Movie City News Archive for July, 2012

Emerson’s Notes After Six Goes At The Two Margarets

Emerson‘s Notes After Six Goes At The Two Margarets

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“How To Create Quality 3D On A Budget”

“How To Create Quality 3D On A Budget”

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Kim Morgan Sez The Cars Have Eyes

Kim Morgan Sez The Cars Have Eyes

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Norman Alden, 87, Reportedly Had Over 2,500 Gigs, Including Voice Of Aquaman, Was In “Mary Hartman,” Ed Wood, Back To The Future

Norman Alden, 87, Reportedly Had Over 2,500 Gigs, Including Voice Of Aquaman, Was In “Mary Hartman,” Ed Wood, Tora Tora Tora!, Back To The Future

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Clocking The Clock, All 24 Hours Of It

Clocking The Clock, All 24 Hours Of It

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“Newsroom” Writer Outraged By Half-Truths In “The Aggravating Aggregatorsphere”

“Newsroom” Writer Outraged By Half-Truths In “The Aggravating Aggregatorsphere”

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“No, Mr. Bond. I Expect You To Cry.”

“No, Mr. Bond. I Expect You To Cry.”

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“Grey Area: How ‘Fifty Shades’ Dominated The Market”

“Grey Area: How ‘Fifty Shades’ Dominated The Market”

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Wilmington on Movies: Step Up Revolution

This is a ludicrous example of what you might call the “Hey Kids! Let’s put on a flash mob, and get it on You Tube!“ musical, a slick-quick-and-dumb-as-a-brick movie, shot in Miami, that has no apparent rationale except to get a bunch of buff kids, led by Guzman and McCormick, slithering and hopping and flash mobbing and dirty-dancing away to recorded music by talent like J.Lo, M.I.A., M83 and Far East Movement (all news to me).

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The Weekend Report

The Dark Knight Rises continued to ascend as the clear movie going favorite with an estimated $62.4 million gross in its second weekend. The current session featured two new national releases that bowed to so-so results. The comedic security romp The Watch opened third in the ratings with an estimated $12.8 million and a pas behind Step-Up Revolution bowed to a box office of $11.7 million.

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Writer Frank Cottrell Boyce’s Fantastic Telling Of The Morning After The Olympic Ceremony (And The Two Years That Came Before)

Writer Frank Cottrell Boyce‘s Fantastic Telling Of The Morning After The Olympic Ceremony (And The Two Years That Came Before)

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The Film That Changed Miriam Margolyes’ Life: Les Enfants du Paradis

The Film That Changed Miriam Margolyes’ Life: Les Enfants du Paradis

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Ebert On Boyle On Olympics

“I don’t know if Boyle’s opening ceremony was good. I don’t know if it was bad. I know it was surely the sort of event for which the British invented the term ‘gob-smacking.’ It was truly, deeply, British. It was by the Brits and for the Brits.” Ebert On Boyle On Olympics

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Seth McFarlane Sings Swing

Seth McFarlane Sings Swing

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Warner “Quietly” Exploring Shining Prequel?

Warner “Quietly” Exploring Shining Prequel?

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Emerson Continues The Conversation On Just What Is The Dark Knight Rises?

Emerson Continues The Conversation On Just What Is The Dark Knight Rises?

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Alex Cox On Kirk Douglas’ Lonely Are The Brave

Alex Cox On Kirk Douglas’ Lonely Are The Brave

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Wilmington on Movies: The Queen of Versailles

Of all the amusing, depressing and jaw-dropping things in “The Queen of Versailles”—Lauren Greenfield’s documentary about the construction and deconstruction of the largest one-family dwelling in the United States, a domicile modeled on both the original French Palace of Versailles and the Las Vegas Paris Hotel and built by time-share resort hotel czar David Siegel (and a film with many amusing, depressing and confounding things in it) — one of the two that bothered me most was the impression I had that in this entire massive, outlandishly ornate yet fundamentally cheesy edifice, intended as a glorious Got-rocks celebration by Siegel and his family (including wife Jackie, seven children, one niece and 19 servants), I could did not spot a single book.

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“An Aurora Survivor’s Message To The Media”

“During the prayer vigil held on Sunday outside the Aurora Municipal building, reporters and photographers were swarming the lawn as the mourners arrived. When Caitlin asked for her picture not to be taken, the only response she received was that she should not be in a public space.” “An Aurora Survivor’s Message To The Media”

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“Artistic director Danny Boyle smuggled into the Opening Ceremony of the London Olympics a worthy and important thing. He gave us a chance to celebrate protest and dissent. He outstripped the previous Olympic host city by flaunting what the Chinese actively suppressed. This was pageantry as jiu-jitsu. On these isles of wonder, tumult is a good thing.”

“Artistic director Danny Boyle smuggled into the Opening Ceremony of the London Olympics a worthy and important thing. He gave us a chance to celebrate protest and dissent. He outstripped the previous Olympic host city by flaunting what the Chinese actively suppressed. This was pageantry as jiu-jitsu. On these isles of wonder, tumult is a good thing.”

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon