Sundance Originals Archive for January, 2011
Sundance Dispatch: It’s a Wrap
Another Sundance Film Festival has wrapped, and I have to say, it was a helluva good year to be in Park City. The logistical nightmare of the P&I line the first five or so days of the fest was a serious pain in the ass, but overall I’d have to say this year’s Sundance programming…
Read the full article »Sundance Review: The Future
What do you do when you’re paralyzed by fear of failing, of moving forward into the future, of getting older? Of facing the fact that you have a finite amount of time to do everything you ever wanted to do, or thought you would do with your life, but realizing suddenly that you’re nearing the…
Read the full article » 1 Comment »Another Sundance, ANOTHER EARTH
After Thursday night’s Library screening of Another Earth in Park City, lead-co-writer-co-producer Brit Marling and director-cinematographer-co-writer-co-producer Mike Cahill take questions. More reviews, including of this Fox Searchlight acquisition, Martha Marcy May Marlene, The Redemption of General Butt Naked, I Melt With You, and dozens of photographs, after the festival’s end: there’s so much to do, writing…
Read the full article »Sundance Review: The Catechism Cataclysm and Septien
The Catechism Cataclysm One of the weirdest — and funniest — films I saw at Sundance was The Catechism Cataclysm. I’m not sure it’s even possible to discuss this film in a way that makes sense, because I’m not sure the film itself even does make sense, but it sure as hell made me laugh…
Read the full article » 4 Comments »Sundance Reviews: Vampire and Codependent Lesbian Space Alien Seeks Same
Simon’s not a vampire, not really. He’s just a guy who digs the taste of blood, who’s drawn to killing girls in this particular way, and in particular, he’s very invested in the idea that he is not a bad guy, but a good one. He’s helping these girls, not hurting them — even though he knows on the other hand that’s not exactly what you might call “objectively true.”
Read the full article »Sundance Review: The Lie
Josh Leonard’s adaptation of The Lie, T. Coraghessan Boyle’s 2008 New Yorker short story, is an excellent take on the tale of an idealistic young couple whose lives have veered away from the values they had when they first met, after an unexpected pregnancy forces them to shoulder the responsibility of parenthood.
Read the full article »DP/30 @ Sundance: Little Birds, actors Juno Temple and Kay Panabaker
DP/30@Sundance: Page One: A Year In The Life Of The NY Times, director Andrew Rossi, subject David Carr
Sundance Dispatch: Homework and Hell and Back Again
We’re officially over the halfway point at Sundance, and already I’m feeling a little glumness trickling in at the thought of this year’s Sundance nearing its end.This morning, of course, were the Oscar noms, and along with most everyone here for Sundance I dragged my bleary-eyed self out of bed at the asscrack of dawn…
Read the full article »David Carr Talks Times And “Going Toward Things”
THE AFTERNOON AFTER THE SUNDANCE 2011 PREMIERE OF Page One: A Year Inside the New York Times—where post-screening Tweeters were well-impressed that New York Times reporter David Carr was greeted at the Q&A afterwards with a “rock-star standing ovation”—director Andrew Rossi and Carr talked about media at a casual Bing Bar panel moderated by Anne…
Read the full article »DP/30 @ Sundance: POM Wonderful presents The Greatest Movie Ever Sold, director/star/pitchdude Morgan Spurlock
Seeing Red With Kevin Smith
Kevin Smith, you’ve met Harvey Weinstein, and you’re no Harvey Weinstein. Or he is? (See addendum below.)Although the maker of Clerks and now, Red State, which premiered Sunday night at Sundance at the 1,450-seat Eccles theater, hoped to make a killing with an undescribed kind of post-screening auctioning of the horror film, he instead took…
Read the full article » 1 Comment »Sundance Review: Pariah
The most gut-wrenching-yet-uplifting film I’ve seen so far at Sundance this year so far is Pariah, which has been getting some mixed buzz. Yes, yes, I know that gut-wrenching-yet-uplifting is practically its own genre here at Sundance, but like many cliches there’s some truth in the stereotype. And Pariah is so moving, so remarkably acted…
Read the full article » 1 Comment »DP/30 @ Sundance: Homework, wr/dir Gavin Wiesen, actors Freddie Highmore, Emma Roberts
DP/30 @ Sundance: Like Crazy, Drake Doremus, Felicity Jones, Anton Yelchin
Sundance Dispatch: Rants and Raves
It’s officially Day Four for me here at the Sundance Film Festival, and so far I have yet to see a film I actively dislike at the fest — which, if you’ve ever been to Sundance, you know is a bit of a minor miracle. Granted, I’ve been cherry-picking those films that I think have…
Read the full article »Sundance Review: POM Wonderful Presents: The Greatest Movie Ever Sold
I’ll say this about Morgan Spurlock: there’s no one quite like him. Especially when he’s wearing comfy Merrell shoes (hey, they have great arch support) while feeling Ban fresh!, and driving a stylish Mini-Cooper plastered with ads while sipping some refreshing POM Pomegranate juice on his way to catch a fight on JetBlue Airlines.
Read the full article »DP/30 @ Sundance – Buck, director Cindy Meehl and subject Buck Brannaman
DP/30: Martha Marcy May Marlene – Writer/Director & Actors
Sean Durkin, Lizzy Olsen, Hugh Dancy, Sarah Paulson, John Hawkes
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