MCN Weekend Archive for December, 2011

The Weekend Report, December 18, 2011

The industry adhered to Bert Lance’s admonishment that “if it ain’t broke don’t fix it” with a trio of sequels on the cusp of holiday movie going. Sherlock Holmes: A Game of Shadows led with an estimated $39.3 million followed by Alvin and the Chipmunks: Chip-Wrecked grossing $23.3 million and Mission Impossible – Ghost Protocol in caboose position at $13.1 million.

Additionally a couple of awards contenders opened in exclusives including Oscar doc short listed dance profile Pina that tripped a light fantastic $16,200 at two venues. The screen adaptation of (Gods of) Carnage bowed at five sites with an OK $85,200.

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Friday Estimates: December 16, 2011

Sherlock & The Chipmunks lead the way, though neither is quite living up to its previous outing so far. And the all-IMAX Mission: Impossible is doing very strong numbers on 425 IMAX screens.

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Box Office Hell — December 15

Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com Sherlock Holmes: Game of Shadows|58.8|55.8|52.0|54.0|n/a Alvin and the Chipmunks: Chipwrecked|38.4|43.9|32.0|30.0|n/a Mission Impossible — Ghost Protocol|8.0|9.6|9.0|10.0|n/a New Year’s Eve|7.0|5.7|6.5|7.0|n/a Young Adult |5.5|7.8|5.0|5.0|n/a

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Wilmington on Movies: Carnage (Three and a Half Stars)

    Carnage (Three and a Half Stars) U.S.-France: Roman Polanski, 2011 1. Last Exit to Brooklyn In Carnage, which was adopted by the French writer Yasmina Reza from her hit play “God of Carnage“ , director Roman Polanski once again demonstrates his mastery of the claustrophobia of anxiety (and vice versa) — even though…

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Critics Roundup — December 15

Sherlock Holmes: A Game of Shadows|||||Yellow Mission: Impossible – Ghost Protocol (IMAX; wide: Dec. 21) |Green||Green||Green Corman’s World: Exploits of a Hollywood Rebel (limited) |Yellow||Green|Green|Green Carnage (limited) |Yellow||Green||Green Daguerreotypes (NY) ||||Green| Pina |Green|||Green|

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The DVD Wrapup: Fright Night, Kung Fu Panda 2, Rise of Planet of the Apes, Daddy Longlegs, Meet Me in St. Louis, Branded to Kill, Circumstance …

Fright Night: Blu-ray I must not have been paying attention when the first “Fright Night” was released, way back in 1985, causing a stir among horror buffs looking for something a bit different than the usual teenagers-in-jeopardy stuff. Starring Roddy McDowell, Chris Sarandon, William Ragsdale and Amanda Bearse, Tom Holland’s thriller may have been produced…

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Wilmington on DVDs: The Rest. Kung Fu Panda 2; The Expendables; Buck

    Kung Fu Panda 2 (Blu-ray/DVD Combo) (Two or Three Discs) (Two and a Half Stars) U.S.: Jennifer Yuh Nelson, 2011 (DreamWorks Animated)  Kung Fu Panda 2 is a cute, likable movie, done with a lot of skill and A-level talent, and with all the visual virtuosity we expect by now from big-budget cartoon…

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Wilmington on DVDs. Pick of the Week: Classic, Blu-ray. West Side Story (Four Stars)

        PICK OF THE WEEK     West Side Story: 50th Anniversary Edition) (Blu-ray/DVD Combo) (Three Discs) (Four Stars) U.S.: Robert Wise & Jerome Robbins, 1961 (20th Century Fox/Metro-Goldwyn-Mayer)   “The Jets are in gear./Our cylinders are clickin‘./ The sharks’ll steer clear./‘Cause every Puerto Rican‘s/ A lousy chicken!” Leonard Bernstein and Stephen Sondheim…

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Wilmington on DVDs. Pick of the Week: New. The Rise of the Planet of the Apes (Three Stars)

 The Rise of the Planet of the Apes (Three Stars) U.S.: Rupert Wyatt, 2011 (20th Century Fox) 1. The Rise  Rise of the Planet of the Apes, latest chapter in an old franchise, shows us a story we too easily forget, or maybe one that we never really knew… …How it all began, how an imprisoned, persecuted and…

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Wilmington on Movies: Young Adult (Two and a Half Stars)

       Young Adult (Two and a Half Stars) U. S.: Jason Reitman, 2011 High School haunts us. It’s the great mystery we try futilely to solve afterwards, the great romance that often never happened, the paradise we imagine we lost but might regain, the great redemption that we dupe ourselves into believing can be earned…

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The Weekend Report

New Year’s Eve and The Sitter (which could easily have been a hard-R segment of NYE) are on top, but not very impressively so. Twilight continues to wind down, losing a bit of its massive core audience with darker material and keeping newcomers at a distance. And there are a parade of limited releases out there (Tintin, Young Adult, Tinker Tailor Soldier Spy, A Dangerous Method) doing nice, but not thrilling, business.

No column today, as Len is with LAFCA for its year-end vote.

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Wilmington on Movies: New Year’s Eve (One and a Half Stars)

  New Year’s Eve (One and a Half Stars) U.S.: Garry Marshall, 2011   New Year’s Eve may be the punishment audiences get for making director Garry Marshall and writer Katherine Fugate’s Valentine‘s Day such a big movie hit last year. That schmaltzy, heart-up-your-sleeve, all-star show, you’ll remember, strung together a lot of clichéd romantic comedy…

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Wilmington on Movies: The Sitter

  The Sitter (One and a Half Stars) U.S.; David Gordon Green, 2011 Well, I’ve had it. After defending David Gordon Green for making Pineapple Express, a controversially violent stoner comedy that I think is well-acted, well-directed and funny, and after sparing some kind words for Green’s and buddy Danny McBride’s medieval four-letter-fest Your Highness,…

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Friday Estimates, December 9, 2011

Twilight 4a has finally been vanquished… by a parade of popular actors who normally can’t open movies. Meanwhile, the weightier incarnation of Jonah Hill makes his move as a box office star.

In limited release, Tinker Tailor Soldier Spy comes flying out of the gate fast on 4 screens with Young Adult just a step behind.

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Wilmington on Movies: In Darkness

    In Darkness (Four Stars) Poland: Agnieszka Holland, 2011 Sometimes we let the horrors of the past recede into a comforting mist of melancholy and remembrance and well-meaning cliché. We shouldn’t. History is always with us. Agnieszka Holland’s In Darkness, one of the best films of the year, is a drama of the Holocaust,…

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The DVD Wrapup: Hangover II, The Help, Friends With Benefits, Cowboys & Aliens, Mr. Popper’s Penguins, Medea, Underbelly …

The Hangover: Part II: Blu-ray The pressure on producer/director/co-writer Todd Phillips to create an instant sequel to the 2009 blockbuster, “The Hangover,” must have so great that it blinded him to the fact that it generally takes more than a few minutes to write, re-write and re-write again a prized property. That movie was so…

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Box Office Hell — December 8

Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com New Year’s Eve|27.2|n/a|24.0|n/a|22.5 The Sitter|14.3|n/a|11.0|n/a|13.0 The Twilight Saga: Breaking Dawn, Part 1|7.8|n/a|8.0|n/a|8.5 Hugo|7.3|n/a|7.0|n/a|6.5 The Muppets |6.2|n/a|7.0|n/a|7.3

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Critics Roundup — December 8

New Year’s Eve |||||Yellow The Sitter |||||Red Young Adult (limited) |Green||Green|Red Tinker, Tailer, Soldier, Spy (NY, LA) |Yellow|||Green|Green We Need to Talk About Kevin (NY, LA – one week Oscar run) ||||Green|Green In Darkness (NY, LA – one week Oscar run) |||||Green Magic to Win (limited) |Yellow||||

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Wilmington on DVDs. The Rest: The Hangover, Part II; Cowboys and Aliens; Mr. Popper’s Penguins; Kuroneko; Behind the Mask

   The Hangover, Part II (Also Blu-ray/DVD/Digital Combo) (Three Discs) (Two Stars) U.S.: Todd Phillips, 2011 (Warner Bros.) I laughed at 2009’s big comedy hit, The Hangover — that tense and raunchy tale of three longtime buddies at a wedding who wake up after a night of incredible but totally forgotten debauchery and have to try…

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Wilmington on DVDs. Pick of the Week: Classic. The Lady Vanishes; Crooks’s Tour; Design for Living (Hecht-Lubitsch or Coward); If I Had a Million .

In The Lady Vanishes, his marvelous 1938 classic of mystery and intrigue set aboard a train full of English and international travellers racing though the Balkans, Alfred Hitchcock pushes the form of the romantic-comedy-thriller to near perfection. It’s one of the most purely entertaining movies he ever made, and it can be watched over and over again with no diminution of pleasure.

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MCN Weekend

Gary Dretzka on: The DVD Wrapup: Ophelia, Ambition, Werewolf in Girls' Dorm, Byleth, Humble Pie, Good Omens, Yellowstone …More

rohit aggarwal on: The DVD Wrapup: Ophelia, Ambition, Werewolf in Girls' Dorm, Byleth, Humble Pie, Good Omens, Yellowstone …More

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon