MCN Weekend Reviews Archive for August, 2011

Wilmington on Movies: Colombiana

  Colombiana (Two Stars) U.S.: Olivier Megaton, 2011 She’s young. She’s tough. She’s agile. She’s half-naked. And  she’s definitely deadlier than the male — at least in this movie. Zoë Saldana, who was kind of blue in James Cameron‘s Avatar, plays producer-writer Luc Besson‘s notion of a rock ‘em sock ‘em action heroine in Colombiana…

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Wilmington on Movies: Don’t Be Afraid of the Dark

Don’t Be Afraid of the Dark (Three Stars) U.S.: Troy Nixey, 2011    What’s that noise over there? What’s that knocking in the walls? Those ashes stirring in the fireplace? Ah, it’s nothing, it’s nothing. Don’t worry. Even though you’re all alone and I know you’re anxious…that there may be something…wrong. Or something unreal. Or…

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Wilmington on Movies: One Day

One Day (Two and a Half Stars)    U.K.: Lone Scherfig, 2011 Few things in life can haunt or obsess us more than the romances that could have happened but didn’t, or depress us more than the romances that did happen and somehow didn‘t work out. SPOILER ALERT, DAMMIT One Day, a romantic British film…

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Wilmington on DVDs. Pick of the Week: Classic. The Big Lebowski

The Big Lebowski (Four Stars) U.S.: Joel & Ethan Coen, 1998 (Universal) The Big Lebowski, that goofball masterpiece by the Coen Brothers — once damned by some as a shiftless, bone lazy movie that went nowhere slow, now hailed (rightly) as one of the great cult or un-cult movies of the ‘90s, the ‘80s the…

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Wilmington on DVDs. Co-Picks of the Week: New. The Conspirator; Jane Eyre

(Three Stars) U.S.: Robert Redford, 2010, Roadside Attractions The late Sidney Lumet, I think, would have liked Robert Redford‘s new movie, The Conspirator. It’s a film that, like Lumet’s courtroom masterpieces 12 Angry Men and The Verdict, deals dramatically and memorably with the vagaries of the law, and with the wars between justice and injustice,…

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Wilmington on Movies: 30 Minutes or Less

30 Minutes or Less (Two and a Half Stars) U.S.: Ruben Fleischer, 2011 The first 30 minutes of 30 Minutes or Less — a darkish heist comedy from the director (Ruben Fleischer) and co-star (Jesse Eisenberg) of Zombieland — are actually pretty funny. Two sets of smart, funny actors (Eisenberg & Aziz Ansari and Danny…

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Wilmington on Movies: The Help

  “The Help” (Three Stars) U.S.: Tate Taylor, 2011 Like smooth Kentucky Bourbon or hot cornbread and jambalaya, or like Ray Charles’ great bluesy versions of “Georgia on my Mind” and “America the Beautiful,” The Help is old-fashioned, flavorsome stuff — old-fashioned in many good ways, and a few not-so-good ones. Set in Jackson, Mississippi…

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Wilmington on Movies: Final Destination 5

(Two Stars) U.S.: Steven Quale, 2011 In Final Destination 5, as in the other Final Destinations, blood is the money shot, the actors, or at least their characters, are expendable , and a guy named Bludworth, or his boss Destiny, is breaking up that old gang of mine (again).   For only the price of a…

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Wilmington on DVDs. The Rest. Paul, Mars Needs Moms, Despair

Paul (Two and a Half Stars) U. S.: Greg Mottola, 2011  (Universal) Suppose you were to rethink E. T. as a combination 70s road movie and Three Days of the Condor-style paranoid anti-C.I.A. thriller, with Simon Pegg and Nick Frost, of Shaun of the Dead as a couple of RV-riding, geek-slacker Brits named Graeme Willy…

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Wilmington on DVDs. Pick of the Week: Classics. Leaving Las Vegas, And Now Miguel

    “Leaving Las Vegas” (Three and a Half Stars) U. S.: Mike Figgis, 1995 (MGM/20th Century Fox) “Try to think that love’s not around. Still, it’s uncomfortably near…” Frank Sinatra, in “Angel Eyes” Nicolas Cage’s Oscar-winning performance in Leaving Las Vegas as an alcoholic Hollywood agent named Ben Sanderson — who loses his last…

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DVD Geek: Hobo With a Shotgun

Of the two possibilities open to the filmmakers who chose to call their movie, Hobo with a Shotgun, the first was to make a realistic revenge thriller of some sort, like the dozens of others that carry the same basic premise, which would be that a villain in a position of power underestimates the resolve of the seemingly insignificant hero. The second possibility, however, is the one the filmmakers actually went with…

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Wilmington on DVDs. Pick of the Week: New. Your Highness; Cameraman: The Life and Work of Jack Cardiff

  “Your Highness” (Two and a Half Stars) U.S.: David Gordon Green, 2011 (Universal) What price silliness? What price prurience? What price sheer knuckleheaded balderdash? Whatever the price, Your Highness – a sword and sorcery movie which sometimes seems geared as lowbrow comedy for frat boy idiots — pays it. This movie was so badly reviewed one…

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Wilmington on Movies: The Change-Up

      “The Change-Up” (Two Stars) U.S.: David Dobkin, 2011 The Change-Up, a big star body-swap comedy starring Ryan Reynolds and Jason Bateman, is a movie that begins with baby poop jokes and climaxes with its two “heroes” urinating together in a public fountain, before an audience. And you can almost hear the moviemakers yelling…

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Wilmington on Movies: Rise of the Planet of the Apes

I liked Rise of the Planet of the Apes very much — even though it’s obviously better directed (and acted) than it is written. The best of Rise is so damned wonderful, and the worst of it so damned silly, that it’s sometimes hard to believe, as you watch it, that you’re in the same movie you were in ten minutes or so ago.

Still, the very best scenes — usually ones involving Caesar the lead ape (as acted by Andy Serkis), with his piercing dark eyes and sometimes poignant, sometimes chilling quietude, a leader of the revolt that we know will eventually take over the planet — are among the best scenes in any blockbuster this summer, or for several summers.

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Wilmington on Movies: Bellflower

“Bellflower” (Two and a Half Stars) U.S.: Evan Glodell, 2011 Bellflower — a Sundance sensation reportedly shot for only $17,000 by first time writer-director-costar-co-editor Evan Glodell — introduces us to a couple of dudes, Woodrow from Wisconsin (first-timer Glodell) and Aiden from the neighborhood (first-timer Tyler Dawson) who live north of L. A. and are obsessed…

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Wilmington on DVDs. The Rest. The Perfect Game, The Goods, Coming to America/Trading Places, The Dirty Harry Collection

  “The Perfect Game” (Three Stars) U.S.; William Dear, 2010 (Image)         I admit it. I’m a sucker for inspirational sports movies. And this account of the historic 1957 Little League champions from Monterey, Mexico — a warm-hearted picture directed by William Dear (Harry and the Hendersons), written by the book’s author W. William Winokur,…

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Wilmington on DVDs. Co-Picks of the Week: Box or Multiple Sets. The Godfather/The Godfather 2; Braveheart/Gladiator;

CO-PICK: “The Godfather”/”The Godfather 2″ (Four Stars) U.S.; Francis Coppola, 1972  (Paramount)      Francis Coppola’s restored versions of the first two parts of one of the greatest of gangster sagas and American movies. An offer we can’t refuse, with a cast that can’t be topped: Marlon Brando as Don Corleone, Al Pacino, James Caan and John…

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Wilmington on Movies. Pick of the Week: New. Rio

Rio (Three Stars) U.S.: Carlos Saldanha, 2011 (20th Century Fox) Rio is a big, coruscatingly colorful feature-cartoon love-letter to Rio de Janeiro from Brazilian director/writer Carlos Saldanha (director and co-director on the Ice Age movies) — and it’s full of spectacular computer-cartoon images of Saldanha’s legendar city of samba, aswarm with funny animals acting wild and…

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Wilmington on Movies: Crazy, Stupid, Love.

“Crazy, Stupid, Love.” (Three and a Half Stars) U.S.: Glenn Ficara & John Requa, 2011 1. Crazy, Crazy, Stupid, Love. That’s the name of the new Steve Carell-Ryan Gosling-Julianne Moore romantic comedy, from the directorial team of Glenn Ficarra and John Requa (I Love You, Phillip Morris), and the title actually does consist of those three…

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MCN Weekend Reviews

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Richard on: DVD Geek: Batman v Superman: The Dawn of Justice Ultimate

estes1963 on: The DVD Wrapup: Drive Angry, Once Upon a Time in the West, Adua & Her Friends, A Clockwork Orange, Undertow, The Joke, Passion Play, Kaboom, Harvest ...

isa50 on: Wilmington on DVDs: Gladiator; Hell's Half Acre; The Incredible Burt Wonderstone

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

Johanna Lynch on: Wilmington on DVDs: The File on Thelma Jordon; Adua and her Friends; Bullet to the Head

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon