The Weekend Report
The Weekend Report
The girls were back in town as the debut of Ocean’s 8 topped weekend moviegoing with an estimated $41.5 million. Shocker Hereditary exceeded expectations with $12.9 million to rank fourth and dystopian Hotel Artemis opened to a blah $3.1 million. All three new releases were propelled by female performers.
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Despite a sharp sophomore drop Solo: A Star Wars Story held the lead in weekend movie going with an estimated $29.5 million. A trio of new national releases failed to create more than a ripple with Adrift at least providing a respectable start with $11.5 million in third position. The paranoid thriller Upgrade actually exceeded expectations with a $4.4 million start while the stunt hijinx of Action Point pancaked with a grim $2.3 million debut.
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Despite a sharp sophomore drop, Solo held the lead with an estimated $29.5 million. A trio of national releases failed to create more than a ripple, with Adrift providing a respectable start with $11.5 million in third. Upgrade exceeded expectations with a $4.4 million start while the stunt hijinks of Action Point pancaked with a grim $2.3 million.
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Solo debuted at the top of the weekend with an estimated $83.1 million for the three-day portion of the Memorial Day holiday. (All figures reflect three-day box office). It was the sole new national opener but more than the Force contributed to the absence of a competitive counter-programmer. The long weekend was an overall improvement from 2017, but posted a double-digit decline from last weekend’s Deadpool 2 opening.
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Deadpool 2 swam to the top of weekend viewing with an estimated $124.9 million. The session’s other national newcomers targeted those averse to snark. The golden girls of Book Club charted third with $12.4 million while the kiddie mix of animation and live-action in Show Dogs grossed $6 million.
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Avengers: Infinity War won its third weekend with an estimated $63.2 million. The back-to-school hijinx of Life of the Party was in second spot with $18.3 million followed by the ferocious matriarch of Breaking In with $16.5 million.
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Avengers: Infinity War led weekend viewing with an estimated $113.2 million. Three new national releases did little to erode the Marvel juggernaut. Overboard – a remake of the 1987 comedy pairing real-life couple Goldie Hawn and Kurt Russell – was second with $14.3 million. Further down the line, the Diablo Cody-Charlize Theron-Jason Reitman reteam Tully struggled to $3.2 million and Bad Samaritan collapsed with $1.6 million.
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Avengers: Infinity War arrived to a jaw-dropping, record-breaking estimated $247.6 million. Among its most significant box office achievements were likely the biggest domestic debut and it holds the crown as the largest global opening with a $630 million gross. In North America, 82% of all movie ticket sales went to the Marvel crew.
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A Quiet Place returned to the top of weekend viewing with an estimated $21.9 million. Two national releases vied for third and fourth. Fantasy-comedy I Feel Pretty grossing $16 million gave a slight edge over the $14.8 million Broken Lizard hijinks in Super Troopers 2. In limited wide release, the thriller Traffik bowed to $3.9 million.
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It was Rampage by a snout as the monkeyshines debuted with an estimated $34.6 million. On its heels was A Quiet Place with $32.7 million. The session’s other wide release was the horror Truth or Dare in third, with $19.1 million. In limited wide political thriller Beirut opened to $1.6 million and animated Sgt. Stubby: An American Hero grossed $1.1 million.
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The whispers were deafening as A Quiet Place swooped to the top of the weekend with an estimated $50.1 million debut. There was good news for the raunchy table-turner Blockers that bowed third with $21.4 million. Two other national freshmen launched with a long-buried political flashback of Chappaquiddick overperforming with $6.1 million and female sport saga The Miracle Season opening close to expectations with $4.1 million.
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Ready Player One led the Easter parade with an estimated $53.6 million. There was good news for the session’s other national opener, Tyler Perry’s Tyler Perry-free revenge thriller Acrimony, which bowed at $17.1 million. The third new release God’s Not Dead: A Light in the Darkness failed to inspire with a $2.6 million start for a waning franchise.
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The debut of Pacific Rim Uprising led weekend viewing with an estimated $28 million. The session was rife with new releases but short on commercial dynamism. Animated Sherlock Gnomes charted fourth with $10.6 million while faith-targeted Paul, the Apostle failed to catch the I Can Only Imagine wave with a $5 million launch. At the back of the pack were YA romance Midnight Sun, which grossed $4.1 million and the low-budget thriller Unsane with $3.7 million.
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It was close as the debut of Tomb Raider bowed with an estimated $23.5 million. However, Black Panther led the frame with $26.8 million. Two additional films had national openings including the musically inspirational I Can Only Imagine that opened with an unexpectedly strong $17 million and the gay teen comedy Love, Simon with $11.5 million.
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Black Panther led weekend moviegoing for a fourth weekend with an estimated $41.1 million. Four national releases opened for the session but only the long-taught A Wrinkle in Time proved competitive at $33.4 million. Other freshmen included a fine start for chiller The Strangers: Prey at Night of $10.3 million and early-year casualty status for Entertainment Studios Motion Pictures’ The Hurricane Heist and STX’s Gringo, with respective bows of $3 million and $2.6 million.
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Black Panther held sway at the multiplex with a third weekend estimated tally of $66.3 million. The session’s two new national releases followed with Red Sparrow opening to $16.8 million and a resurrected MGM debuting Death Wish with $12.8 million.
Hindi Pari was off to a good start of $171,000. And best of the exclusive entries was the Israeli foreign language Oscar submission Foxtrot that grossed $35,300 from four locations.
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Black Panther’s 46% decline can be viewed as a moderate downturn, but its estimated $108.2 million weekend box office is formidable. The modest opposition saw three new national release, with the best of the bunch, the antic comedy Game Night, slotted second with $16.7 million while head-trip adventure Annihilation opened to $10.8 million. The resurrected Orion Pictures label provided the young adult fantasy romance Every Day with a low spark of $2.9 million.
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Black Panther devoured seventy percent or more of the marketplace, with a record-setting box office estimated at $192.2 million (all numbers reflect three-day portion of holiday weekend). Two films premiered nationally as counterprogrammers: animated Early Man wound up slotting seventh with $3.1 million, while faith-targeted biblical drama Samson earned $1.9 million.
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Fifty Shades Freed topped weekend moviegoing with an estimated $38.8 million, followed by two other national newcomers, the free adaptation of Peter Rabbit, with $24.8 million, while clipped-from-the-headlines The 15:17 to Paris went hand-to-hand for $12.4 million.
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Jumanji: Welcome to the Jungle returned to the top of the weekend viewing charts with an estimated $11 million. As the Patriots and Eagles await kick off of Super Bowl LII in frigid Minneapolis, moviegoing takes a back seat. And with that chill in mind the sole national newcomer – haunted house Winchester – opened in third with $9.1 million.
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