Movie City News Archive for January, 2015

Sony Pictures Classics Acquires Woody Allen’s Irrational Man

Sony Pictures Classics Acquires Woody Allen’s Irrational Man

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Jeremy Kinser Talks To Me And Earl And The Dying Girl’s Alfonso Gomez-Rejon

Jeremy Kinser Talks To Me And Earl And The Dying Girl‘s Alfonso Gomez-Rejon About The Personal Story Behind The Sundance Hit

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Magnolia Runs With The Wolfpack Worldwide

 

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Peter Howell Sez It”s year Of The Woman At Sundance

Peter Howell Sez It’s Year Of The Woman At Sundance

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Sundance: Magnolia Runs With The Wolfpack

Sundance: Magnolia Runs With The Wolfpack

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Sundance Seen Part 1

The whispering of powder from a dull quiet sky. Snowflakes fall between the screenings. Then the sun is bright and powder dusts off the slopes.

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Mark Harris Thinks Selma Through Thoroughly

“They are unnerved not only that Selma threatens to become ‘official’ history, but that it represents a sea change in who has custody of that history.” Mark Harris Thinks Selma Through Thoroughly

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Francine Prose On The Fun And Frenzy Of Birdman

Francine Prose On The Fun And Frenzy Of Birdman

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Lionsgate in Talks with China’s Hunan TV on $1.5 Billion Investment

Lionsgate Talks $1.5 Billion Investment With China TV

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Looking For “A Thereness Beneath The Thereness” In Sundance Sale City Of Gold

“The important thing is locating the cuisine or the restaurant or the chef within the context of the culture. You have to know about food, and you have to have the tools to evaluate it, but I don’t think it’s any more consumer criticism than when an art critic reviews an art show.” Looking For…

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Taylor Swift Illustrates Foolishness In Current Copyright Law

Taylor Swift Illustrates Foolishness In Current Copyright Law

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VICE Premieres Harmony Korine’s The Legend Of Cambo

VICE Premieres Harmony Korine’s The Legend Of Cambo (9’30”)

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“What Silicon Valley Thinks Of Women”

“What Silicon Valley Thinks Of Women”

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Esquire Fixes On “The Most Overlooked Outfits Of The Royal Tenenbaums”

Esquire Fixes On “The Most Overlooked Outfits Of The Royal Tenenbaums“

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“I Went To UCLA, But My Real Film School Was Vidiots”

“I Went To UCLA, But My Real Film School Was Vidiots”

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The DVD Wrapup: The Judge, Downton Abbey, My Old Lady, Green Prince, Bird People and more

Downey and Duvall may be dredging up ghosts of characters they’ve played in countless previous movies, but that’s enough to recommend The Judge to their fans and courtroom drama buffs.

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Turmoil Behind The Scenes As HBO Attempts To Launch Its Standalone Streaming Service

Turmoil Behind The Scenes As HBO Attempts To Launch Its Standalone Streaming Service

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David Filipi On Why 2014 Was A “Watershed Year” For Animation On Several Fronts

David Filipi On Why 2014 Was A “Watershed Year” For Animation On Several Fronts

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YouTube Says It Would Be Impossible To Filter Out All Terror-Related Content From The 300 Hours Uploaded Every Minute

YouTube Says It Would Be Impossible To Filter Out All Terror-Related Content From The 300 Hours Uploaded Every Minute

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Andrew Hultkrans On What’s Pynchon And What’s Paul In Inherent Vice

Andrew Hultkrans On What’s Pynchon And What’s Paul In Inherent Vice

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon