Cannes Originals Archive for May, 2013

Routing Cannes 66: A Wrap

In an unprecedented move, the Steven Spielberg-led jury awarded the Palme d’Or to one film and three individuals: Blue is the Warmest Color, by director Abdellatif Kechiche with actresses Adèle Exarchopoulos and Lea Seydoux.

Read the full article » 4 Comments »

Palme d’Or Winner Review: La Vie d’Adèle (Blue is the Warmest Color)

Blue is the Warmest Color is a staggering motion picture, so big and so important and so full of life. It represents a milestone in on-screen sexuality, putting another nail in the coffin of old-world ignorance and prudishness, but it’s also a cinematic achievement in acting. In short, it’s a true opus.

Read the full article » 2 Comments »

Cannes Out-Of-Competition Review: All Is Lost

All is Lost is less concerned with what this story is “about” and more with how it all goes down (to be sure, the picture could be summarized in a single sentence). Rather, the actions and subsequent emotions are the narrative here; the expressions on Redford’s face speaking volumes despite the film’s outright lack of dialogue.

Read the full article »

Cannes Competition Review: Only God Forgives

Only God Forgives is essentially the nastiest highlights of Shakespeare’s “Titus Andronicus” and Sophocles’ “Oedipus Rex” wrapped around a revenge dance tête-à-tête, an equation that could have been more than the gratuitous, hyper-violent indulgence on show.

Read the full article » 2 Comments »

Cannes Competition Review: Inside Llewyn Davis

The frosted, muted backdrops are captured by cinematographer Bruno Delbonnel (“Amélie,” “Dark Shadows”), who steeps the film in faded bloom. It’s a gorgeous, misty visualization sure to instill nostalgia for those too young to have haunted locales like the Caffe Reggio or the Gaslight Café. As for Oscar Isaac’s performance, it’s hard not to simply babble superlatives.

Read the full article » 3 Comments »

Cannes Competition Review: Jimmy P.: Psychotherapy Of A Plains Indian

Desplechin wants us to care about Picard’s general well-being and mental health, but nevertheless found it necessary to include the dullest of banal subplots that have nothing to do with the title character’s arc, coming off as excess and general shoe leather.

Read the full article » 2 Comments »

Cannes Competition Review: Jeune Et Jolie

Vacth’s breakout performance demands we see more of her, and Isabelle’s unstoppable flirtation with danger is the source of continued inspiration for France’s former enfant terrible.

Read the full article »

Cannes Competition Review: Heli

Escalante turns the camera on his hometown of Guadajuato to grapple with two of Mexico’s biggest problems: cartel and drug-related violence. Taken together, the result is a rattling experience, but still a fine film.

Read the full article »

Getting To Cannes

Heading to Cannes felt very different this year. Firstly, I had a firsthand sense of what I was getting into. Secondly, no video crew this year, so less sense of parenting. Thirdly, no pressure to shoot interviews… though I will surely shoot some interviews. I made the decision that this year the festival would be…

Read the full article » 4 Comments »

The Complete Countdown To Cannes: iPad Edition

Snapshots of each of the twenty filmmakers in Competition for the Palme d’Or at the 66th Festival de Cannes in chronological order, in handy downloadable form.

Read the full article »

Countdown To Cannes: Roman Polanski

The last snapshot of one of the twenty filmmakers in Competition for the Palme d’Or at the sixty-sixth Festival de Cannes.

Read the full article »

Countdown To Cannes: James Gray

The penultimate snapshot of one of the twenty filmmakers in Competition for the Palme d’Or at the sixty-sixth Festival de Cannes.

Read the full article » 1 Comment »

Countdown To Cannes: Abdellatif Kechiche

The eighteenth snapshot of one of the twenty filmmakers in Competition for the Palme d’Or at the sixty-sixth Festival de Cannes.

Read the full article »

Countdown to Cannes: Hirokazu Kore-eda

The seventeeth snapshot of one of the twenty filmmakers in Competition for the Palme d’Or at the sixty-sixth Festival de Cannes.

Read the full article »

Countdown To Cannes: Valeria Bruni-Tedeschi

The sixteenth snapshot of one of the twenty filmmakers in Competition for the Palme d’Or at the sixty-sixth Festival de Cannes.

Read the full article »

Countdown To Cannes: Amat Escalante

The fifteenth snapshot of one of the twenty filmmakers in Competition for the Palme d’Or at the sixty-sixth Festival de Cannes.

Read the full article » 2 Comments »

Countdown To Cannes: Mahamat-Saleh Haroun

The fourteenth snapshot of one of the twenty filmmakers in Competition for the Palme d’Or at the sixty-sixth Festival de Cannes.

Read the full article »

Countdown to Cannes: Alexander Payne

The thirteenth snapshot of one of the twenty filmmakers in Competition for the Palme d’Or at the sixty-sixth Festival de Cannes.

Read the full article »

Countdown To Cannes: Jia Zhangke

The twelfth snapshot of one of the twenty filmmakers in Competition for the Palme d’Or at the sixty-sixth Festival de Cannes.

Read the full article »

Countdown To Cannes: Jim Jarmusch

The eleventh snapshot of one of the twenty filmmakers in Competition for the Palme d’Or at the sixty-sixth Festival de Cannes.

Read the full article »

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon