Sundance Curated Headlines
Exit Through The Cinetic Deal Door
Will Escape From Tomorrow Ever Escape The Prospector Square Theater In Park City?
“Blatantly constructed to provoke the ire of the billion-dollar entity in its crosshairs, the movie gets the point across through the sheer rebelliousness of its production.”
And – Kohn Concurs
“There are two rules: Do not talk to the publicists, unless you have to. And do not burn the publicists, unless you have to.”
A Decent Sundance Newbie Lookie-Loo From Grantland’s Zach Baron
“You need to find someone you can trust who’s 100% on your side and who’s been through the experience. Otherwise, everyone’s just got a —–eating grin and a handshake.”
GGoldstein On Younger, Yet Veteran Filmmakers In New Plays At Sundance
“Urman said that the only other filmmaker he had ever worked with who wanted to maintain as much overall control was Vincent Gallo.”
Director-Writer-Producer-Cinematographer-Composer-Co-Editor-Actor Shane Carruth On Self-Distributing Upstream Color
Sundance As Seen From Salt Lake
“Music and film go together like chocolate and peanut butter.”
And – The Movie Cricket’s Anti-Buzz Buzz Piece
With – Sundancing At Home And Online
Plus – John Sloss On “Taking Part In A Bottomless Salad Bar” At Sundance
“The film you’re about to see was made collaboratively by more than 100 filmmakers and newcomers across the United States.”
Logan Hill On Sundance Docs About Disorganized Society
“Just a coincidence? Or does their presence offer broader clues about the festival and the independent film scene in general?”
Barnes Sez Parlous Times In H’wd Drew Spike Lee And Stephen Frears Back To Sundance
“However you parse it, 2011 was a banner year creatively as well as business-wise, which can only bode well for indie cinema’s near future.”
Todd McCarthy‘s Sundance Jury Diaries