MCN Weekend Reviews Archive for October, 2011

Wilmington on Movies: Puss in Boots

    Puss in Boots (Four Stars) U.S.: Chris Miller, 2011 This review is dedicated to my friend Pica. Another Shrek movie, or, more accurately, a series spin-off? Another super-spectacular feature cartoon? Another big studio lollapalooza, this time from DreamWorks? In 3D yet? Didn’t sound artistically promising, even when the receipts started pouring in. But…

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Wilmington on Movies: The Rum Diary

The Rum Diary (Three Stars) U.S.: Bruce Robinson, 2011   The movie The Rum Diary, which I liked, is based — loosely, but that’s all right — on the novel that Hunter S. Thompson wrote when he was 22, a young guy, before “Hell’s Angels,” before “Fear and Loathing in Las Vegas,” before “The Great Shark…

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Wilmington on Movies: The Three Musketeers

The Three Musketeers (Two Stars) U.S.: Paul W. S. Anderson, 2011 Tous pour un, un pour tous. Alexandre Dumas pere “The Three Musketeers” — Alexandre Dumas’ quintessential swashbuckling adventure tale of three crack swordsmen and lusty comrades (Athos, Porthos and Aramis) and the hothead/country bumpkin (D’Artganan) whom they befriend and help turn into a world-class,…

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Wilmington on DVDs, The Rest: Bad Teacher; Page One: Inside the New York Times

Bad Teacher (One and a Half Stars) U.S.: Jake Kasdan, 2011 (Columbia) Seen any good movies lately? Good movies? Not really. But I saw a bad movie last Wednesday. I mean, a really bad movie. This movie was  sooooo bad…. How bad was it?… So bad that they put “bad” in the actual title! Like they were…

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Wilmington on DVDs. Pick of the Week: New. The Tree of Life

The Tree of Life (Also Three Disc Blu-ray/DVD/Digital Combo) (Four Stars) U.S.: Terrence Malick, 2011 (20th Century Fox) I. The Tree In The Tree of Life, Terrence Malick, an artist/perfectionist who never rushes a movie, dares the cinematic heavens again and, as far as I’m concerned, he wins the bet. The movie, still best American film…

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Wilmington on DVDs. Co-Pick of the Week: New. The Princess of Montpensier

The Princess of Montpensier (Four Stars) France: Bertrand Tavernier, 2010  (MPI Home Video) The Princess of Montpensier is a splendid French historical drama, a movie in the tradition of  sumptuous, intelligent epic-makers like Jean Renoir, Luchino Visconti, or Jean-Paul Rappeneau — and of course, in the best tradition of the filmmaker who made it, the usually good,…

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The Weekend Report: October 9, 2011

Real Steel provided the TKO to ascend to the top of weekend movie going charts with an estimated $26.8 million debut. The sessions other national freshman, the political thriller The Ides of March, was a distant second with $10.4 million launch. The lull pre-Thanksgiving also saw another Telugu movie out-pacing the traditionally stronger Hindi newcomer…

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Wilmington on Movies: Dream House

  Dream House (Two Stars) U.S.: Jim Sheridan, 2011  In Dream House, an almost mystifying misfire of a would-be classy, smart horror movie, Daniel Craig plays Will Atenton, a New York City publishing house editor who quits his job and moves out of the city — with his angelic wife Libby (Rachel Weisz) and their two…

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Wilmington on Movies: The Ides of March

The Ides of March (Two and a Half Stars) U.S.: George Clooney, 2011   Why in Great Caesar’s Ghost did George Clooney make a movie like The Ides of March now? That question kept needling me as I tried to enjoy this suave but dispiriting drama about a Democratic presidential primary gone rotten. I could never really…

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Wilmington on Movies: What’s Your Number?

  What’s Your Number? (One Star) U.S.: Mark Mylod, 2011 When an Anna Faris movie is so bad it makes you yearn for the good old days of Scary Movie 2, you know you’re in trouble. What’s Your Number?, a Faris rom-com of flabbergasting silliness and an awful smirking cheeriness that sets your teeth on…

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Wilmington on Movies: Weekend

  Weekend (Three Stars) U.K..: Andrew Haigh, 2011 Weekend, a sometimes remarkable low-budget British movie about a pickup in a Nottingham disco bar and its aftermath, starts out as a movie frankly about sex and one (or two) night stands, and winds up being closer to a classic love story. I haven’t mentioned that the…

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MCN Weekend Reviews

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Richard on: DVD Geek: Batman v Superman: The Dawn of Justice Ultimate

estes1963 on: The DVD Wrapup: Drive Angry, Once Upon a Time in the West, Adua & Her Friends, A Clockwork Orange, Undertow, The Joke, Passion Play, Kaboom, Harvest ...

isa50 on: Wilmington on DVDs: Gladiator; Hell's Half Acre; The Incredible Burt Wonderstone

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

Johanna Lynch on: Wilmington on DVDs: The File on Thelma Jordon; Adua and her Friends; Bullet to the Head

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon