Movie City News Archive for March, 2011

Meet Djo Tunda Wa Munga, The One-Man Film Industry In Congo

Meet Djo (“Joe”) Tunda Wa Munga, Congo’s One-Man Film Industry

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Cameron Sez He’ll Shoot Avatar Sequels In 18 Months At Higher Frame Rate, 48 Or 60fps

Cameron Sez He’ll Shoot Avatar Sequels In 18 Months At Higher Frame Rate, 48 Or 60fps

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Queenan Provides Reasoning For Why Branagh Never Became A Movie: “Bland And Ordinary” Like “The Haughty Emma Thompson”

Queenan Provides Reasoning For Why Branagh Never Became A Movie: “Bland And Ordinary” Like “The Haughty Emma Thompson”

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What iPad Users Don’t Get About Murdoch’s The Daily

What iPad Users Don’t Get About Murdoch’s The Daily

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Investors In DeNiro-Norton-Starrer Stone Sue To Get $6 Million Back

Investors In DeNiro-Norton-Starrer Stone Sue To Get $6 Million Back

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Film Delivevolution 33111: March 30… A Day That Will Live In Infamy… On Demand

The Chris Dodd era at MPAA starts with the studios pissing in NATO exhibitors’ punch at their own party, smiling and extolling the importance of theatrical at the same time they were signing a deal with DirecTV to launch 60-Day Premium-priced VOD in April. What happens next? Don’t count on anyone with skin in the game telling the truth about VOD or theater owners trusting the 4 major distributors who are moving forward anytime soon.

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Sundance Selects A Deux With Wenders’ PINA

NEW YORK, March 21, 2011 – Sundance Selects announced today that the company is acquiring all U.S. rights to celebrated director Wim Wenders’ (WINGS OF DESIRE, BUENA VISTA SOCIAL CLUB) 3D documentary PINA. Wenders also wrote the screenplay for the picture and produced it along with Gian-Piero Ringel (PALERMO SHOOTING). PINA, an in-depth look into…

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In Bed With The Director Of Hobo With A Shotgun (And Hobo Rutger Hauer) vid

In Bed With The Director Of Hobo With A Shotgun (And Hobo Rutger Hauer) vid

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A Tyler Perry Deal: Tyler Perry Extends Tyler Perry Deal With Lionsgate; Gets Half Of Profits

A Tyler Perry Deal: Tyler Perry Extends Tyler Perry Deal With Lionsgate; Gets Half Of Profits

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How Hw’d Dishonors The Legacy Of Poster King Saul Bass

How Hw’d Dishonors The Legacy Of Poster King Saul Bass

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To Cast Bill Murray You Must First Find Bill Murray

To Cast Bill Murray You Must First Find Bill Murray

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Will Par And Producer Lorenzo di Bonaventura Resolve Tiffs?

Will Par And Producer Lorenzo di Bonaventura Resolve Tiffs?

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MPAA Backdoors NATO With Early VOD… NATO Not Happy

Et tu, Dodd-us? MPAA Backdoors NATO With Early VOD… NATO Not Happy

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NATO RESPONSE TO EARLY PREMIUM VOD ANNOUNCEMENT

On March 30, it was reported that Warner Bros., Fox, Sony and Universal planned to release certain of their films to the home 60 days after their theatrical release in “premium” Video on Demand at a price point of $30. On behalf of its members, the National Association of Theater Owners (NATO) expresses our surprise…

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Elizabeth Taylor May Have Been Worth A Perfumed Billion Bucks

Elizabeth Taylor May Have Been Worth A Perfumed Billion Bucks

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LA’s Struggling No-Longer-PBS Station Set To Sell Landmark Sunset Blvd Studio To Church Of Scientology

LA’s Struggling No-Longer-PBS Station Set To Sell Landmark Sunset Blvd Studio To Church Of Scientology

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South Korea’s Largest Mobile Phone Co May Bid For Blockbuster

South Korea’s Largest Mobile Phone Co May Bid For Blockbuster

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Canyon Cinema, Major Distrib Of Experimental Film, Sends Up SOS

Canyon Cinema, Major Distrib Of Experimental Film, Sends Up SOS

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DirecTV, VUDU, Comcast Set $30 “Premium VOD” 60 Days After Theatrical For Titles From Warner, Fox, Sony, Uni

DirecTV, VUDU, Comcast Set $30 “Premium VOD” 60 Days After Theatrical For Titles From Warner, Fox, Sony, Uni

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Big Media Bites Zite

Big Media Bites Zite

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon