Movie City News Archive for May, 2013

Bengali Film Director Rituparno Ghosh Was 49

Bengali Film Director Rituparno Ghosh Was 49

Read the full article »

Diller: Internet Will Kill Cable TV, Eventually, Probably

Diller: Internet Will Kill Cable TV, Eventually, Probably

Read the full article »

Julie Maroh, Author Of Comic “Blue Is The Warmest Color” Offers View On Kechiche’s Cannes Competition-Winning Life Of Adèle

“What interests me is the banalization of homosexuality.” Julie Maroh, Author Of Comic “Blue Is The Warmest Color” Offers View On Kechiche’s Cannes Competition-Winning Life Of Adèle pdf

Read the full article »

China Gov’t Denies Hacks On America

China Gov’t Denies Hacks On America

Read the full article »

“White One Hundred: 100 Great Films Starring Only White People”

“White One Hundred: 100 Great Films Starring Only White People” 

Read the full article »

China Has Key Role In Legendary Pictures’ Negotiations With American Studios

China Has Key Role In Legendary Pictures’ Negotiations With American Studios

Read the full article »

Hollywood! Be Nice To China!

Hollywood! Be Nice To China!

Read the full article »

After VOICE, Career Gossipeuse Michael Musto Not Down But Out

After VOICE, Career Gossipeuse Michael Musto Not Down But Out

Read the full article »

Glenn Kenny On Kino Orgasmus

Glenn Kenny On Kino Orgasmus

Read the full article »

TELLURIDE FILM FESTIVAL ANNOUNCES DEAN TAVOULARIS AS 40th ANNIVERSARY FESTIVAL POSTER ARTIST

FOR IMMEDIATE RELEASE  May 30, 2013 BERKELEY, CA – The 40th Telluride Film Festival (August 29 – September 2, 2013), presented by National Film Preserve LTD., proudly announces Oscar-winning production designer Dean Tavoularis as its 2013 poster artist. Tavoularis will attend the 40th Telluride Film Festival over Labor Day weekend to present his poster design to…

Read the full article »

Pitchfork Erects “The Dissolve” For AV Club Exiles

Pitchfork Erects “The Dissolve” For AV Club Exiles

Read the full article »

Eric Roberts Into Human Centipede 3

Eric Roberts Into Human Centipede 3

Read the full article »

Chicago Sun-Times Fires Entire Photo Staff, Sez Consumers Desire More “Video Content” That Will Edit Itself

Chicago Sun-Times Fires Entire Photo Staff, Sez Consumers Desire More “Video Content” That Will Edit Itself

Read the full article »

Wilmington on DVDs: Free Radicals, Side Effects

I’m not very find of abstract painting (which obviously helped inspire experimental filmmaking), so I can’t really explain my fondness for the movie avant-grade, ranging from the non-abstract surrealists Bunuel and Dali to largely non-narrative people like Hollis Frampton. to a splatter guy like Norman McLaren. Maybe I think, probably a superficial notion, that it’s too easy to fake an abstract painting, but to make an abstract film, even a bad one, you have to have at least some technical skill. Actually, you can fake a film too, or a film review. Maybe I‘m just still mad that my mother Edna, who was a brilliant realist artist, was treated like crap by the pretentious abstract artist/educators of her college and day.

Read the full article » 1 Comment »

Shy Irish Woman From Cork Responsible For $22 Billion Of Apple Profits

Shy Irish Woman From Cork Responsible For $22 Billion Of Apple Profits

Read the full article »

LAT Lee Demonstrates Pluperfect Profile Template In Gazing Upon A Grazing Michelle Rodriguez

“The fans, yo!” Rodriguez exclaimed between bites of kale salad. “They made noise!” … “Pausing for a sip of her Arnold Palmer—as well as a little added emphasis—Rodriguez detailed her third project.” LAT Lee Demonstrates Pluperfect Profile Template In Gazing Upon A Grazing Michelle Rodriguez

Read the full article »

Lowry Sez Anti-Koch Bros. Protesters At LA Times Oughta Shaddup And Let The Billionaires Have Their Way

Lowry Sez Anti-Koch Bros. Protesters At LA Times Oughta Shaddup And Let The Billionaires Have Their Way

Read the full article »

Ahoy! Pirates 5 Voyage Goes To Kon-Tiki Helmers

Ahoy! Pirates 5 Voyage Goes To Kon-Tiki Helmers

Read the full article »

Rapold On The “Troubles” Film, The Latest Being James Marsh’s Sleek Shadow Dancer

Rapold On The “Troubles” Film, The Latest Being James Marsh’s Sleek Shadow Dancer

Read the full article »

Macaulay’s 15 Tips From Cannes For Producers

Macaulay’s 15 Tips From Cannes For Producers

Read the full article »

Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon