Movie City News Archive for January, 2016

American Cinema Editors Award Mad Max, Big Short, Amy, Inside Out

American Cinema Editors Award Mad Max, Big Short, Amy, Inside Out

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MARVEL CEO Perlmutter $1 Million Donation To Trump To Funnel To Veterans Meets Mixed Response

Marvel CEO Perlmutter $1 Million Donation To Trump To Funnel To Veterans Meets Mixed Response

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Australian Trans Woman Cerise Howard On The Danish Girl

“We trans folk are likewise aggrieved when our complex struggles are reduced to mannered gesturing as shorthand for stereotypical gender behaviours, especially when played equally to the Academy as to the gallery.” Australian Trans Woman Cerise Howard On The Danish Girl

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People Magazine Took On A “H’wd Blackout”—In 1996

People Magazine Took On A “H’wd Blackout”—In 1996 “Although Hollywood’s executive corps is clearly too vanilla, why launch your assault at this time, when significant inroads are being made? Protests and picketing are passe. There is growing resentment in this country against anything that smells of affirmative action. No matter what anyone tells you, Hollywood hires on…

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Sam Adams On Lubezski’s Revenant Instagrams

Sam Adams On Lubezski’s Revenant Instagrams

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Richard Brody On Elaine May’s Mike Nichols Documentary

“The show is distinctive in its sparseness, its fixed and almost obsessive concentration on Nichols’ face and voice. Beyond the substance of the film, its very form is May’s highest tribute to Nichols: she can’t stop looking at him and listening to him.” Richard Brody‘s Bittersweet Appreciation Of Elaine May’s Mike Nichols American Masters Doc

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A24 Propels Swiss Army Man In North America

A24 Propels Swiss Army Man In North America

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FOIA Request Answers What Movies Bill Clinton Watched At The White House

FOIA Request Answers What Movies Bill Clinton Watched At The White House

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Michael Moore’s Broadside Says Flint, Michigan Needs Much More Than A Daily 20.4 Million Bottles Of Water From The Public

Michael Moore‘s Broadside Says Flint, Michigan Needs Much More Than A Daily 20.4 Million Bottles Of Water From The Public

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Esquire Ejects Editor-In-Chief After 19 Years

“This is a guy who discovered, nurtured, befriended, defended more great writers than just about anyone.” Esquire Ejects Editor-In-Chief After 19 Years

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“Why The Whitney Is ‘Nervous’ About Upcoming Laura Poitras Show”

“In an unprecedented sprint from headline to gallery wall, news of the covert intelligence program to which the works pertain will have scarcely broken— last night— before the large-scale prints go on view to the public on February 5.” “Why The Whitney Is ‘Nervous’ About Upcoming Laura Poitras Show”

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Film Theorist Laura Mulvey Lists Her Criterion Top 10

“Akerman conjured up a world and a rhythm of life that had never appeared on the screen before, and did so with an extraordinary and radical beauty, political intelligence and mastery of both storytelling and filmmaking.” Film Theorist Laura Mulvey Lists Her Criterion Top 10 Plus – 81 Minutes Of Mulvey, Who Popularized Notion Of…

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Could Prolific Screenwriter Joe R. Lansdale Also Be The Nicest Guy In East Texas?

Could Prolific, Dark Screenwriter Joe R. Lansdale Also Be The Nicest Guy In East Texas?

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Jane Birkin On 50 Years Of Collaborations

Jane Birkin On 50 Years Of Collaborations

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Kyle Buchanan Cites 3 Potential SAG Award Upsets

Kyle Buchanan Cites 3 Potential SAG Award Upsets

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Kelly Reichardt Tells Logan Hill She Had To Go It Alone To Make Her Own Movies

“I remember Kevin Smith was also at Sundance ’94 with Clerks. He’s in this book   talking about my film and how it’s an example of a film that should have never been made. They say that it looks like it was shot on postage stamps.” Kelly Reichardt Tells Logan Hill She Had To Go It Alone To Make…

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Nancy Meyers Losing Optimism On H’wd Gender Equality

Nancy Meyers Losing Optimism On H’wd Gender Equality

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Jen Yamato Meets The Sundance “Movie Obamas”

Jen Yamato Meets The Sundance “Movie Obamas”

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Peter Bart Offers Chris Rock His Unsolicited Oscar Show Advice

Peter Bart Offers Chris Rock His Unsolicited Oscar Show Advice

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Jonathan Rosenbaum On Rivette’s OUT 1 And OUT 1: Spectre

“As a general rule of thumb, the longer Rivette’s features run, the better they turn out to be.” Jonathan Rosenbaum On Rivette’s OUT 1 And OUT 1: Spectre

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon