Movie City News Archive for January, 2016

John August Calculates That 86 Of The 100 All-Time Worldwide Top-Grossing Movies Are Part Of A Franchise

John August Calculates That 86 Of The 100 All-Time Worldwide Top-Grossing Movies Are Part Of A Franchise

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Spotlight Prompts More Victims To Come Forward

Spotlight Prompts More Victims To Come Forward

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Craig Keller On The Death Of Jacques Rivette

Craig Keller On The Death Of Jacques Rivette

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A. O. Scott Previews His Forthcoming “Better Living Through Criticism”

“If the academy is out of touch, what does that make me? A dinosaur. A stagecoach driver in the age of Uber. An old man yelling at a cloud.” A. O. Scott Previews His Forthcoming “Better Living Through Criticism”

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Colin Treverrow Hopes To Shoot Part Of Star Wars IX In Space

Colin Treverrow Hopes To Shoot Part Of Star Wars IX In Space

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Bilge Ebiri Salutes Sundance’s Little Men

“Ira Sachs has become the quintessential auteur of today’s New York–the one of class inequality, and of relationships transformed by the changing city around them.” Bilge Ebiri Salutes Sundance’s Little Men

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Michael Koresky On Nonfiction Sophistication At Sundance, With Cameraperson And Kate Plays Christine

Michael Koresky On Nonfiction Sophistication At Sundance, With Cameraperson And Kate Plays Christine

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Director Tim Miller On The Rebirth Of Foul-Mouthed, Jokey Deadpool

Director Tim Miller On The Rebirth Of Foul-Mouthed, Pansexual, Sarcastic Deadpool

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Ed Lachman Expands On The Lush, Loving Look Of Carol

Ed Lachman Expands On The Lush, Loving Look Of Carol

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Werner Herzog In The Modern World

“The internet I do use, mostly email, and it’s a fine instrument. Those who read gain the world, and those who are too much on the internet lose it.” Werner Herzog In The Modern World

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What Happened Miss Simone’s Liz Garbus On Playing “First Boss”

What Happened Miss Simone‘s Liz Garbus On Playing “First Boss”

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Tony Rayns Open-Letters For Sustaining The Work Of Busan International Film Festival Director Lee Yongkwan

Tony Rayns Open-Letters For Sustaining The Work Of Busan International Film Festival Director Lee Yongkwan

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Mo’Nique On Oscar

“’You will have to fly Mo’Nique and her team out and you would have to pay for her team—for hair and makeup and wardrobe—because that’s a night where there’s a lot of picture-taking and it’s TV.’ And they said, ‘That’s not something that we do. We don’t fly anyone in and pay for anyone and…

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Zoe Kazan’s “Useful Lessons I Have Learned From Having Screenwriters For Parents”

“Notes may seem stupid. It is your job to look past their bad solution to the problem they are responding to–and come up with a better solution.” Zoe Kazan’s “Useful Lessons I Have Learned From Having Screenwriters For Parents”

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Canny Alliance: Amazon Studios Sundance Buy, Gleason, To Be Distributed By Open Road (Owned By Two Of The Largest Theater Chains)

Canny Alliance: Amazon Studios Sundance Buy, Gleason, To Be Distributed Theatrically Via Open Road (Owned By Two Of The Largest Chains)

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Democratic Political Operative Donna Brazile Has An Oscar Campaign

“Baseball and football have taken proactive steps to solve the problem and have made significant progress. The Academy has now embarked on a path that will hopefully also produce positive results with enough effort and intent.” Democratic Political Operative Donna Brazile Has An Oscar Campaign Written In Deadly Politic-ese

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Sony Classics Adopts John Krasinski Sundance Pic

  [PR] NEW YORK (January 29, 2016) – Sony Pictures Classics announced today that they have acquired all rights in the US and Asia to John Krasinski’s THE HOLLARS.   Directed by Krasinski (BRIEF INTERVIEWS WITH HIDEOUS MEN) with a script from Jim Strouse (PEOPLE PLACES THINGS), the film is premiering tonight at the Sundance Film Festival….

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“MAD MAX: FURY ROAD,” “THE BIG SHORT” AND “INSIDE OUT” WIN BIG AT THE 66TH ANNUAL ACE EDDIE AWARDS RECOGNIZING THE BEST FILM EDITING OF THE YEAR

Beverly Hills, January 29 – “Mad Max: Fury Road” (edited by Margaret Sixel) and “The Big Short” (edited by Hank Corwin, ACE) won Best Edited Feature Film (Dramatic) and Best Edited Feature Film (Comedy) respectively at the 66th Annual ACE Eddie Awards tonight where trophies were handed out recognizing the best editing of 2015 in ten…

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Friday Box Office Estimates

Easily the softest launch for a Kung Fu Panda movie… but also the first non-summer release in the series and the first encumbered by a lot of TV/streaming programming around the characters. Po will not save DWA… nor will he sink it. (And $600m overseas – which is possible – could make it a big round hit, regardless of the U.S.) The Finest Hours is the second reminder (after 13 Hours) that the January Warrior niche is not a lock at the box office. That audience is there, waiting… but like the faith audience, you need to hit them just right. And no one was much interested in Fifty Shades of Black… a parody of a parody. This is the softest open for a Wayans (any Wayans) movie in a long time.

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Universal Takes Michael Shannon Erotic Thriller Frank And Lola For $2 Million

Universal Takes Michael Shannon Erotic Thriller Frank And Lola For $2 Million

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon