Movie City News Archive for June, 2012

Wilmington on Movies: Ted

Listen, I’m like almost everybody else. If you make me laugh, I’ll forgive you. I’ll forgive almost anything. In fact, I feel here like the priest with the Mafia guy on the other side of the screen. There’s a lot to forgive and expiate: a lot of Hail Marys here. But what the hell. It made me laugh. I forgive it. Bring it in, yuh bastid. Where’s the brewskis?

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The FT Lunches With Funnyman Armando Iannucci

The FT Lunches With Funnyman Armando Iannucci

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Ebiri: “This Is Not A Prometheus Thinkpiece”

Ebiri: “This Is Not A Prometheus Thinkpiece”

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Guy Maddin Among Three Manitobans Appointed To Order Of Canada

Guy Maddin Among Three Manitobans Appointed To Order Of Canada 

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Academy Invites 171 To Membership

Academy Invites 171 To Membership, Including Terrence Malick, Asghar Farhadi, Wong Kar Wai, The Dardennes, Amy Berg, Ryuichi Sakamoto, Stephen King, J. C. Chandor, Maria Djurkovic, Michel Hazanavicius, Lucy Walker, Matthew McConaughey, S. Epatha Merkerson, Alberto Iglesias, Sean Bean, Demián Bichir, Tom Berenger, Kyle Cooper, John Battsek, Nicholas Stoller, Richard E. Grant, Diego Luna, Oren Moverman, Marshall Curry, Michaël R. Roskam, Kristen Wiig, Toyomichi…

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ACADEMY INVITES 176 TO MEMBERSHIP

June 29, 2012 FOR IMMEDIATE RELEASE Beverly Hills, CA– The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 176 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitation will be the only additions in 2012 to the Academy’s…

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Wilmington on DVDs: The 39 Steps

CO-PICK OF THE WEEK: CLASSIC THE 39 STEPS (Also Blu-ray) (Four Stars) U.K.: Alfred Hitchcock, 1935 (Criterion Collection)  Back in 1985, I wrote these liner notes for one of the earliest Criterion Collection releases: a videotape, in a silver-colored box, of Alfred Hitchcock’s love-on-the-run spy-story masterpiece, The 39 Steps. (The original is still on their website.)…

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“I disliked Prometheus intensely. I do think that having acrimonious feelings towards the film is the actual point…”

“I disliked Prometheus intensely. I do think that having acrimonious feelings towards the film is the actual point…”

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Curry Surveys The Remarkable Early Film Posters Of Polish Designer Waldemar Swierzy

Curry Surveys The Remarkable Early Film Posters Of Polish Designer Waldemar Swierzy

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Larry King To Interview Optimus Prime At ComicCon Because James Lipton’s Fee Is Too Damn High

Larry King To Interview Optimus Prime At ComicCon Because James Lipton’s Fee Is Too Damn High

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Pride’s Friday 5 (June 29, 2012)

Sarah Polley’s “lucid and lucent” “Take This Waltz”; “Magic Mike” and the love of “Saturday Night Fever”; the modern dance between Andrew Garfield and Emma Stone in “The Amazing Spider-Man”; Mila Kunis, in a towel, in “Ted,” and the grave beauty of Nuri Bilge Ceylan’s “Once Upon A Time In Anatolia.”

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Swansburg Sez: “Straight Dudes of America! Go See Magic Mike!”

Swansburg Sez: “Straight Dudes of America! Go See Magic Mike!”

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Hoberman On Fassbinder In America: “The Single Antidote To Thoughts of Suicide”

Hoberman On Fassbinder In America: “The Single Antidote To Thoughts of Suicide”

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Esquire Goes Ephron

Esquire Goes Ephron Junod: “If you are a magazine writer, you are always worried about the afterlife.” And – Chiarella: “I never wanted to be a journalist. What I wanted, and I knew this by the time I was 30, was to be Nora Ephron.” With – Taddeo: “I met Nora Ephron at one of those parties…

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Lena Dunham Remembers Nora Ephron

“I loved whoever was making these actresses comfortable enough to express the minutiae of being a human woman onscreen.” Lena Dunham Remembers Nora Ephron

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How Male Strippers Really Dress For Work

How Male Strippers Really Dress For Work

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Alex Pettyfer: “How Is It That I Am In A Steven Soderbergh Movie Being Grinded By Matthew McConaughey?”

Alex Pettyfer: “How Is It That I Am In A Steven Soderbergh Movie Being Grinded By Matthew McConaughey?”

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Packaging Magic Mike, The Musical

Packaging Magic Mike, The Musical

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NewsCorp’s WSJ Gets Behind-The-Scenes At Murdoch Choice To Spin Off NewsCorp Newspapers

“I don’t give a —- about that,” he said.” NewsCorp’s WSJ Gets Behind-The-Scenes At Murdoch Choice To Spin Off NewsCorp Newspapers

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RULES APPROVED FOR 85TH ACADEMY AWARDS®

FOR IMMEDIATE RELEASE Beverly Hills, CA – June 28, 2012- The Board of Governors of the Academy of Motion Picture Arts and Sciences approved rules for the 85th Academy Awards. The most significant changes affect the Music, Foreign Language Film, Makeup and Visual Effects categories. In the Music (Original Song) category, the Executive Committee may…

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon