do and say depraved things with a straight face, the film couldn’t have been made—in this current form, anyway—without Cronenberg’s history of directing violence and dissecting the psycho-bizarre.

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Cannes Competition Review: Wild Tales

Argentine Szifrón, known for his career in comedy television, aims high with his biggest budget to date: Wild Tales intertwines six separate narratives, and the film is primarily successful in finding humor in its theme of ordinary people pushed to their limit.

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Cannes Competition Review: The Captive

The blurring of truth and fiction is a fairly standard theme throughout the director’s filmography, and much of Egoyan’s career is recalled in The Captive.

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Cannes Review: Mr. Turner

Mike Leigh’s Mr. Turner is a movie about an artist who is past his moment of greatest glory. A biopic only in that it rests on a historic figure in art, this is not a film about Turner’s inspiration or his method or his history. It is about the other side of the mountain, the apex of which Turner reached before the first shot of this film.

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Festivals

Sunny Kim on: The Daily Buzz Podcast from Sundance

allgemeine kreditversicherung aktiengesellschaft on: Cannes 2014: Opening Day

http://www.abelduarte.com/ on: Cannes 2014: Opening Day

Alex on: Sundance Reviews: Cutie and the Boxer, Fallen City

10 More Clash of Clans Strategies, Tactics, and Tricks ... on: Never Let Me Go actors Carey Mulligan & Andrew Garfield

Stella's Boy on: Wrapping TIFF 2014

David Poland on: Wrapping TIFF 2014

David on: Wrapping TIFF 2014

movieman on: 31 Weeks To Oscar: Telluride, Toronto & New York

PatrickP on: 31 Weeks To Oscar: Telluride, Toronto & New York

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon