Movie City News Archive for February, 2014

Faux-Saul Bass-Postering The Best Picture Nominees

Faux-Saul Bass-Postering The Best Picture Nominees

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A Glimpse Of Spalding Gray’s Short-Lived Career In 1970s Porn

Pleasure Of Terrors: A Glimpse Of Spalding Gray’s Short-Lived Career In 1970s Porn

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Colin Macabe Sez Derek Jarman Still Mysterious Twenty Years After His Death

Colin Maccabe Sez Derek Jarman Still Mysterious Twenty Years After His Death

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Gravity As “Workflow Cinema”

Gravity As “Workflow Cinema”

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“Who wouldn’t want to see next year’s Oscars written by, say, 12 Years a Slave screenwriter John Ridley? Or what about Spike Jonze? His mooncalf surrealism might just suit a show whose jagged juxtapositions and elastic tempo reliably melt clocks the world over.”

“Who wouldn’t want to see next year’s Oscars written by 12 Years a Slave screenwriter John Ridley? Or what about Spike Jonze? His mooncalf surrealism might just suit a show whose jagged juxtapositions and elastic tempo reliably melt clocks the world over.”

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Inside The White House Movie Bunker

Inside The White House Movie Bunker

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Anna Broinowski Check$ In On North Korean Filmmaking

“For the next two weeks, I will work and get drunk with the country’s top directors, composers and film stars.” Anna Broinowski Check$ In On North Korean Filmmaking

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Noah Marketing Will Now Concede That There’s No Such Thing As A Movie That Reflects The Bible As Understood Differently By Millions Of Individuals

“The film is inspired by the story of Noah. While artistic license has been taken, we believe that this film is true to the essence, values, and integrity of a story that is a cornerstone of faith for millions of people worldwide. The biblical story of Noah can be found in the book of Genesis.”…

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Cesar Noms Include Eighth For Polanski, Eight Each For Stranger By The Lake And Blue Is The Warmest Color

Cesar Noms Include Eighth For Polanski, Eight Each For Stranger By The Lake And Blue Is The Warmest Color

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Jim Lange, 81, Host Of “The Dating Game”

“And heeeere they are!” Jim Lange, 81, Host Of “The Dating Game”

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SeaWorld Questions Ethics Of Blackfish Investigator

SeaWorld Questions Ethics Of Blackfish Investigator

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20 Weeks To Oscar: 3 Days To Go

There’s no real sport to making Oscar picks. The star athletes have, in most cases, completed their work over a year ago. The others, including the director, have been done with the work of creation for at least 4 months. Nothing will change between this last Tuesday and Sunday evening.

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Tavi Gevinson’s Most-Overlooked Wes Anderson Costumes

Tavi Gevinson‘s Most-Overlooked Wes Anderson Costumes

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Orson Welles’ Personal Script For Citizen Kane Yours For Mere Tens Of Thousands Of Dollars

Orson Welles’ Personal Script For Citizen Kane Yours For Mere Tens Of Thousands Of Dollars

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Who Put The Crew On The “Midnight Rider” Death Bridge?

Who Put The Crew On The “Midnight Rider” Death Bridge?

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Her As Gen-X Midlife Crisis

Her As Gen-X Midlife Crisis

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Gurus o’ Gold: Time To Open Envelopes

In their final look at the Oscars, picking only a winner in each category, The Gurus are unanimous on 12 of 24 awards and the only categories without at least a two-thirds majority are Picture, Film Editing, and Live Action Short. Based on the Gurus vote, 12 Years A Slave would win Best Picture and 2 other Oscars, while Gravity would lead in wins for the evening, taking home 6 Oscars. And Dallas Buyers Club would have the third highest Oscar count on the night. In a year where people are talking about a limited field, Gurus voting says that the Top 8 categories would go to 5 different movies. Statisticians, start your spreadsheets.

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Why 12 Years A Slave Needed To Be Shot On Film

Why 12 Years A Slave Needed To Be Shot On Film

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Wilmington on Movies: The Wind Rises

Miyazaki‘s The Wind Rises. A lovely name. A lovely film. A poem to flight, as soaring and lyrical as those of the sometimes heart-piercing French writer-artist-pilot Antoine de St. Exupery.

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The DVD Wrapup

Gravity, Thor 2, You Will Be My Son, Come Back Africa, Mother of George, Twice Born… and more.

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon