Movie City News Archive for December, 2014

William Deresiewicz On “The Death Of The Artist—And The Birth Of The Creative Entrepreneur”

William Deresiewicz On “The Death Of The Artist—And The Birth Of The Creative Entrepreneur”

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VF Sez James Patterson Is “The Henry Ford Of Books”

VF Sez James Patterson Is “The Henry Ford Of Books”

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“James Schamus Wants To Tell You How The Economy Really Works”

“Yeah, it’s the business cycle. It’s kind of like, yeah, that’s the mass murder cycle.” “James Schamus Wants To Tell You How The Economy Really Works”

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Oliver Stone Covers Some New Conspiracy Theories From On The Ground In Russia

Oliver Stone Covers Some New Conspiracy Theories From On The Ground In Russia

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Emma Brockes Visits With John Green, The 36-Year-Old Teenager

Emma Brockes Visits With John Green, The 36-Year-Old Teenager

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“The company alleges that a group of six individuals is behind the hack, at least one a former Sony Pictures Entertainment employee who worked in a technical role and had extensive knowledge of the company’s network and operations.”

“The company alleges that a group of six individuals is behind the hack, at least one a former Sony Pictures Entertainment employee who worked in a technical role and had extensive knowledge of the company’s network and operations.”

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Christine Cavanaugh, 51, Was The Voice Of Babe, “Chuckie” On “Rugrats” And Other Popular Cartoon Characters

Christine Cavanaugh, 51, Was The Voice Of Babe, “Chuckie” On “Rugrats” And Other Popular Cartoon Characters

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Threats Loom Above Gmail Blockage On Mainland China

Threats Loom Above Gmail Blockage On Mainland China

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Double Academy Award-Winner Luise Rainer Was 104

“I was one of the horses of the Louis B. Mayer stable, and I thought the films I was given after my Academy Awards were not worthy. I couldn’t stand it anymore. Like a fire, it went to Louis B. Mayer, and I was called to him. He said, ‘We made you, and we are…

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Why Do You See The Hangover Again And Again And Again On Cable Channels?

Why Do You See The Hangover Again And Again And Again—At Least 140 Times—On Cable Channels?

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Bill Cosby Comments On Phylicia Rashad Unexpectedly Creepy

Bill Cosby Comments On Phylicia Rashad Unexpectedly Creepy

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Emanuel Lubezski On The Camera “Ballet” Of Birdman

Emanuel Lubezski On The Camera “Ballet” Of Birdman

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WB Sends Ryan Gosling’s Lost River To VOD

WB Sends Ryan Gosling’s Lost River Down The Stream From May – Fleming Rumors Warner To Offload Gosling Helming Debut To Speciality Distrib

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Is There Legal Ammo In Irving Azoff’s Billion-Dollar Lawsuit Threat Against YouTube?

Is There Legal Ammo In Irving Azoff’s Billion-Dollar Lawsuit Threat Against YouTube?

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“I wanted to do a study of a family under hideous pressures and circumstances,” Mr. Ayer said, “the family that lives in the tank and kills people for a living.”

“I wanted to do a study of a family under hideous pressures and circumstances,” Mr. Ayer said, “the family that lives in the tank and kills people for a living.”

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Those Who Find Into The Woods Too “PG” Sexually Are Directed Toward Neil Jordan & Angela Carter’s Company Of Wolves

Those Who Find Into The Woods Too “PG” Sexually Are Directed Toward Neil Jordan & Angela Carter’s Company Of Wolves

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The War Movie Battles Back To The Box Office

The War Movie Battles Back To The Box Office

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Bilge Ebiri Gets To The Heart Of Interstellar

“One of Nolan’s greatest strengths has always been his control of tone, and, not unlike Inception, Interstellar is a blockbuster bathed in sadness and desolation. His works are distinguished by the single-mindedness with which he pursues concepts; the films become cinematic fugues built around a single motif.” Bilge Ebiri Gets To The Heart Of Interstellar Earlier…

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Jonnie Rosenbaum Sez His Friend Adrian Martin’s New “Mise-en-scène And Film Style” Is Visionary, Indispensable And Wildly Expensive

Jonnie Rosenbaum Sez His Friend Adrian Martin’s New “Mise-en-scène And Film Style” Is Visionary, Indispensable And Wildly Expensive

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Andrey Zvyagintsev on ‘Leviathan’ and directing drunk actors

Andrey Zvyagintsev On Leviathan, Putin And Directing Drunk Actors

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon