Movie City News Archive for March, 2011

Wilmington on Movies: Hop

“I still hadn’t wised up when E.B. decamped to Hollywood, where he hooks up with Fred, and starts pooping jellybeans and trying to come up with so-called humor (lame zingers and amazingly laugh-challenged wisecracks), and where the movie definitively revealed its true agenda: bad jokes and L. A. clichés, mixed with elaborate animation, TV trendiness and loud, bright icky-poo cutes.”

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Wilmington on Movies: The Afterlight

“I liked the movie very much, and when some of its early festival admirers compared it to Michelangelo and Ingmar Bergman, they had some justification. The Afterlight is obviously made by filmmakers who know and admire Antonioni and Bergman, and who would probably be pleased by the comparison — and the images, scenes and emotions often suggest those two masters.”

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“The Blood-Soaked Rise Of South Korean Cinema”

“The Blood-Soaked Rise Of South Korean Cinema”

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Anne-T Reports Not Only Is Tree Of Life Not Opening In UK Before Cannes, But Summit’s Taken Icon To Arbitration Over Rights

Anne-T Reports Not Only Is Tree Of Life Not Opening In UK Before Cannes, But Summit’s Taken Icon To Arbitration Over Rights

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Antisocial Media: “Malcolm Gladwell’s Still Got It Wrong”

Antisocial Media: “Malcolm Gladwell’s Still Got It Wrong”

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Austerlitz On Tavernier And The French “Tradition Of Quality”

Austerlitz On Tavernier And The French “Tradition Of Quality”

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AMC THEATRES® CUES “ACTION” ON NEW AMC STUBS™ REWARDS PROGRAM

AMC Celebrates Official Nation-wide Launch and Kick Off to the “Search for Stubs Challenge” Las Vegas (March 31, 2011) — AMC Theatres (AMC), a leading theatrical exhibition and entertainment company, today officially unveiled AMC Stubs — the company’s new rewards program — to a crowd of CinemaCon attendees in Las Vegas. AMC Stubs is a new spend-based rewards program that…

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Some Concept Art From Pixar’s 2012 Brave

Some Concept Art From Pixar’s 2012 Brave

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Animating Source Code’s “Many Worlds” Theory

Animating Source Code‘s “Many Worlds” Theory

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How A Game Of Golf Triggered A $10 Million Toronto Noir With Samuel L. Jackson

How A Game Of Golf Triggered A $10 Million Toronto Noir With Sam Jackson

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Telegraph Favors Deep Brit Arts Funding Cuts

Telegraph Favors Deep Brit Arts Funding Cuts

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Malaysia’s First Gay Film A Controversial Hit

Malaysia’s First Gay Film A Controversial Hit

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AMC Gives You “Stubs”

AMC Gives You “Stubs”

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Howell On The First Six Months Of The TIFF Lightbox

Howell On The First Six Months Of  Toronto’s Ambitious TIFF Lightbox Cinema Plus – TIFF Fundraising Goals At 96% Of Its $196 Million Capital And Endowment

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Todd Phillips Sez K.O. VOD Plan: “If I had wanted to make movies for television, I would have been a TV director.”

Todd Phillips Sez K.O. VOD Plan: “If I had wanted to make movies for television, I would have been a TV director.”

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Dante Ferreri Considers His Life Of Production Design

Dante Ferreri Considers His Life Of Production Design

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Sony Online Entertainment Terminates 205 Jobs; Kills A Game 5 Years In Development

Sony Online Entertainment Terminates 205 Jobs; Kills A Game 5 Years In Development

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Mass Lawsuit Against Downloaders Is On Behalf Of… Nude Nuns with Big Guns

Mass Lawsuit Against Downloaders Is On Behalf Of… Nude Nuns with Big Guns With – A Widget To Click To See If Your IP Address Is In The Complaint

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“I’ve Seen Every Woody Allen Movie”

“I’ve Seen Every Woody Allen Movie”

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FrancoFrancoFranco: “The Tasmanian Devil Would Look Stoned Next To Anne Hathaway”

FrancoFrancoFranco: “The Tasmanian Devil Would Look Stoned Next To Anne Hathaway”

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon