MCN Weekend Archive for January, 2013

Wilmington on DVDs: People on Sunday

  PICK OF THE WEEK: CLASSIC PEOPLE ON SUNDAY (Menschen am Sonntag) (Four Stars) Germany: Robert Siodmak & Edgar Ulmer, 1930 (Criterion Collection) I. FROM CALIGARI TO HITLER When you’re young and smart and talented, you can also be a little  cocky — brash beyond your years. You’ll make it some day, for sure.  There’s…

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Wilmington on DVDs: Frankenweenie: Samsara

   PICK OF THE WEEK: NEW FRANKENWEENIE  (Also Four Disc Blu-ray/3D/DVD/Digital Copy & Two Disc Blu-ray/DVD) (Three and a Half Stars) U.S.: Tim Burton, 2012 (Buena Vista) Two of the best things Tim Burton ever did were a couple of black and white cartoons he made for Disney back in the early ‘80s, when he was…

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The DVD Wrapup

Frankenweenie, House at End of Street, Samsara, Dredd, Lapland Odyssey, SEAL Team Six, Sleep Tight, Grand Hotel and more…

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The Weekend Report

They simply can’t put a stake through the heart of Texas Chainsaw. The newest incarnation of the 1974 ‘Saw was top of weekend movie sales with an estimated $23.1 million debut. Chainsaw was also the only new national release, although several late-year award qualifiers also expanded to national exposure. Eco-themed drama Promised Land failed to ignite with the addition of 1,650 screens and a gross of $4.2 million. More promising though hardly explosive was The Impossible with $2.8 million from 572 locations. Also expanding from exclusive to limited status was Oscar-touted Zero Dark Thirty with a $2.7 million gross from just 60 playdates. The flip side was the total collapse of Not Fade Away that eked out a quiet $278,000 at 565 garages.

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Friday Estimates

Texas Chainsaw Massacre 3D dismembers all this awards season seriousness and takes the top slot with a double-digit Friday. And Django Unchained stays strong while The Hobbit takes its biggest hit as it passes $250 million domestic. Les Miserables‘ revolution is losing steam, though it will hit $100m this weekend. And Lincoln breaks the $140m tape.

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Wilmington on DVDs: Rosemary’s Baby

Rosemary’s Baby is shot with claustrophobic intensity and voluptuous eeriness by Polanski and his gifted cinematographer William Fraker (who also photographed Bullitt), is a great-looking, beautifully-acted, very scary show that probably affects you even if you don’t believe in the devil (as I don’t).

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Wilmington on DVDs: Looper; Cosmopolis

  PICK OF THE WEEK: NEW LOOPER (Three  Stars) U.S.: Rian Johnson, 2012 (Sony) The last man on Earth sat alone in a room. There was a knock on the door. Fredric Brown (The shortest short story ever written: Knock) Rian Johnson’s Looper is a classy time-travel alternate-universe science fiction movie,  tricky as a con…

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MCN Weekend

Gary Dretzka on: The DVD Wrapup: Ophelia, Ambition, Werewolf in Girls' Dorm, Byleth, Humble Pie, Good Omens, Yellowstone …More

rohit aggarwal on: The DVD Wrapup: Ophelia, Ambition, Werewolf in Girls' Dorm, Byleth, Humble Pie, Good Omens, Yellowstone …More

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon