Politics Archive for February, 2011
Building the Indie “Brand” — If We Build It, Will the Audience Come?
I was just mulling over the importance of indie filmmakers and regional film fests in the afterglow of the Oxford Film Festival and the slew of upcoming regional fests, when lo! A trend (well, if you can call two articles a “trend”) arose this month on pieces about the whys and wherefores of Hollywood making shitty movies. Apparently I’m not the only one who’s been thinking about why this is so.
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Documenting Social Justice and the Racial Divide

Right now I am particularly interested in the role of regional film fests in addressing greater social issues through both films and ancillary programming. I believe strongly in the role of regional fests to educate and inform as well as to entertain.
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Wish List for the Future of Indie Film
Out of the blue, I woke up this morning thinking about Alexis Tioseco and Nika Bohinc . Maybe I was pondering on this whole AOL/HuffPo thing, and even more about The AOL Way and how it tries to reduce into Powerpoint slides geared toward traffic and keywords how writers should write, and how editors should assign stories.
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Why Are So Many Films for (Insert Group of Your Choice) Bad?

Alonso Duralde, writing for Salon, ran a piece the other day asking why so many films for Latinos are bad. The heart of his piece: Spanish-speaking countries have given cinema bankable, artsy, serious actors like Javier Bardem, Penelope Cruz, Gael Garcia Bernal, Salma Hayek … so, Duralde ponders, ” …why is Hollywood returning the favor by making such dreadful movies for Latino audiences?”
It’s an interesting enough question, but try reversing Duralde’s premise: Is Hollywood is making terrific movies for everyone but Latinos? Maybe in some parallel universe, but certainly not in this one. Blacks, Whites, Latinos, Asians, Gays, Women, hell, even kiddie flicks and teen schlock — the problem is not that Hollywood makes shitty movies for Latinos, it’s that Hollywood, with very few exceptions, makes shitty movies for everyone. Unfortunately, people keep paying to see them, and as long as that’s the case, Hollywood will keep on churning them out.
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Huff Po Sale: Arianna $300 Million, Writers 0
David has his own detailed take on the HuffPo sale to AOL, and it’s a good write-up with some interesting comments which you should read if you’re interested in that sort of thing.
For me, here’s what the HuffPo sale really means:
Ariana Huffington managed to take a model of paying people little (in some cases) to nothing (in most cases) for the privilege of having work “published” on HuffPo. “Citizen journalists” my ass. Using a spin on the “unpaid intern” huckster sell, she convinced many, many smart people to give her their hard work for free, so that she could build up a site over a few years and then sell it for $300 million.
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