Movie City News Archive for December, 2012

Carr Reverse-Engineers A Year-End Column By Polling The Fortunes Of Mass Media Mavens From CNN To WB To NYT

Carr Reverse-Engineers A Year-End Column By Polling The Fortunes Of Mass Media Mavens From CNN To WB To NYT

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Double Oscar-Winning Sound Editor Mike Hopkins, 53, In NZ Rafting Mishap

Double Oscar-Winning Sound Editor Mike Hopkins, 53, In NZ Rafting Mishap

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TribCo To Emerge From Bankruptcy Monday; Focus On Broadcasting Expected

“Eventually, all the assets are expected to be sold, according to the new owners.” TribCo To Emerge From Bankruptcy Monday; Focus On Broadcasting Expected

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Critics Top Tens Update

The first 100 lists and Zero Dark Thirty leads the Top Tens by a significant margin. Further down the list, The Dark Knight Rises and The Sessions move into the Top 20, and The Master makes a leap forward. Still lots more lists to come …

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Thomson Sez Amour Is A Good Excuse For Him To Belittle Or Dismiss Every Other 2012 Film

Thomson Sez Amour Is A Good Excuse For Him To Belittle Or Dismiss Every Other 2012 Film

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Ain’t It Cool News Changes Its Comment System But Still Brandishes 1996 Geocities Page Design

“We’ve taken care of the problems that have drug AICN down… I honestly miss the simplicity of the hard HTML pages I used to upload to an FTP.” Ain’t It Cool News Changes Its Comment System But Still Brandishes 1996 Geocities Page Design

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The Salesman-Documentarian Who Postponed A Lexus Buy For A Variety FYC Oscar Ad

The Salesman-Documentarian Who Postponed A Lexus Buy For A Variety FYC Oscar Ad

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Christian Slater-Starrer Grosses $264

Christian Slater-Starrer Grosses $264

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O’Hehir On The Purists, Puritans And The Rending Of Hairshirts Over Zero Dark Thirty

“Reducing the debate to MSNBC vs. Fox News partisan politics, or discussions about what kind of intelligence gathering yielded which results, strikes me as reductive tribal thinking. The debate about Zero Dark Thirty opens up all kinds of other overlapping questions of fact and interpretation–and also about the uses and limitations of art, and the powerful…

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Mike Kaplan On The Master And Kubrick

Mike Kaplan On The Master And Kubrick

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Bush Admin CIA Director Hayden Offers Personal Intel And Disinfo On Zero Dark Thirty

Bush Admin CIA Director Hayden Offers Personal Intel And Disinfo On Zero Dark Thirty; Seems Skeptical Of Obama Admin CIA

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Meghan Daum Has A Poop Over This Is 40

Meghan Daum Has A Poop Over This Is 40

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25 Animated GIFs Of Jennifer Lawrence’s 2012 In Quotes

25 Animated GIFs Of Jennifer Lawrence’s 2012 In Quotes

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Wilmington on Movies: Django Unchained

Quentin Tarantino‘s Django Unchained—his most entertaining movie since Pulp Fiction and Jackie Brown and a movie of almost inspired tastelessness—pulls us into a movie land that movie buff Tarantino knows well: the world of mid-to-late ’60s-early ’70s Italian spaghetti Westerns—a roost ruled by director Sergio Leone and star Clint Eastwood with their “Man With No Name” Trilogy, but also home to a variety of trashy offshoots by men with lesser names.

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“Al’s a god. You’re lucky to be in a room with him for two hours. Give me a break. There are nights when I watch that guy from the side of the stage and I weep. He’s one of the greatest actors in the history of cinema and he’s astonishing on stage. I think they’re taking cheap shots. Al’s one of the great storytellers ever. You get to be in a room with him for two hours. Be quiet.”

“Al’s a god. You’re lucky to be in a room with him for two hours. Give me a break. There are nights when I watch that guy from the side of the stage and I weep. He’s one of the greatest actors in the history of cinema and he’s astonishing on stage. I think they’re…

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Teri Shields & Brooke Shields Against The World

Teri Shields & Brooke Shields Against The World

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John Lithgow On This Is 40, Lying About Your Age, And Attending Harvard With Tommy Lee Jones And Terrence Malick

John Lithgow On This Is 40, Lying About Your Age And Attending Harvard With Tommy Lee Jones And Terrence Malick

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The Rediscovery Of Roger Christian’s George Lucas-Financed Short, Black Angel

The Rediscovery Of Roger Christian’s George Lucas-Financed Sword And Sorcery Short, Black Angel

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Nicholas Jarecki On His Toughest Scene To Write In Arbitrage

Nicholas Jarecki On His Toughest Scene To Write In Arbitrage

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Is The Intouchables’ Omar Sy France’s Most Popular Person?

Is The Intouchables‘ Omar Sy France’s Most Popular Person?

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon