Politics Archive for May, 2010
SIFF Notes: Subtitles
As I was walking out of a SIFF press screening for the film Father of My Children today, this group of four older festival patrons was ahead of me on the escalator (SIFF passholders are allowed to attend the press screenings that run the month before the fest opens). They were discussing the film, which they didn’t care for, and one of them said, “It just had too many little details, especially for a subtitled film!”
And I thought, what a uniquely American attitude … that a film by a French writer/director about French people should, of course, have been created with the needs of American audiences to not be overwhelmed in mind.
Still thinking about what to say about this film with the less-than-200 or so words with which I’m allowed to say them (crap, did those words count? Make that 176 words). One of the things about SIFF is that by the time many of the better films wend their way here, they’ve been acquired for distribution (yay!), which unfortunately for reviewing press means they are on the “hold review” list and can’t be fully reviewed until the film actually opens (awwww!).
I’ll say this teensy bit for now, since both films I saw today — Father of My Children and Soul Kitchen — are hold review films: I liked both of them quite a bit, though they are very different films emotionally and tonally. Interesting combination of cinematic flavor to see them on the same day; the combination would have been even more interesting if we’d been able to see the other film, The Oath (which won the cinematography award at Sundance). Unfortunately, that film had a subtitle problem (specfically, it was not in English and was lacking them), so everyone cleared out and went to lunch instead.
Damn subtitles.