20 Weeks

Iron Money

I

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20 Weeks… End Of Weeks

So

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20 Weeks To Oscar – 17 Days To Go

The Ten Rules Of The Season
Don’t Be The Frontrunner … Unless You Can’t Lose
Don’t Start Late … Unless You Have The Nuts
Being The Underdog Requires Illusion
Every Scheme Works … Every Scheme Fails
Critics Only Matter When Unanimous

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20 Weeks – 7 Weeks to Go

The Golden Globes are dead

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20 Weeks… Year Ender

Well, we’re down to where we were a month ago!
Back on November 15, I wrote: “It’s also an unusual year because so many of these films are so good. Everyone has personal favorites and films they just don’t like, but if you run down the list of the dozen or so films still in play, it seems like you are going to find almost everyone giving a “thumbs up” (quarter to Roger) to at least two-thirds of the titles. That is remarkable, really.”
Has that changed?

The rest…
The Charts…

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20 Weeks – Damaged Frontal Globe

I

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Oscar – 20 Weeks & Gurus

The notion of prognosticating, which is often attacked by those who have no skill at doing it, is not a science. It is an artistic endeavor. And like all art, there is good and bad … and taste involved.
Oscar prognostication is particularly odd, since we are already well into the period of weaning out the likelies and unlikelies even though a significant percentage of the films that are “in play” have still not been seen by as much as 20% of the Academy membership. Yet here we are, both reading and influencing the process … all the while both blind to statistically significant input from voters and irrelevant to their decision-making in the long run.

The rest…
And…
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The rest…

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16 Weeks To Oscar – Slippin

It

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20 Weeks To Oscar – Wicked Wicked Season Picket

Perhaps the most interesting next question for award season will be whether journalists and others, like SAG Nominating Committee, not mention Sean Penn and Eddie Vedder, are willing to cross picket lines

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20 Weeks/T-Minus 19 – Whning While Mining

Look

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20 Weeks – Rest of the Charts

A bit of a screw-up in technoland… here are all the first week 20 Weeks charts, which are now linked to one another, so you only really need to click on one to navigate.
Picture
Actor/Supporting Actor
Actress/Supporting Actress
Screenplay/Adapted Screenplay

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20 Weeks To Oscar – 20 Wks To Go

I will tell you right here and right now

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22 Weeks To Oscar – Post-Toronto Column

It would be easy to shrug this notion off and say,

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20 Weeks – That Took A Long Time!!!

I can’t believe it took until today for someone to notice that Sean Penn’s Into The Wild didn’t end up on the Oscar charts last week.
It is NOTHING but an stupid oversight… and frankly, I have no idea how I managed it. My first reaction when I read a commented on this blog to that end was to assume they were missing something. But it was I.
As I have otherwise written, a real believer that the film is not only in the race, but has a significant chance to make it into the Final Five.
My apologies to you and to all at Vantage. The corrected chart is now up.

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24 Weeks To Oscar

The Oscar season has started, not with a bang, but with a whimper.
It’s not that there aren’t a lot of terrific movies out there. It’s just that there is nothing either screening at festivals now or in the near future that suggests that any movie is a lock for a Best Picture nomination.
You can make arguments on either side of almost every contending movie.

The Rest…
The Charts…

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Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon