Movie City News Archive for April, 2015

CBS’ Moonves Sez 40% Of Current Earnings From Sources That Didn’t Exist Five Years Ago

CBS Moonves Sez 40% Of Current Earnings From Sources That Didn’t Exist Five Years Ago

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Jessica P. Ogilvie On “How H’wd Keeps Out Women”

Jessica P. Ogilvie On “How H’wd Keeps Out Women”

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35 Years After His Passing, Alfred Hitchcock Offers Secret To Happiness

35 Years After The Day Of His Passing, Alfred Hitchcock Offers Secret To Happiness with 1’23” vid

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Chief Exec Of World’s Largest Marketing Services Co. Sez Netflix Will Have To Have Ads To Profit From Its $4 Billion Spend On Original Programming

Chief Exec Of World’s Largest Marketing Services Co. Sez Netflix Will Have To Have Ads To Profit From Its $4 Billion Spend On Original Programming

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Is The Medium-Length Film About To Arrive?

Is The Medium-Length Film About To Arrive?

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Critic-Filmmaker Mark Cousins Lists A Criterion Top 10

Critic-Filmmaker Mark Cousins Lists A Criterion Top 10

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San Andreas Promotion Will Be Tempered After Death Toll In Nepal

San Andreas Promotion Will Be Tempered After Death Toll In Nepal

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Here’s Elizabeth Banks In The Director’s Chair

Here’s Elizabeth Banks In The Director’s Chair

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Alison Willmore Has 11 Tribeca Pics To Reckon With By Women Filmmakers

Alison Willmore Has 11 Tribeca Pics To Reckon With By Women Filmmakers

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David Simon On Baltimore

“At some point, the drug war was as much a function of class and social control as it was of racism. We end the drug war. I know I sound like a broken record, but we end the —-ing drug war.” David Simon On Baltimore

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Good Dr. Bordwell Remembers Richard Corliss

“Like his friend and occasional jousting partner Roger Ebert, Richard didn’t judge a film by whether it measured up to some ideal yardstick of the medium. He welcomed the movies—at Time, some 2500, between 1980 and now—as they came. He let his wide tastes, good sense, vast memory and knowledge, and breakneck gift for language decide…

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Jonas Mekas On The Glory Days Of NYC Avant-Garde Film

Jonas Mekas On The Glory Days Of NYC Avant-Garde Film

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Banksy Allowed To Stay Anonymous While Trademarking His Pseudonym

Banksy Allowed To Stay Anonymous While Trademarking His Pseudonym

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THR Cover-Stories The Joel Silver Story

“Yes, I am a big target and I have been very successful, and there are always people who either may not have had success or for whatever reason are not fond of my success who tend to be very willing to say things that are not nice.” THR Cover-Stories The Joel Silver Saga

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Dave Itzkoff Gets The Big David Letterman Exit Interview

Dave Itzkoff Gets The Big David Letterman Exit Interview

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HBO Boss Praises HBO NOW, Disses Netflix, Quipping, “You Can’t Handle The Binge!”

HBO Boss Praises HBO Now, Disses Netflix, Quipping, “You Can’t Handle The Binge!”

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“Gamergate” Explained Through The Man Who Propagated “The Most Vicious Online Backlash Against Feminism In A Generation”

“Gamergate” Explained Through The Man Who Propagated “The Most Vicious Online Backlash Against Feminism In A Generation”

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“The Kurt Cobain myth can’t be penetrated, because the myth is all we have left of him.”

“The Kurt Cobain myth can’t be penetrated, because the myth is all we have left of him.”

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The Rankings Of The Top 50 Online News Entities Might Surprise You

The Rankings Of The Top 50 Online News Entities Might Surprise You

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Jason Bailey On “Why Not Everything Is a Reboot (Except Everything Kind of Is)”

Jason Bailey On “Why Not Everything Is a Reboot (Except Everything Kind of Is)”

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon