Movie City News Archive for October, 2012

Leading U. S. Critic Abandons “Nasty, Stupid” Modern Art Market

Leading U. S. Critic Abandons “Nasty, Stupid” Modern Art Market

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Has Disney Gone Subversive With Wreck-It Ralph?

Has Disney Gone Subversive With Wreck-It Ralph?

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Penguin And Random House Set Joint Venture: Could It Be Penguin House?

Penguin And Random House Set Joint Venture: Could It Be Penguin House? Random Penguin House?

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Dwight Garner’s Fantastically Good Personal Tale On How Soon To Expose Progeny To “Challenging” Cultural Fare

Dwight Garner‘s Fantastically Good Personal Tale On How Soon To Expose Progeny To “Challenging” Cultural Fare

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Cieply Asserts H’wd Is Straining To Best Television For Cultural Relevance; Invokes “Shock” Of Ticket Sales, Compares The Master’s Box Office To Ratings For “Walking Dead”

“Television is free, once the monthly subscription is paid.” Cieply Asserts H’wd Is Straining To Best Television For Cultural Relevance; Describes “Shock” Of 2011 Ticket Sales, Compares The Master‘s Box Office To Ratings For “Walking Dead”

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“Penguin authors and agents ‘terrified’ at prospect of NewsCorp takeover”

“Penguin authors and agents ‘terrified’ at prospect of NewsCorp takeover”

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Zhu Rikun On The Hazards Of Independent Chinese Cinema

Zhu Rikun On The Hazards Of Independent Chinese Cinema 

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Is Matthias Schoenaerts The Sexiest Man In Antwerp?

Is Matthias Schoenaerts The Sexiest Man In Antwerp?

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“Winona Ryder’s Age Of Experience”

“Winona Ryder’s Age Of Experience”

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Brighton Pier As Seen In Quadrophenia And Brighton Rock Withdrawn From Sale

Brighton Pier As Seen In Quadrophenia And Brighton Rock Withdrawn From Sale

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Murdoch’s HarperCollins Makes $1.6 Billion Penguin Bid?

Murdoch’s HarperCollins Makes $1.6 Billion Penguin Bid?

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The Weekend Report

A strong hold finally put Argo atop the weekend box office chart with an estimated $10.3 million in an otherwise soft marketplace distracted by presidential politicking, hurricane Sandy and pre-Halloween heebie jeebies.

A quartet of new releases bowed to disappointing results with many already pegged at a low bar. Best of the bunch was the epic adaptation of Cloud Atlas that ranked third with an estimated $9.4 million while the chill of the week, Silent Hill: Revelation, was two notches behind with $8 million. Debuting out of the top 10 were the kid-centric Fun Size with $3.9 million and the not too hip Chasing Mavericks roping in $2.2 million.

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Mike Leigh’s J. M. W. Turner Biopic May Finally Come to Light

Mike Leigh’s J. M. W. Turner Biopic May Finally Come to Light

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Back To The Feature: Zemeckis On Returning To Realer Worlds

“Everyone keeps thinking I haven’t made a movie in 12 years. It’s like I’ve gone off and done opera or something.” Back To The Feature: Zemeckis On Returning To Realer Worlds

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Garrahan FT-Lunches With Paramount’s Brad Grey

“We made Flight with one of the greatest film-makers of all time with one of the greatest actors that we have, and we made it for $30 million. The only way you can do that is if everyone believes and is willing to waive what are well-earned quotes that they’ve had over the years, knowing that, together,…

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Howell Discovers Bond Is A Hoarder, Full-On Hoarder At TIFF Lightbox

Howell Discovers Bond Is A Hoarder, Full-On Hoarder At TIFF Lightbox

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David Hockney Sez “The mass media has lost its perspective”

David Hockney Sez “The mass media has lost its perspective”

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Romenesko Finds The Guy Who Wrote The Sublimely Wrong Wizard Of Oz Logline

Romenesko Finds The Guy Who Wrote The Sublimely Wrong Wizard Of Oz Logline

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Previewing LACMA’s “Stanley Kubrick”

Previewing LACMA’s “Stanley Kubrick”

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One More Voice Heard From: No, You Cannot Get Too Much Of The Shining, Ever

One More Voice Heard From: No, You Cannot Get Too Much Of The Shining, Ever

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon