MCN Weekend Reviews Archive for April, 2011
The Weekend Report: April 24, 2011

Holy cow! Easter saw a close race between the animated Rio and the agitated Madea’s Big Happy Family. Sunday estimates gave the former a slight edge of $26.2 million to the latter’s $25.7 million. The holiday session featured another national bow with the adaptation of Water for Elephants that ranked third in the lineup with…
Read the full article » 1 Comment »Wilmington on Movies: Water for Elephants
Water for Elephants (Three Stars) U.S.: Francis Lawrence, 2011 Water for Elephants is an old-fashioned romantic picture done in new-fangled ways, and it‘s so good for such a long time, that it seems a shame, at the end, to feel so let down by it. But that’s how it goes… Director Francis Lawrence’s show, co-starring…
Read the full article » 2 Comments »Wilmington on Movies: The Conspirator

Redford obviously made this movie with all his heart. The picture, economically shot, has a grim, dusty look, and, for me, it also looks a little too TV-historical-dramatic-ish. But the story and the actors are so good, it doesn’t matter.
Read the full article » 9 Comments »Wilmington on Movies: Rio

Rio (Three Stars) U.S.: Carlos Saldanha, 2011 Rio is a big, coruscatingly colorful feature-cartoon love-letter to Rio de Janeiro from Brazilian director/writer Carlos Saldanha (director and co-director on the Ice Age movies), and it’s full of spectacular computer-cartoon images of Saldanha’s legendary city of samba, aswarm with funny animals acting wild and crazy in Carnival time….
Read the full article » 5 Comments »Review – Game of Thrones

“Game of Thrones delivers a lot of male-first sex. Women are most often taken from behind or see with their heads bobbing just out of frame. Women, is seems, are objects for these men. (We also get many sexual varieties, loving and otherwise, as we travel through the series.) But like so many elements of this series, it goes to the next level. The women are not unaware of what’s going on in this piece. And the power of sex is discussed and manipulated smartly.
Violence is also a big part of this film. It doesn’t take long to run into the first chopped up bodies. And there will be blood…. lots of it. But it is all for a purpose. And it isn’t only creatively done, but it is connected to character in a real way. It never feels like someone came up with something cool that they wanted to see played out on screen. It all feels necessary.”
Read the full article » 36 Comments »Wilmington on Movies: Scream 4

“I was glad they had some more adults in this one. In fact, that’s an idea: Why don’t they make the next one, Scream 5, with a lot of horny or fornicating, slaughtered adults instead of, you know, the usual horny or fornicating, slaughtered teenagers? Broaden the audience. Just an idea.”
Read the full article » 2 Comments »Wilmington on Movies: Potiche

“Movies can be works of art. (This one isn’t.) But they can also be, in a way, fantasy bistros where we meet and re-meet people we love to watch.”
And – A DP/30 w/ Ozon
Read the full article »Review: Your Highness

NOT-SO-HIGH TIMES “Your Highness” is about as fun as a bag of schwag and an episode of Starz’s “Camelot” Pot can make any movie better. Don’t forget, though, that you actually have to smoke the pot to achieve these results. Just watching a bunch of scenes where characters smoke pot won’t do it. This is…
Read the full article » 16 Comments »Wilmington on Movies: Arthur

After the sheer lousiness or mediocrity of so many Hollywood romantic comedies, it’s depressing to see the memory of a good old one go blotto, in the hands of a lot of talented people. Why did this happen? Where is there a romantic comedy touch today anything like Lubitsch’s? Or Wilder’s? Woody Allen some time again, maybe?
Read the full article » 3 Comments »The DVD Geek: The Sweet Smell of Success

There are many outstanding Blu-rays in the marketplace, and not a few of them have been released by the Criterion Collection, but every once in a while you come across a Blu-ray that is even better than outstanding, one that has an extra sort of subliminal something that crystallizes its perfection of delivery and transports the viewer to the illusion of a genuine theatrical experience.
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