Movie City News Archive for June, 2014

Music Producer Rick Rubin Talks About The Advantage Of Big Companies

 Music Producer Rick Rubin Talks About The Advantage Of Big Companies

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Inside The Mind Of BBC Serial Pedophile Jimmy Saville

Inside The Mind Of BBC Serial Pedophile Jimmy Saville trigger trigger trigger

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Novelist Tim Kinsella On The Life Of Actress Laurie Bird

“I wanted to write like a Kurt Vonnegut or Richard Brautigan style novel, one in which the narrator is a funny mope.” Novelist Tim Kinsella On The Life Of Actress Laurie Bird

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“Michael Bay has perfected a new kind of cinema. It’s hard to decide if it feels more like five movies randomly compressed into one or a 20-minute short bloated to eight times its original length. Scenes begin and end at random; days and nights pass without notice; characters jump around like board-game pieces shifted by an unruly child. It’s not incompetent so much as supercompetent, transcending mortal concerns like coherence and causation.”

“Michael Bay has perfected a new kind of cinema. It’s hard to decide if it feels more like five movies randomly compressed into one or a 20-minute short bloated to eight times its original length. Scenes begin and end at random; days and nights pass without notice; characters jump around like board-game pieces shifted by…

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Joe Roth Offloads His Stock-Still Revolution Studios For A Cool Quarter-Billion

Joe Roth Offloads His Stock-Still Revolution Studios For A Cool Quarter-Billion

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“Nostalgia for one’s youth forms much of the nostalgia for picture houses, which, in the movies is often elegiac.”

“Nostalgia for one’s youth forms much of the nostalgia for picture houses, which, in the movies is often elegiac.”

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Huber On The Death Of Brilliant Documentarian Michael Glawogger

Huber On The Death Of Brilliant, Cosmopolitan Documentarian Michael Glawogger

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“As we near Issue 60 (by which point maybe we’ll have attracted our 60th subscriber), the end is not in sight just yet. Nor are there any major new plans in the works, as I’m perfectly pleased to keep on doing what we’ve been doing, for as long as it makes sense financially and artistically. And that, as far as I’m concerned, is a gesture of independence that’s good enough. Don’t read this magazine with high expectations, though, because you’ll only get disappointed.”

“As we near Issue 60 (by which point maybe we’ll have attracted our 60th subscriber), the end is not in sight just yet. Nor are there any major new plans in the works, as I’m perfectly pleased to keep on doing what we’ve been doing, for as long as it makes sense financially and artistically….

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Canadian Filmmaker John Greyson Calls On Prime Minister To Help Journos Out Of Egyptian Prison The Way He Helped Him

Canadian Filmmaker John Greyson Calls On Prime Minister To Help Journos Out Of Egyptian Prison The Way He Helped Him

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Chicago Rahm Will Go To Court To Give Lakefront Property To George Lucas Imperial Museum; “Contaminated Soil” And “Permanent De-Watering” Among Issues

Chicago Rahm Will Go To Court To Give Lakefront Property To George Lucas Imperial Museum; “Contaminated Soil” And “Permanent De-Watering” Among Issues

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The Chicago Int’l Film Festival Turns 50

Celebrating 50 years of making Chicago an international destination for acclaimed filmmakers, bold new directors and lovers of cinema, the Chicago International Film Festival returnsOctober 9 – 23, 2014. The anniversary celebration will kick off with an Opening Night Gala presentation at the Harris Theater (205 E. Randolph St.), followed by a Golden Anniversary celebration at the…

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Shone Sez Brando “Broke The Movies”

Shone Sez Brando “Broke The Movies”

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Labuza Pictures Louis CK, Hong Sang-Soo And “The End Of Men”

Labuza Pictures Louis CK, Hong Sang-Soo And “The End Of Men”

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What’s The Best Chicago-Chicago Film Of 2014?

What’s The Best Chicago-Chicago Film Of 2014?

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Academy Invites 271 To Membership

The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 271 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitations will be the only additions to the Academy’s membership in 2014. “This year’s class of invitees represents some of…

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Kohn Has A Problem (Or Three) With The Transformers Franchise

Kohn Has A Problem (Or Three) With The Transformers Franchise

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Nayman Essays Robert Greene And His Actress

Nayman Essays Robert Greene And His Actress

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Google, The Populist?

Google, The Populist?

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Tracklisting Boyhood, Which No Longer Has “Get Lucky” Or “Hey Ya” In Rotation

Tracklisting Boyhood, Which No Longer Has “Get Lucky” Or “Hey Ya” In Rotation

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Anthropologist-Filmmaker Robert Gardner Was 88

Anthropologist-Filmmaker Robert Gardner Was 88

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon