Movie City News Archive for July, 2016

Japanese Godzilla Returns

Japanese Godzilla Returns

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M.I.A. Says MTV Sexist, Racist, Classist

M.I.A. Says MTV Sexist, Racist, Classist

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Checking In With Norman Jewison, Canada’s “Director Emeritus,” At 90

Checking In With Norman Jewison, Canada’s “Director Emeritus,” At 90

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Amazon Profits Up 800%

Amazon Profits Up 800% 

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US Investment Fund May Pony $425 Million For UK Pinewood Studios

US Investment Fund May Pony $425 Million For UK Pinewood Studios

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What’s Your Vampire Carrying? On The Sexually Transmitted Narratives Of It Follows And Lace Crater

What’s Your Vampire Carrying? On The Sexually Transmitted Narratives Of It Follows And Lace Crater

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“Spiritually, the director Paul Feig’s version of New York City resembles the backdrop to a late-night talk show, full of lights and absent of people. Its sheer human blankness is the one genuinely eerie thing about it.”

“Spiritually, the director Paul Feig’s version of New York City resembles the backdrop to a late-night talk show, full of lights and absent of people. Its sheer human blankness is the one genuinely eerie thing about it.”

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Egyptian Filmmaker Mohamed Khan, Given To Feminist Protagonists, Was 73

Egyptian Filmmaker Mohamed Khan, Given To Feminist Protagonists, Was 73

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Hyperviolent Animated Batman: The Killing Joke Slays $3.8 Million In Two-Day-Only, 1,300-Screen Release

Hyperviolent Animated Batman: The Killing Joke Slays $3.8 Million In Two-Day-Only, 1,300-Screen Release

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Omer M. Mozaffar Looks At “Violence And The American Man” Through Fruitvale Station And American Sniper

Omer M. Mozaffar Looks At “Violence And The American Man” Through Fruitvale Station And American Sniper

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“Jack Davis, Part Of Mad Magazines Usual Gang Of Idiots, Was 91”

Obit Hed Of Week “Jack Davis, Part Of Mad Magazine’s Usual Gang Of Idiots, Was 91”

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American Sniper Fans Disapprove Of Bradley Cooper Attending DNC

this bradley cooper thing has me so upset im burning all his dvds I have a list of celebrities that support Socialism I refuse to spend another $ on. Add this one. Boycott them all. American Sniper Random Fans Disapprove Of Bradley Cooper Attending DNC

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The DVD Wrapup: Born to Be Blue, Sing Street, Boss, Hardcore Henry, Criminal, Opry Classics, Last Diamond, Invitation, Ozland and more

This spring, jazz lovers were given the rare opportunity to sample films about two of the greatest trumpet players in American musical history. And, while neither Robert Budreau’s Born to Be Blue or Don Cheadle’s Miles Ahead would pass a lie-detector test, both are well-made testaments to the players’ unique talents and well-documented idiosyncrasies. Performances by Ethan Hawke and Don Cheadle in the lead roles are wonderful and the soundtracks do justice to the artists’ legacy. The Chet Baker we meet in Born to Be Blue has already scaled the heights of his art – largely off-screen – and is starring as himself in an unfinished biopic, presumably being made in Italy. Budreau uses black-and-white flashbacks to describe Baker’s past and color for the period following the brutal 1966 attack that seriously threatened his career and required of him that he relearn the mechanics of playing the trumpet. In this, he receives the tireless support of a composite African-American girlfriend (Carmen Ejogo), who finally must face the reality that, when forced to choose between heroin and love, an addict will always pick his love for junk.

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When Walter Mondale Made Sure Abbas Kiarostami Got To Minnesota

When Walter Mondale Made Sure Abbas Kiarostami Got To Minnesota

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Werner Herzog Talks Tech

Werner Herzog Talks Tech

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Remastered Phantasm Pics Get Theatrical Release

Remastered Phantasm Pics Get Theatrical Outing

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Peet Gelderblom On How His Fan Edit Of Raising Cain Became A Brian De Palma-Approved Director’s Cut

Peet Gelderblom On How His Fan Edit Of Raising Cain Became A Brian De Palma-Approved Director’s Cut

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Noel Murray On Mel Gibson, Action Auteur

Noel Murray On Mel Gibson, Action Auteur

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Grasshopper+Marks Launched To Connect Nonprofits And Brands With Independent Filmmakers For Socially Conscious Movies

Grasshopper+Marks Launched To Connect Nonprofits And Brands With Independent Filmmakers For Socially Conscious Movies

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Is Aliens The Ideal Sequel?

Is Aliens The Ideal Sequel?

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon