Movie City News Archive for September, 2013

The Higher Ed Of James Schamus

“I cry all too easily at movies. And the movies don’t have to be all that good—I’m afraid the cinema is proof that cheap emotions are just as emotional as the more legit kind.” The Higher Ed Of James Schamus

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Academy Expands Animation Nomination Process

Academy Expands Animation Nomination Process

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“It wasn’t Roman who made my life miserable. It was the people who treated him unfairly at the time and now had him arrested in Switzerland. And—nothing against you—the press made my life miserable.”

“It wasn’t Roman who made my life miserable. It was the people who treated him unfairly at the time and now had him arrested in Switzerland. And—nothing against you—the press made my life miserable.”

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The Weekend Report

Cloudy with a Chance of Meatballs 2 supped on an estimated opening salvo of $34.4 million to easily take top spot with weekend moviegoers. Three other films debuted nationally and, like Meatballs, none had quite the spice that had been anticipated. Following last week’s teaser opening, Formula 1 racing saga Rush slotted third with $10.3 million while urban romantic comedy Baggage Claim grossed $9.4 million. The naughty but nice Don Jon trailed with $9 million.

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Flirting From Jeff Goldblum

“I like all kinds of relationships, intimate relationships. I don’t know who can claim to be good at them. I enjoy making a connection, self-expression and exposure. I like intimacy. I’m wildly curious about the unfathomable mystery of the other person. I like acting because it’s made of relationships.” Flirting From Jeff Goldblum

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Billionaire Facebook Founder And New Republic Owner Chris Hughes Sez “separation of business and editorial is outdated”

Billionaire Facebook Founder And New Republic Owner Chris Hughes Sez “separation of business and editorial is outdated”

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Anderson On The New “Archival Vérité” Documentaries

Anderson On The New “Archival Vérité” Documentaries

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Kehr On Criterion’s Rossellini-Bergman Set

Kehr On Criterion’s Rossellini-Bergman Set

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Friday Estimates

Cloudy With A Chance Of Meatballs 2 opens about 12% better than the first of the fledgling series, but the key number for the film, with kids back to school, will be Saturday’s. Meanwhile, the two sex romp comedies—one from New Jersey and one traveling from Los Angeles— romanced the same estimated opening number… which suggests that Don Jon will likely do slightly better over the weekend run. But it also suggests that both films probably would have been better off not opening against one another, even if all answers to opening weekend are not black-and-white.

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“They screamed ‘Canadian’ as they kicked and hit us:”

“They screamed ‘Canadian’ as they kicked and hit us” Filmmaker John Greyson And Tarek Loubani’s Statement On Their Egyptian Imprisonment With – Their Statement From Jail

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Makhmalbaf In Jerusalem

Makhmalbaf In Jerusalem

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Widening The Frame On CinemaScope

Widening The Frame On CinemaScope

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Hynes On The Virtue Of The Mere Fact Of Female Sexuality In Concussion And Blue Is The Warmest Color

Hynes On The Virtue Of The Mere Fact Of Female Sexuality In Concussion And Blue Is The Warmest Color

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Int’l Cinematographers Guild Nods Include William A. Fraker Award For Journalism On Cinematography To Tapley

Int’l Cinematographers Guild Nods Include William A. Fraker Award For Journalism On Cinematography To Tapley

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Dana Stevens On “Dan Sallitt 66 18 Intimate domestic dramas about incest, nymphomaniacs, and really bad honeymoons”

Dana Stevens On “Dan Sallitt’s Intimate Domestic Dramas About Incest, Nymphomaniacs And Really Bad Honeymoons”

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Salerno Defends Salinger

“My film is the first work to open the door to the dark soul of J.D. Salinger and, as such, isn’t harmless; it empties out a myth, and it gets people upset, which is what a good documentary film is supposed to do.” Salerno Defends Salinger

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Gamechanger Films Launches, New Film Fund For Women Narrative Filmmakers

Gamechanger Films Launches, A Film Fund For Women Narrative Filmmakers

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“Woody Allen does not look like a samurai. He looks, at 77, like a Woody Allen action doll, so tiny and iconic you have to sit on your hands so as not to pick him up and put him on the mantelpiece.”

“Woody Allen does not look like a samurai. He looks, at 77, like a Woody Allen action doll, so tiny and iconic you have to sit on your hands so as not to pick him up and put him on the mantelpiece.”

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Google Updates Search Algorithms, Calls Them “Hummingbird”

Google Updates Search Algorithms, Calls Them “Hummingbird”

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“Censored By Google”

“Censored By Google”

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon