Movie City News Archive for August, 2016

What’s Up With Tronc’s Battle Against Gannett Bid?

What’s Up With Tronc’s Battle Against Gannett Bid?

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Wby Does Edinburgh Theatre Thrive?

Wby Does Edinburgh Theatre Thrive?

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Gene Wilder’s 1991 Goodbye To His Wife Gilda Radner

Gene Wilder‘s 1991 Goodbye To His Wife Gilda Radner

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Academy Announces 2016 Student Academy Award Winners

The Academy has voted 17 students as winners of the 43rd Student Academy Awardscompetition. The Academy received a record number of entries this year – 1,749 films from 286 domestic and 95 international colleges and universities – which were voted by a record number of Academy members.  The 2016 winners join the ranks of such past…

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“Gene Wilder’s characters were less loose cannons than untethered hosepipes, that could uncoil at any given moment.”

“Gene Wilder’s characters were less loose cannons than untethered hosepipes, that could uncoil at any given moment.”

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In Anticipation Of His September 1 Radio City Music Hall Gig, Mel Brooks Talks Blazing Saddles

In Anticipation Of Radio City Music Hall Gig, Mel Brooks Talks Blazing Saddles 

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“Why Bad Moms Succeeded Where Ghostbusters Failed”

“Why Bad Moms Succeeded Where Ghostbusters Failed”

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Sean Fennessey On Gene Wilder’s Choice To Walk Away From Acting 25 Years Ago

“I don’t like show business, I realized. I like show, but I don’t like the business.” Sean Fennessey On Gene Wilder’s Choice To Walk Away From Acting 25 Years Ago

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NPR’s 2005 Interview With Gene Wilder About Life, Work And Gilda Radner

NPR’s 2005 Interview With Gene Wilder About Life, Work And Gilda Radner

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Todd Phillips On War Dogs And What’s On His Mind

“I’ve been offered some pretty big movies, superheroes movies and other stuff of that ilk. Those aren’t the movies that I go see. I go with my taste above thinking of my career and what would be a smart movie for me to make. I had built up a lot of goodwill at Warner Bros; we…

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The NYT On Gene Wilder

“Don’t try to make it funny, try to make it real.” The NYT On Gene Wilder

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Pride, Unprejudiced: Sunset Song, Weiner, The Invitation

A high point among so many, flawed only by a small, smoothing cut, is in the Weiner-Abedin kitchen one morning, when Abedin is asked how she’s doing. She pauses, there’s a cut, she says flatly, “It’s like living in a nightmare.” She smiles, all poise and resolve and red lipstick and white teeth and hightails it out of the frame. Second only to that is Weiner turning to his interrogators in the back of his car, “Isn’t the fly on the wall technique, doesn’t that have a little to do with the notion of not being seen or heard, you just kind of pick up what goes on around you?”

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GENE WILDER WAS 83

GENE WILDER WAS 83

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90-Year-Old Jerry Lewis Gets Glum With USA TODAY

“You’re looking at the end of result of faking falls.” 90-Year-Old Jerry Lewis Gets Glum With USA TODAY

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BuzzFeed Turns To Example Of “Snackable Food Video Content” For Its Viewer Experience

BuzzFeed Turns To Example Of “Snackable Food Video Content” For Its Viewer Experience

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In Praise Of Older Women Director George Kaczender, 83

In Praise Of Older Women Director George Kaczender, 83

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Tad Friend’s Afternoon With Cameraperson Kirsten Johnson

Tad Friend‘s Afternoon With Cameraperson Kirsten Johnson

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Breaking Out of My Identity as an American Foreign-Language Filmmaker

Joshua Marston On “Breaking Out Of My Identity As An American Foreign-Language Filmmaker”

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“There are two clear winners in digital media, Google and Facebook, and their imperial success has largely reduced everybody else to a vassal state, living off their patronage and goodwill.”

“There are two clear winners in digital media, Google and Facebook, and their imperial success has largely reduced everybody else to a vassal state, living off their patronage and goodwill.”

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China Restrictions On Capital Outflow Extend To Film Industry

China Restrictions On Capital Outflow Extend To Film Industry

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon