MCN Weekend Archive for September, 2012

Wilmington on Movies: Arbitrage

Arbitrage is a movie about big money and big crime in America, so naturally it’s set on Wall Street, a district and subculture awash in both. It’s also a picture that demonstrates how we tend to accept people who do bad things s long as they look good. The case in point here is the movie’s main character, financier-in-hot-water Robert Miller—as played by the very good-looking Richard Gere.

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The DVD Wrapup: Goats, Where Do We Go Now?, My Trip to Al Qaeda, Loved Ones, Titanic 3D, Nympho Divers, AbFab, Spartacus … More

Goats: Blu-ray In the world of independent filmmaking, a very thin line separates dysfunctional families from those merely offbeat, quirky and unconventional. In “Goats,” director Christopher Neil and writer Mark Poirier straddle that razor-thin barrier for most of its 94 minutes, while also attempting to convince us that a child born into such a family…

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Wilmington on DVDs: Footnote

  PICK OF THE WEEK: NEW FOOTNOTE (Also Blu-ray) (Four Stars) Israel: Joseph Cedar, 2011 (Sony Pictures Home Entertainment)   One thing I know I will never do is read the Talmud (IA) cover to cover — even in an English translation, much less, God knows, in the original Hebrew. Yet such is the brilliance…

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Wilmington on DVDs: Snow White and the Huntsman; What to Expect When You’re Expecting; The Last of England; More

    SNOW WHITE AND THE HUNTSMAN (Two and a Half Stars) U.S.: Rupert Sanders, 2012 (Universal) Snow White and the Huntsman  has one of the clunkiest movie titles around, and a lot of the movie is worthy of it. A wildly expensive and lushly produced new look at the Grimm Brothers fairy tale “Snow-White and…

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The Weekend Report: Abandon Hope

A couple of new releases hardly made a ripple in weekend movie going that sunk to a level not seen in decades. The Words, a convoluted yarn of authorship, bowed to an estimated $4.8 million that ranked fourth on the leader board while the thriller The Cold Light of Day, a leftover from Summit, bowed with $1.8 million. The latter film has already opened overseas where it already grossed a disappointing $12.5 million.

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Wilmington on Movies: Cosmopolis

Cronenberg’s movie suggests that if we were in the uppermost echelon, it might be a nightmare, and a deserved one. If we were young billionaire asset managers like Eric Packer, played by Pattinson, we could set out one morning, in a white stretch limousine with our driver, lounge lazily in a luxurious back seat area (all black and blue and silver-chrome trim), relaxing in a limo seat that resembles a small room, and set out, in the middle of a vast midtown Manhattan traffic jam (worsened by the presence of a presidential motorcade, the funeral of a beloved rap star and Occupy-style riots in the street), to get a haircut from our father’s favorite barber.

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Wilmington on Movies: The Words

I have a confession to make. I didn’t write this review.I tried, God knows, but after several hours of pecking away at the keyboard of my Toshiba Satellite computer, and then reading back only dull, empty words on a white screen, I realized that I would never be the writer I once dreamed of becoming.

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The DVD Wrapup: Quick, My Sucky Teen Romance, High School, Touchback … More

Although the nearly-always hysterical characters in the Korean motorcycle thriller, Quick make Jerry Lewis seem withdrawn, they can be forgiven because someone has planted a bomb in their helmet and is threatening to blow them up.

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Wilmington on DVDs: Pirates! Band of Misfits

  PICK OF THE WEEK: NEW THE PIRATES! BAND OF MISFITS (Also in three-disc DVD/Blu-ray 3D Combo) (Three and a Half Stars) U. K.: Peter Lord, 2012 (Sony Pictures) Pirates! In real-life, most of them were probably scurvy gangs of sea-going psychopaths, but in the irresistible world of Aardman Animations, they’re cute and funny and…

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Wilmington on DVDs: The Five Year Engagement; High School; Child’s Play (1972)

THE FIVE-YEAR ENGAGEMENT (Also Blu-ray) (Three Stars) U.S.: Nicholas Stoller, 2012 (Universal) The Five-Year Engagement, latest from the Judd Apatow bunch, is a romantic comedy that would probably be annoyed if you called it a rom-com. Directed and co-written by Nicholas Stoller (who made the very entertaining buddy road comedy Get Him to the Greek), it’s…

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The Weekend Report (3-Day)

While tracking clearly put The Possession ahead of Lawless few anticipated that the film dubbed “The Kosher Exorcist” would generate more than $15 million in its opening three days. The Lawless conversely fell short of $10 million-to-$12 million estimates. Polling for Ooogieloves suggested scant interest but its financier insisted youngsters weren’t polled and that it would surprise pundits. The surprise would be a second adventure.

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Friday Estimates

The big indies are showing the majors how it’s done this weekend, with Lionsgate doing what it does best, releasing a horror movie and the Weinsteins releasing Oscar bait. These two films should do about the same business as the three new releases in this slot last year. Still, the weekend is missing what it had last Labor Day weekend, a strong holdover like The Help.

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Wilmington on Movies: The Possession; (The Dybbuk)

Starting in The Possession’s very first scene, bad things happen. Minor characters get killed, major characters get threatened, houses are vandalized, moths crawl out of everywhere, and little girls named Emily go crazy and attack their classmates, stab their daddy with a fork, and start talking like Mercedes McCambridge.

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Wilmington on Movies: For a Good Time, Call…

Lauren and Katie start off as reunited old enemies who fell out early in early college years over a bad Farrellyesque joke involving a urine sample, and who are bought together now by their mutual friend Jesse the gay comic.

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Wilmington on Movies: The Apparition

  THE APPARITION (Also Blu-ray)  (One Star) U.S.: Todd Lincoln, 2012 (Warner Bros.)  Dull, dreary, pointless and bad, sporting shock scenes that don’t shock, a grisly premise that doesn’t make sense, and a meager cast of mostly uninterested-looking Hollywood lookers (headed by Ashley Greene of Twilight) struggling with a meager, dialogue-challenged script, here is another horror…

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MCN Weekend

Gary Dretzka on: The DVD Wrapup: Ophelia, Ambition, Werewolf in Girls' Dorm, Byleth, Humble Pie, Good Omens, Yellowstone …More

rohit aggarwal on: The DVD Wrapup: Ophelia, Ambition, Werewolf in Girls' Dorm, Byleth, Humble Pie, Good Omens, Yellowstone …More

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon