Movie City News Archive for April, 2016

Maryland Librarian Building Comprehensive Information Resources Site For Beyoncé’s “Lemonade”

Maryland Librarian Building Comprehensive Information Resources Site For Beyoncé’s “Lemonade” And – “Is the new Beyoncé video a tribute to Pipilotti Rist?”

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“Zack Snyder’s film was stylized to a fault, with its slo-mo shots and pirouetting camera moves; the Russo Brothers’ is functional, un-showy—maybe even a little drab. Batman v Superman was larded with ominous aphorisms and loaded dialogue about power and humanity and guilt and loyalty and duty; Civil War is…well, OK, it’s got a ton of those, too.”

“Zack Snyder’s film was stylized to a fault, with its slo-mo shots and pirouetting camera moves; the Russo Brothers’ is functional, un-showy—maybe even a little drab. Batman v Superman was larded with ominous aphorisms and loaded dialogue about power and humanity and guilt and loyalty and duty; Civil War is…well, OK, it’s got a ton of those,…

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“The plotting here is at once both agonizingly predictable and profoundly demented. There isn’t a single line in this movie that sounds as if it was written by a human, but far too few flow with the inbred poetry of The Room or Birdemic (the dialogue cleaves closer to the “Navajo English” of Godard’s Film Socialisme). The movie’s most natural reaction shot belongs to a llama.”

“The plotting here is at once both agonizingly predictable and profoundly demented. There isn’t a single line in this movie that sounds as if it was written by a human, but far too few flow with the inbred poetry of The Room or Birdemic (the dialogue cleaves closer to the “Navajo English” of Godard’s Film…

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Fox Pulls Out Of ComicCon Presentation

Fox Pulls Out Of ComicCon Presentation Over Leaks

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A Hw’d Prince Tale By Tom Hollander

A Hw’d Prince Tale By Tom Hollander

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Emirati Cinema Emerges

Emirati Cinema Emerges

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Picturing Ten Abandoned Moviehouses In New York And New Jersey

Picturing Ten Abandoned Moviehouses In New York And New Jersey

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Art Of The Title Credits Nashville With Dan Perri

Art Of The Title Credits Nashville With Dan Perri

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Captain America Production Designer Tells Australia To Spend More Cash To Insure Continuity Of Work

Captain America Production Designer Tells Australia To Spend More Cash To Insure Continuity Of Work

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Kevin Hart On What Makes Kevin Hart, Inc. Run

“I want to reach the status of becoming a mogul. And the only way you get there is by work.When obstacles have been put in front of me, I just get around them and move past them and laugh at them.” Kevin Hart On What Makes Kevin Hart, Inc. Run

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Paul Duane On The Fragrant Mysteries Of Only Angels Have Wings

Paul Duane On The Fragrant Mysteries Of Only Angels Have Wings

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Coppola Reveals More Projects, Including A 35-Minutes-Longer Cotton Club

Coppola Reveals More Projects, Including A 35-Minutes-Longer Cotton Club

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Paul Feig And His Production Designer On What Was Kept From Original Ghostbusters

Paul Feig And His Production Designer On What Was Kept From Original Ghostbusters

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Talking Up The Young Fans Of The TCM Classic Film Festival

Talking Up The Young Fans Of The TCM Classic Film Festival

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Manhattan’s IFC Center Expansion From Five To Eleven Screens Faces Opposition

Manhattan’s IFC Center Expansion From Five To Eleven Screens Faces Opposition

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Richard Brody Says Traditional Theatrical Release Patterns Hurt Independent Films

“It’s up to critics and editors to acknowledge what was already clear in 1969—the realm of movies, their substance and their distribution, has changed drastically, and the practice of criticism needs to catch up with it. Richard Brody Says Traditional Theatrical Release Patterns Hurt Independent Films But Critics Can Help

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Julie Dash’s Daughters Of The Dust, Apparent Influence On “Lemonade,” Restored And To Be Rereleased In Fall

Julie Dash’s Daughters Of The Dust, Apparent Influence On “Lemonade,” Restored And To Be Rereleased In Fall

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Palm Desert Moviehouse Co-Owned By Bryan Cranston To Close Over Battle With Cinemark

Palm Desert Moviehouse Co-Owned By Bryan Cranston To Close Over Battle With Cinemark

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” Texas Cut the Budget for Film Incentives. Now Filmmakers Are Leaving to Shoot Elsewhere.”

“Texas Cut The Budget For Film Incentives. Now Filmmakers Are Leaving To Shoot Elsewhere.”

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Documentarian Margaret Brown On Turning To The Short Form

Documentarian Margaret Brown On Turning To The Short Form

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon