Movie City News Archive for January, 2015

Writes A. O. Scott Reports Manohla Dargis

“The nominated shorts offer a vision of what the Academy Awards should and could be but very rarely are: eclectic, cosmopolitan, scrappy and surprising.” Writes A. O. Scott “Waiting for bliss is a fool’s game at Sundance, whose screeners and programmers sift through thousands of titles for a selection that’s too big to see in…

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Lindsay Bahr On A Park City Week With James Franco

“There’s a youthful energy. I love being here.” Lindsay Bahr On A Park City Week With James Franco

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Citizenfour’s Laura Poitras On “Heroic Acts”

Citizenfour‘s Laura Poitras On “Heroic Acts”

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Judge Throws Out A Gravity Screenplay Lawsuit

Judge Throws Out A Gravity Screenplay Lawsuit

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Sarah Lyall Hopes To Think Like A Film Critic After Watching 12 Films In Two Days; Wreaking Nearly 3,000 Words

Sarah Lyall Hopes To Think Like A Film Critic After Watching 12 Films In Two Days; Wreaking Nearly 3,000 Words

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Lee Ann Norman On Still-Productive Renaissance Man Melvin Van Peebles

Lee Ann Norman On Still-Productive Renaissance Man Melvin Van Peebles

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“When An Obit Calls Revered Author Fat, Twitter Exacts Its Revenge”

“When An Obit Calls Revered Author Fat, Twitter Exacts Its Revenge”

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Sundance Sale: Joe Swanberg’s Digging For Fire Planted In The Orchard

Sundance Sale: Joe Swanberg’s Digging For Fire Planted In The Orchard

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Joe Swanberg’s Digging For Fire Planted In The Orchard

The Orchard announced today that the company is acquiring North American rights to Joe Swanberg’s DIGGING FOR FIRE. The film is co-written by Jake Johnson and Swanberg and it stars Jake Johnson, Rosemarie DeWitt, Orlando Bloom, Brie Larson, Sam Rockwell, Anna Kendrick and Mike Birbiglia. DIGGING FOR FIRE was produced by Swanberg, Alicia Van Couvering and Jake Johnson. The film had its world premiere…

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Sara Stewart Sees Golden Age Of Nude Dudes

Sara Stewart Sees Golden Age Of Nude Dudes

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McDonald’s Won’t Sic Legal Hamburglers On Michael Keaton-Starring Ray Kroc Biopic, Reportedly Since Kroc Admitted Much Of The Script’s Allegations

McDonald’s Won’t Sic Legal Hamburglers On Michael Keaton-Starring Ray Kroc Biopic, Reportedly Since Kroc Admitted Much Of The Script’s Allegations

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Watching American Sniper In Baghdad

Watching American Sniper In Baghdad

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Sam Adams Sez Film Critics Not The Worst People At Sundance

Sam Adams Sez Journos Not The Worst People At Sundance “As journalists, we are being subsidized to watch movies, talk to cool people and then process what we’ve learned into articles the world can read. So lighten up, journalists. We’re here to cover the cool kids, not pretend to be them.” But – Jordan Crucchiola Declares…

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NYT Op-Docs Elizabeth Lo’s Silicon Valley Poverty Film Hotel 22 8’09

NYT Op-Docs Elizabeth Lo’s Silicon Valley Poverty Film Hotel 22 8’09”

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20 Weeks To Oscar: Is The Door Wide Open Again?

Could the Academy’s bizarre preferential balloting system be the defining issue in coming to a Best Picture winner this year?

And let me note again, before going any further, that the existence of the preferential ballot system at The Academy is IDIOTIC and I will forever believe that this was a bad joke foisted on The Academy by an exiting Bruce Davis.

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Oliver Farry On Anachronisms In Films And Why They’re OK

Oliver Farry On Anachronisms In Films And Why They’re OK

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Colleen McCullough, 77, Australian Author Of “Thorn Birds”

Colleen McCullough, 77, Australian Author Of “Thorn Birds”

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Focus World Cuffs Cop Car

Focus World Cuffs Cop Car

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Focus World Takes US And UK Rights To Cop Car

Focus World, the alternative distribution initiative owned and operated by Focus Features, has acquired US and UK rights to Cop Car out of Sundance where the film premiered in the midnight section and has been receiving rave reviews. The film is directed by Jon Watts and stars Kevin Bacon, James Freedson-Jackson, Hays Wellford, Shea Whigham and Camryn…

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IRRATIONAL MAN

Film marks eighth collaboration with the filmmaker and Sony Classics NEW YORK (January 29, 2014) – Sony Pictures Classics announced today that they have acquired all North American rights to Woody Allen’s upcoming film, IRRATIONAL MAN, from Gravier Productions. Produced by Letty Aronson, Stephen Tenenbaum and Edward Walson, the film features a prestigious cast including…

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon