Movie City News Archive for November, 2015

“The novelist Shusaku Endo once wrote, of seeing a Setsuko Hara film, ‘We would sigh or let out a great breath from the depths of our hearts, for what we felt was precisely this: Can it be possible that there is such a woman in this world?'”

“The novelist Shusaku Endo once wrote, of seeing a Setsuko Hara film, ‘We would sigh or let out a great breath from the depths of our hearts, for what we felt was precisely this: Can it be possible that there is such a woman in this world?’”

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“It may appear to be a fleeting gesture, yet there’s nothing simple or even wholly chaste about it: Carol’s touch pulsates with erotic possibility and terror.

“It may appear to be a fleeting gesture, yet there’s nothing simple or even wholly chaste about it: Carol’s touch pulsates with erotic possibility and terror.”

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Trumbo Prompts Shinan Govani to Muse Upon Hedda Hopper

Trumbo Prompts Shinan Govani to Muse Upon Hedda Hopper

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John King On The $400 Million Private Museum of George Lucas’ Miscellaneous Art On Chicago’s Lakefront

“Rahm Emanuel is giving a billionaire filmmaker priceless parkland for $10.” John King On The $400 Million Private Museum of George Lucas’ Miscellaneous Art On Chicago’s Lakefront

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India Move Toward Harsher Censorship Takes Toll On SPECTRE: Language, Kissing At Issue

“It also complained about the use of a slang word for testicles, ordering the term be changed to ‘cats.’” India Move Toward Harsher Censorship Takes Toll On SPECTRE: Language, Kissing At Issue

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Martian A $50 Million Man In China

Martian A $50 Million Man In China

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Ron Howard On Turning Down Phantom Menace And Superhero Films

Ron Howard On Turning Down Phantom Menace And Superhero Films

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Oh Dearie: Here Come The Manic Pixie Dream Grans

Oh Dearie: Here Come The Manic Pixie Dream Grans

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Brit Murdoch Tabs Clean Up Their Act

Brit Murdoch Tabs Clean Up Their Act

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Carey Mulligan On Suffragetteing For Her Work

Carey Mulligan On Suffragetteing For Her Work

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The Weekend Report

The Hunger Games: Mockingjay, Part 2 took a 50% hit but still survived Thanksgiving contenders with an estimated $51.3 million weekend. (Figures reflect a three-day period.) The incoming crowd was right behind with Pixar’s The Good Dinosaur grossing $39 million and Creed, a Rocky continuation, clobbering $29.3 million. A third national release, Victor Frankenstein, fizzled with a $2.3 million tally.

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Peter Hartlaub On The Living Legacy Of Satirist Mort Sahl

“As long as they let me. It’s the only thing I really enjoy.” Peter Hartlaub On The Living Legacy Of Satirist Mort Sahl, Still Performing At 88

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Armond White Mingles Praise And Cultural Petulance On Creed

Armond White Mingles Praise And Cultural Petulance On Creed

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“We made sure that in every scene the characters had an eye light, just like a live-action film would. A specific light that was set to reflect and give that twinkle in the eye. Trying to get them to move in sync with one another and allow for the animators to see what they were…

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“Transparent” Director Jill Soloway Talks Gender

“Most of the people in the world of distribution are straight white men and they’re distributing messages that make them the heroes, that make people empathize with them, and allow them to ‘otherise’ women, people of color and queer people. But we were raised to be objects and trophies in their storylines.” “Transparent” Director Jill…

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“I once lived with a woman for two years because her face and her energy reminded me of Setsuko Hara. There was the promise of beautiful dignity. The potential of sensual morality. And then of course the Setsuko illusion shattered when the woman threw a plate at my head.”

“I once lived with a woman for two years because her face and her energy reminded me of Setsuko Hara. There was the promise of beautiful dignity. The potential of sensual morality. And then of course the Setsuko illusion shattered when the woman threw a plate at my head.”

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Postering Al Pacino And David Mamet

Postering Al Pacino And David Mamet

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Peanuts’ Charles Schulz On The Necessity Of Loserdom

Peanuts’ Charles Schulz On The Necessity Of Loserdom

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John Cusack, Dan Ellsberg And Arundhati Roy Drop In On Edward Snowden

John Cusack, Dan Ellsberg And Arundhati Roy Drop In On Edward Snowden

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon