Movie City News Archive for May, 2015

Andrew Bujalski Gets Results With “Funky” Mixtape

Andrew Bujalski Gets Results With “Funky” Mixtape

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Friday Box Office Estimates

The seventh wide opening of the summer, San Andreas, opens to the third best Friday of the 2015 season, behind only Pitch Perfect 2 (still #2 in its third weekend) and Avengers: Age of Ultron, which seems like a hundred years ago already (still #6 this weekend). But how it will hold this weekend and moving forward, that is the question. It has a very strong chance of significantly outperforming PP2 internationally, just as it is unlikely to ever pass PP2 domestically.

Also opening is Aloha, which will be the summer’s weakest wide opening (we’re letting The D Train have a pass, which never went wider than 1009 screens). Just to frustrate film critics, who have lined up against the film both on quality and on political correctness, the film will likely open better than We Bought A Zoo, Cameron Crowe’s last, much better-reviewed film. Maybe casting Emma Stone as Alison Ng paid off.

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“Looking back, I can’t think of one funded show that was any good, while every day the world of commercial entertainment throws up work that is new, vibrant, creative and exciting without any need for government help.”

“Looking back, I can’t think of one funded show that was any good, while every day the world of commercial entertainment throws up work that is new, vibrant, creative and exciting without any need for government help.”

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John Bailey On Vilmos Zsigmond And The Rose

John Bailey On Vilmos Zsigmond And The Rose

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Daniel Clowes Has Thought Of Following The Ghost World Girls As Adults

Daniel Clowes Has Thought Of Following The Ghost World Girls As Adults

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Ravi Somaiya Seances With Nikki Finke Over Her New Fictional Enterprise

“She is now barred from practicing journalism about the entertainment industry online for about a decade. Ms. Finke declined to discuss the settlement for fear of violating it. She declined to be photographed for this article, supplying the portrait instead.” Ravi Somaiya Seances For 1,100 Words With Nikki Finke Over Her New Fictional Enterprise

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Gawker Employees Seek Union

Gawker Employees Seek Union

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James B. Stewart On Netflix Lobbying At White House And On Capitol Hill

James B. Stewart On Netflix Lobbying At White House And On Capitol Hill

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Olivier Assayas Criterion Top-10s Twenty-Two Pictures, Just Getting Started With The Leopard, Pickpocket, Andrei Rublev…

Olivier Assayas Criterion Top-10s Twenty-Two Pictures, Just Getting Started With The Leopard, Pickpocket, Andrei Rublev…

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Alex Ross Perry On Cameron Crowe And Aloha

“I honestly don’t know why people aren’t more into Cameron Crowe, or at least wanting him to succeed. Maybe it’s some sort of grown-up version of instinctively disliking things that your parents either like or are likely to like.” Alex Ross Perry On Cameron Crowe And Aloha

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Animator Don Hertzfeldt Says “Artists Shouldn’t Be Making Art On The Side, It Should Be Their Job”

Animator Don Hertzfeldt Says “Artists Shouldn’t Be Making Art On The Side, It Should Be Their Job”

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A Poet Considers The Music Of A Title

A Poet Considers The Music Of A Title

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Sydney’s Former Film Australia Studios To Be Sold For Residential Use

Sydney’s Former Film Australia Studios To Be Sold For Residential Use

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Texas Slashes Production Incentives

Texas Slashes Production Incentives

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Charlize Theron: Alpha Female

Charlize Theron: Alpha Female

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A Note To All Media, Not Limited To Trades: “Your ‘Scoop’ Doesn’t Matter”

A Note To All Media, Not Limited To Trades: “Your ‘Scoop’ Doesn’t Matter”

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Adrian Curry On The 34 Fine Movie Posters In “Scorsese Collects”

Adrian Curry On The 34 Fine Movie Posters In “Scorsese Collects”

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Alan Rusbridger Looks Back On Twenty Years Of Running The Grauniad

Alan Rusbridger Looks Back On Twenty Years Of Running The Grauniad

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Canuck Pics Assemble For Possible TIFF 2015 Opening Slot

Canuck Pics Assemble For Possible TIFF 2015 Opening Slot

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Toronto Int’l Offers Designers Chance To Compete On 2015 T-Shirt Design For “Public Exposure”

Toronto Int’l Offers Designers Chance To Compete On 2015 T-Shirt Design For “Public Exposure”

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon