The Hot Blog Archive for May, 2007

B.O. Hell First Look

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This chart will be updated in the days to come, but since the town is shutting down this afternoon, I thought I’d get a head start and open up the conversation…

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20 Weeks… A Month In

Back to the suckage …
Spider-Man 3 … Shrek The Third … Pirates of the Caribbean: At World’s End …
The irony is that all three of the triquels suffer from many of the same diseases. The most significant one is the confused disease of trying too hard to be people pleasers. All three add characters that really have nothing to do other than to be new. The two non-animated films add massive special effects, some of which really don’t work, although they are well done in and of themselves. All three seem to forget what is at the core of why people love the previous movies.

The rest…
And the not-much-changed chart

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Losing A Parent

A good friend lost her mom today.
This is not the first time someone close to me has lost a parent in recent years. We are at that age, me and my friends. And there is never a good answer to that loss.
The three seminal events of our adult lives, before old age, are marriage, the birth (or adoption) of a child, and the loss of a parent. Life changes… and we never seem to know how until it happens.
The 10th anniversary of my dad’s passing is a few weeks away. I still miss him every day. And there is a real chance that there would be no Hot Blog or Hot Button had I not lost him all those years ago. It was less than 2 months after his death that I decided I was going to do a daily column, no matter whether there was any money to pay me for it or appreciation of it in some of my circles. This decade of work has been, in no small part, a tribute to his spirit.
I’m spending much of this evening reflecting on my friend’s loss and the future, the inevitable future, that will soon spread out ahead of her. Breathe deep.

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The Great (?) Outdoor

One of the major changes in media spending in the last year, right up there with newspaper buys, is a new cap to outdoor buys. There are still plenty of billboards out there, but it

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The Summer To Date

I am going to do a summer column later this week, but here are a couple quick numbers that I think are interesting…
Even though 2004 ended up being the biggest box office year ever, it is not the best early summer ever. That honor belongs to 2002, which rode the original Spider-Man and Star Wars: Episode Two – Attack of The Clones to $527 million in the first 17 days, starting with the first Friday launch on, that year, May 3.
This year, in spite of two of three top openings of all time, the same stat… first 17 days from the first opening Friday, has generated “only” $508 million.
If you took only the May weekend numbers so far, 2007 is only about $12 million ahead of 2002. (About $75 million ahead of the mistouted 2004.) In other words, weekdays are running behind so far.
In order for 2007 to be the biggest May ever, the box office needs to generate about $265 million in the 8 days that started yesterday (Monday) and end on Memorial Day Monday (May 28).
Spider-Man 3 is already behind both the first two films by a couple of million. Heck, Shrek The Third is even behind Shrek 2 at the end of the first weekend (Shrek 2 opened on a Wed).
Pirates 3 has decided to have 8p shows, so current record holders will surely hold the film to 5-day opening standards – a 3-day record is very unlikely while opening on a long weekend… things stretch – which means the record breaking by-end-of-business-Monday number would be $172.9 million.
Even if P3 doesn’t hit that insane number, this May is likely to end up the biggest ever. And we’ll see in a few weeks whether the films will match or surpass past year’s May releases overall. But don’t get lost in the weekend hype. The ability to create massive openings is intriguing. But the real news may well be elsewhere… the information is still coming in…

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Lunch With… Sarah Polley

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Here it is…

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Meta For Sopranos

Why is this the best season of The Sopranos ever?
The Sopranos is the ultimate Upper Middle Management series. In many ways, this last season is the best series on film industry mid-life crisis I have ever seen. (I can’t speak to mid-life crisis in other industries, as I have not been so close a witness.) But the constant struggle between the enormous, serious, life-changing power that so many execs wield and the absolute impotence of the very same people, often regarding the very same decisions, is what Tony has been facing in episode after episode. The more emotionally healthy he gets, the more he can handle without losing it completely, the more shit that is drawn to him. And week after this last magnificent run of weeks, he is handling the load, not only as best he can, but rather well in light of things.

The rest of a spoilers-to-date filled column…
And here is the full poem from last night’s episode…
Slouching Towards Bethlehem
W.B Yeats
Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.
Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spritus Mundi
Troubles my sight: somewhere in the sands of the desert.
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

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Shrek The Turd

I went to Dreck over the weekend out of a sense of obligation. And it was significantly worse than I could have imagined.
I am a fan of the first Shrek film. It was ironic, funny, quirky, and at its core, sweet as green spun sugar. The fairy tale of it all was clean and clear, as all great movie ideas are. The great heart is more important than the great beauty.
The second Shrek film launched on the success of the original combined with the even greater reach via DVD. Adults weren

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Bruce Campbell Rocks

I saw the first Bruce Campbell spot for Old Spice, but it didn’t prepare me for perhaps the best new commercial of the year, perhaps the decade.

I have absolutely no interest in buying Old Spice, but I want to build a shrine to the ad exec who came up with this idea (along with, in the first one, the really long painting.)

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Sunday Estimates by Klady

CORRECTION: Apparently, Len missed updating the Spider-Man 3 gross for the weekend… the current estimated total should be $282 million. Sorry for the error.
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Screen International Cannes Chart

The chart as of Saturday morning…
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I Had Forgotten

Roger Ebert’s Glossary of Movie Terms, from his video companion, is recreated at this website. (Thanks to Rudy for causing me to look.) There are some great ones there…

Because They Are There
The top ten lines you can always count on in a mountain-climbing movie:
1. “We have to move fast. We’ve started late in the season. But if we leave behind the oxygen and most of our equipment and travel light, we can get up there and back before the winter storms.”
2. “I know they’re still alive.”
3. “Leave me here. I can’t walk. My legs are broken. By yourself, you have a chance.”
4. “Just let me do this one last climb. Then I’ll settle down with you and the baby.”
5. “Tell them they’ll get an extra 50 rupees a day, at the end, if they complete this part of the march.”
6. “Sahib! The fresh snow has covered up the crevices! The men say they will go no further today!”
7. “Every previous expedition along this route has had trouble with the porters.”
8. “I’d trust him on the other end of my rope.”
9. “Take me along. You know I’m a better climber than those guys.”
10. “Because it’s there.”
Deadly Change-of-Heart
When the cold heart of a villain softens and he turns into a good guy, the plot will quickly require him to be killed, usually after maudlin final words.
Hollywood Grocery Bags
Whenever a scared, cynical woman who never wants to fall in love again is pursued by an ardent suitor who wants to tear her wall of loneliness, she will go grocery shopping. The bags will always break to (1) symbolize the mess her life is in, or (2) so that the suitor can help her pick up the pieces of her life and her oranges.
Hollywood Hospital
Where people go to die. Victim checks in, doesn’t check out, because screen time is too valuable for characters to go into the hospital only to recover a few scenes later. Dialogue clue: When any seemingly able-bodied character uses the word “doctor,” especially in a telephone conversation not intended to be overheard, he/she will be dead before the end of the film.
Wet Road Rule
Any road seen in a film, no matter how hot or dry the day has been, will be wet, slick, and reflecting headlights after nightfall. This is most commonly seen in deserts and draught-stricken cities like Los Angeles.

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Friday Estimates by Klady

$39.3m puts Shrek The Third in line to be the third highest opening gross ever, enough ahead of #3 that the issue of Thursday night screenings, which couldn

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Roger's Return

For the first time in a long time, Roger Ebert has multiple reviews running in the Chicago Sun-Times. Here they are:
Shrek The Third | Fay Grim | Brand Upon The Brain!
He is sitll recovering from his medical issues, but with his “coming out party” at EbertFest last month, he apparently now is ready to go out to the screening rooms, unconcerned about the gawkers, to see the films and knock out some reviews each week. And that is great news, for him, and for us.

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Box Office Hell – May 18, 2007

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An Added Note: As most of you have noticed, I have taken myself out of the predictions game for the most part. Spouting studio tracking is particularly idiotic on films like Shrek The Third and Spider-Man 3 because it is always wrong and should be

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The Hot Blog

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon