Movie City News Archive for August, 2011

Lionsgate Stock Drops After Icahn Settlement

Lionsgate Stock Drops After Icahn Settlement

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Koehler Talks Widescreen Drive With Refn

Koehler Talks Widescreen Drive With Refn

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Nick Ray’s WE CAN’T GO HOME AGAIN Goes To Oscilloscope

NEW YORK (August 31,2011) – Oscilloscope Laboratories announced today that it has acquired North American distribution rights to Nicholas Ray’s WE CAN’T GO HOME AGAIN, the director’s pioneering last film, for release in honor of the centenary of his birth. A pristine new restoration and reconstruction of the film will make its world premiere at the upcoming…

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Luc Sante On Vigo’s L’Atalante

Luc Sante On Vigo’s L’Atalante With – Michael Almereyda On Vigo

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U.S. Moves To Block Proposed AT&T-T-Mobile Behemoth

U.S. Moves To Block Proposed AT&T-Mobile Behemoth

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Michael Wood Goes Apes With Nim

Michael Wood Goes Apes With Nim

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“Yes—Darth says NO.”

“Yes—Darth says NO.”

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PHASE 4 FILMS ACQUIRES U.S. AND CANADIAN RIGHTS TO JAMES WESTBY’S RID OF ME

SUBMARINE TO PARTNER ON A FALL THEATRICAL RELEASE FOR IMMEDIATE RELEASE Los Angeles, CA (August 31, 2011) – Berry Meyerowitz, President & CEO of Phase 4 Films, announced today that the company has acquired all U.S. and Canadian rights to director James Westby’s black comedy RID OF ME.  Phase 4 will partner with Submarine on…

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Getting Interactive With Refn Re: Drive’s Los Angeles Locations

Getting Interactive With Refn Re: Drive‘s Los Angeles Locations

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What He’s Done Best: Steve Jobs Made Us Pay

What He’s Done Best: Steve Jobs Made Us Pay

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Argentina Sets Taxes And Other Barriers On Foreign Films

Argentina Sets Taxes And Other Barriers On Foreign Films

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Kristin Thompson Wonders If 3D Will Wane With This Summer

Kristin Thompson Wonders If 3D Will Wane With This Summer

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Leonard Harris, 81, TV Arts Critic; Also “Senator Palantine” In Taxi Driver

Leonard Harris, 81, TV Arts Critic; Also “Senator Palantine” In Taxi Driver

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Reading Reading The Fine Print In The Dick Clark-HFPA Golden Globes Lawsuit

Reading The Fine Print In The Dick Clark-HFPA Golden Globes Lawsuit

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Rod Garrett, 74, Designed Burning Man

Rod Garrett, 74, Designed Burning Man

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‘Suing The Devil’ is #2 Indie Film at Box Office – Faith-Based Movie Seeks to Expose the Devil’s Greatest Lie

LOS ANGELES, Aug. 30, 2011 — Suing the Devil, the highly-acclaimed film that opened in select theaters nationwide on August 26, 2011 had the second highest-grossing average of any independent film in the nation. The film, which won 5-Dove Seal from the Dove Foundation, hit theaters in in cities across the nation, including Dallas, Houston, Evansville,…

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TIFF Co-Director Bailey Talks “Neighborhood” Festival

TIFF Co-Director Bailey Talks “Neighborhood” Festival

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Cameron Crowe Posts An Alternate Script Opening To Say Anything

Cameron Crowe Posts An Alternate Script Opening To Say Anything

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Italian Director Ettore Scola Announces Retirement At 80

“I didn’t want to become one of those old ladies who wear high heels and lipstick just to keep youthful company.” Italian Director Ettore Scola Announces Retirement At 80

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Icahns Selling Their 44 Million Shares In Lionsgate

Icahns Selling Their 44 Million Shares In Lionsgate

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon