Festivals

Sundance 2017 Sets Premieres, Doc Premieres, Midnight

Sundance Institute announces the lineup for Premieres, Documentary Premieres, Midnight, Spotlight, Kids and Special Events. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort January 19-29. Three projects announced today are part of The New Climate, the Festival’s new environmental program: Rancher, Farmer, Fisherman(Documentary Premieres), Look & See: A…

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Confessions of a Film Festival Junkie: Toronto Wrap

TIFF is a mess! Well, that’s not exactly true, but the anarchic element that is the Toronto International Film Festival is part of its charm and vitality.

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Confessions Of A Film Festival Junkie – Part 3

Toronto is one of the fastest growing cities in North America, increasing population by 200,000 a year on average in the past decade with no sign of letting up. The downtown core can’t cope with mounting traffic and new subway routes to alleviate congestio are unlikely. And for locals and visitors alike, it was tougher because six blocks of King Street West (where the TIFF Lightbox sits) were turned into a pedestrian mall with food trucks, vendors, live concerts and teeming crowds. They’ve been doing it for at least three years and there’s no question it adds to the general festival experience.

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Confessions Of A Film Festival Junkie: Day Two

The Toronto International Film Festival opening day announcement was all about the escalators not working at the Scotiabank Theaters. Film festivals are not all about the art of cinema. The Scotiabank complex, has 18 screens. The climb is the equivalent of four flights and the grade is as severe as the London Undergroun’sd. I wondered why they simply didn’t reverse the working escalator and discovered they couldn’t because the “up” escalator operates on two motors and the “down” only has a single motor. Even if this is resolved overnight, it still has to be approved by a city inspector and I’m told there’s an epidemic of broken escalators in the city.

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Confessions of A Film Festival Junkie: Toronto Day One

I’ve attended the Toronto International Film Festival since when it was still called The Festival of Festivals, a moniker discarded in 1994. There have other changes across the years, of course. It’s been a long time since TIFF could be shorthanded as a “plucky” or “upstart” festival.

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Sundance Announces 2016 Juries

SUNDANCE INSTITUTE ANNOUNCES JURY MEMBERS FOR 2016 SUNDANCE FILM FESTIVAL TAIKA WAITITI TO HOST LIVE-STREAMED AWARDS CEREMONY ON J Park City, UT — Sundance Institute has summoned 23 film, theatre, culture and science experts for jury duty to award 27 prizes at the 2016 Sundance Film Festival,January 21-31 in Park City, Salt Lake City, Ogden…

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Pre-TIFF, South Korea’s Hong Sang-soo On How He Maximalizes The Minimalism

Pre-TIFF, South Korea’s Hong Sang-soo On How He Maximalizes The Minimalism

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Simon Houpt Surveys Canuck Kino Scene, Makes Crisp Points About The State Of North American Indie Cinema To Boot

“Nearly 50 homegrown features will make their debut at the Toronto International Film Festival–but most will disappear without a trace.” Simon Houpt Surveys Canuck Kino Scene, Makes Crisp Points About The State Of North American Indie Cinema To Boot

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Toronto Int’l Adds Truth, I Saw The Light, Our Brand Is Crisis, More

Toronto Int’l Adds Truth, I Saw The Light, Our Brand Is Crisis, Hardwicke, Reiner, Haigh, Szumowska, Moretti, Scafaria, Portman, Kawase, Tsangari, Muntean, Chris Doyle, Sono, Tsai, Loznitsa, Gomes, Akerman

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Toronto Int’l Gala Presentations Include New Helgeland, Mehta, Moorhouse, Sollett, Vallée

Toronto Int’l Gala Presentations Include New Delpy, Egoyan, Emmerich, Frears, Helgeland, Mehta, Moorhouse, Scott, Sollett, Vallée

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Confessions of a Film Festival Junkie: LAFF 2015

The Los Angeles Film Festival took a look at a festival topographical map and considered the needs of its core membership and made some sage decisions. The program is chock-a-block with films by members and other indies. Ideally there ought to be a prize somewhere in this box of crackerjack.

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Sundance Seen Part 1

The whispering of powder from a dull quiet sky. Snowflakes fall between the screenings. Then the sun is bright and powder dusts off the slopes.

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Sundance Reviews: The Wolfpack, Slow West

Unique ironies surround Crystal Moselle’s bewildering documentary, The Wolfpack, not the least of which is that the film opens with a group of brothers at home re-enacting Reservoir Dogs, a film that premiered at Sundance 23 years ago.

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Six Films To Watch At Sundance

Attending Sundance this year means personally jumping through a lot of difficult hoops to make it happen, but this festival is becoming legendary—2014’s iteration eclipsed both Cannes and TIFF combined—and I simply couldn’t skip this year.

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Sundance 15 First Sale? Baumbach-Gerwig Mistress America Goes Searchlight

Sundance 15 First Sale? Baumbach-Gerwig Mistress America Goes Searchlight

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Pete Hammond Counts Down The Quality Pics Without Distribution That Are Running Out Of Time For A 2014 Awards Season Release

Pete Hammond Counts Down The Quality Pics Without Distribution That Are Running Out Of Time For A 2014 Awards Season Release With – Fleming On New Purchasing Powers At Toronto

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The Torontonian reviews This Is Where I Leave You

Like a middling episode of House-“Arrested Development,” Shawn Levy’s This Is Where I Leave You—adapted from the Jonathan Tropper novel of the same name—is a dysfunctional family dramedy lacking in laughs and an emotional punch to really bring it home. The film gets by on its likable cast, but the fact that this film merely passes despite such a talented crop of comedic talent should speak to a general failure, or at least a sense of disappointment.

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How Par Plucked Chris Rock’s Top Five At TIFF, Plus Notes On Other Acquisitions

How Par Plucked Chris Rock’s Top Five At TIFF, Plus Notes On Other Acquisitions

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TIFF-Preemed 99 Homes Listed By New Distrib Broad Green

BROAD GREEN TAKES US RIGHTS TO HYDE PARK – IMAGE NATION’S ’99 HOMES’ BY RAMIN BAHRANI AND STARRING ANDREW GARFIELD, MICHAEL SHANNON AND LAURA DERN LOS ANGELES (September 16, 2014) – Broad Green Pictures (BGP) announced today that they have acquired all US rights to Ramin Bahrani’s feature 99 HOMES. BGP plans to release the film,…

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Festivals

Sunny Kim on: The Daily Buzz Podcast from Sundance

allgemeine kreditversicherung aktiengesellschaft on: Cannes 2014: Opening Day

http://www.abelduarte.com/ on: Cannes 2014: Opening Day

Alex on: Sundance Reviews: Cutie and the Boxer, Fallen City

10 More Clash of Clans Strategies, Tactics, and Tricks ... on: Never Let Me Go actors Carey Mulligan & Andrew Garfield

Stella's Boy on: Wrapping TIFF 2014

David Poland on: Wrapping TIFF 2014

David on: Wrapping TIFF 2014

movieman on: 31 Weeks To Oscar: Telluride, Toronto & New York

PatrickP on: 31 Weeks To Oscar: Telluride, Toronto & New York

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon